Boston Ballet To Acquire Brookline Ballet School In 2025
by A.A. Cristi - Jan 23, 2025
Boston Ballet School (BBS) will acquire local dance studio Brookline Ballet School, adding to its reach throughout the Eastern Massachusetts region. The purchase process is set to conclude in early 2025, with a goal of opening programming at the new location in July.
Review: ONEGIN, Royal Ballet and Opera
by Matthew Paluch - Jan 23, 2025
Cranko took the predictable love melodrama - I want you, I don't, actually I do, well now I don’t - and turned it into a full-length, 3 act ballet. It divides people - some love, some less so. I definitely think it has strong moments throughout, and an overall, refined structure that can't be denied. Add to that the layered, textured sets by Jürgen Rose and Tchaikovsky's lusher than lush score, and things are likely going to work out.
El INBAL Informa Sobre Nuevos Nombramientos
by A.A. Cristi - Jan 14, 2025
La Secretaría de Cultura del Gobierno de México y el Instituto Nacional de Bellas Artes y Literatura (INBAL) informan sobre los nuevos nombramientos al frente de la Compañía Nacional de Danza y en las direcciones del Museo Nacional de Arte, Museo Tamayo, Museo Nacional de San Carlos y en la Galería José María Velasco.
Guest Artists Set For Connecticut Ballet's THE NUTCRACKER
by Stephi Wild - Nov 27, 2024
Connecticut Ballet, under the artistic direction of Brett Raphael, announced the celebrated guests artists who will appear in the company's 40th anniversary production of its holiday blockbuster, Tchaikovsky's The Nutcracker.
MTI Launches New Licensing Division, MTI Concert Dance
by Nicole Rosky - Mar 28, 2024
MTI Concert Dance will license choreographed works from well-known choreographers across many genres of dance. For its launch, MTI has partnered with The Robbins Rights Trust to exclusively license the entire ballet repertory of the legendary Jerome Robbins.
Video: NYC Ballet's Jovani Furlan on Justin Peck's ROTUNDA
by Joshua Wright - Jan 25, 2024
Watch as original cast member Jovani Furlan illustrates how punctuated repetition, choreographic tension, and the element of surprise effect the moods of an early rehearsal that Justin Peck sought in creating Rotunda.