Puccini's LA BOHEME Returns to the Met Stage Next Week
South Korean conductor Eun Sun Kim, who became music director of San Francisco Opera this fall, will make her Met debut leading Puccini’s La Bohème November 9, marking the first of five female conductors to take the Met podium this season—the most in Met history.Â
Merola Hosts UN GALA IN MASCHERA Honoring Sheri Greenawald
Opera lovers everywhere are invited to join the acclaimed Merola Opera Program for its first-ever virtual benefit gala, Un Gala in Maschera. This musical evening honors Merola Artistic Director Sheri Greenawald (2002-2020), celebrating her nearly two decades as Director of the San Francisco Opera Center and Artistic Director of the Merola Opera Program.
Washington National Opera Has Announced its 2020â€"2021 Season
Washington National Opera's (WNO) 2020-2021 season offers an ambitious mix of sweeping political epics and intimate stories of interpersonal relationships, centered on human pursuits of justice, power, and love. Led by General Director Timothy O'Leary and Artistic Director Francesca Zambello, WNO announces the six mainstage titles in the 2020-2021 season: Fidelio, Nixon in China, Boris Godunov, Rigoletto, Così fan tutte, and La bohème.
Seattle Opera Presents CINDERELLA
When stage director Lindy Hume last worked at Seattle Opera, her powerful Rigoletto sparked important #MeToo conversations with a story intended to be devoid of hope. Next up, she's bringing something completely different to McCaw Halla?"a sparkling fairytale that families will fall in love with.
BWW Review: MN Opera Portrays Sacrifices for Love in Magnificent LA TRAVIATA
Opening on the past Saturday night at the Ordway Center, MN Opera staged a magnificent production of Giuseppe Verdi's 1853 Opera La Traviata. Verdi's breathtaking love and death opera accompanied by Francesco Maria Piave's libretto was adapted after Alexander Dumas' 'Lady of the Camellias' or 'La Dame aux Camelias. In Verdi's reimagining of the Dumas novel, his music showcases the prodigious talents and voice of the protagonist, Violetta. For the company's opening night, Nicole Cabel masterfully sang the challenging operatic role.
Utah Opera Continues With THE MAGIC FLUTE
Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.
Utah Opera Continues With THE MAGIC FLUTE
Utah Opera continues its 2018-19 season with Wolfgang Amadeus Mozart's The Magic Flute, a fairytale-like story with lessons of courage, respect, and truth. Utah Symphony Music Director Thierry Fischer together with Stage Director Paul Peers will lead five performances at the Janet Quinney Lawson Capitol Theatre (50 West 200 South) on March 9 and 15 at 7:30 PM, March 11 and 13 at 7 PM, and March 17 at 2 PM. Tickets, priced from $29-$108, and $15 student tickets, are available for purchase through www.utahopera.org or by calling 801-533-6683.
Seattle Opera Unveils 2019/20 Season
With a mix of new and traditional takes on opera, Seattle Opera unveils a 2019/20 Season that offers something for everyone. Audiences will experience new-to-Seattle productions of Rigoletto, Cinderella, and Eugene Onegin; the company premiere of Charlie Parker's Yardbird; and the return of a beloved classic, La boh me.