John Brownlee

Photos: First Look at Uzo Aduba & Matthew Broderick in PAINKILLER on Netflix

Check out new photos of Uzo Aduba, Matthew Broderick, Taylor Kitsch, Dina Shihabi, and West Duchovny in PAINKILLER, a scripted limited series that explores some of the origins and aftermath of the opioid crisis in America. PAINKILLER is based on the book PAIN KILLER by Barry Meier.

The Met Opera to Open 2014-15 Season With New Production of Mozart's LE NOZZE DI FIGARO, 9/22

The Metropolitan Opera will open its 130th season on Monday, September 22 with a new production of Mozart's Le Nozze di Figaro, conducted by Met Music Director James Levine and directed by Richard Eyre.

2012 TDF/Irene Sharaff Awardees Announced

Two-time Tony Award nominated costume designer Carrie Robbins, and scenic, lighting, costume designer and educator Lloyd Burlingame are among the 2012 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, May 4, at 6:30pm, at the Hudson Theatre (145 West 44th Street). Ms. Robbins was selected to receive the 2012 TDF/Irene Sharaff Lifetime Achievement Award for costume design, and Mr. Burlingame will receive the Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design.

Carline Ray Conducts Master Jazz Workshop on March 1

International Women in Jazz Proudly Presents Carline Ray, Bassist, Singer, Composer, Educator, Conducting a Master Workshop for Singers, Instrumentalists, and Music Aficionados.

Terra Foundation For American Art Presents Free Two-Day, Two-City Symposium 6/19-20

To many, modern art means post-1940s abstraction. Yet American modernism got its start decades earlier and took several forms. The Terra Foundation for American Art, Milwaukee Art Museum and the American Decorative Art 1900 Foundation are convening a free two-day, two-city symposium, ?What?s Modern about American Art, 1900 ?1930?? on June 19 (Chicago) and June 20 (Milwaukee). The symposium explores modernism as expressed in American painting and design from 1900 to 1930. Free registration is required, and includes free round-trip transportation between Chicago and Milwaukee for the June 20 programming. For more information and to register, visit www.terraamericanart.org/modernism-symposium or call (312) 654-2278.

Terra Foundation For American Art Presents Free Two-Day, Two-City Symposium 6/19-20

To many, modern art means post-1940s abstraction. Yet American modernism got its start decades earlier and took several forms. The Terra Foundation for American Art, Milwaukee Art Museum and the American Decorative Art 1900 Foundation are convening a free two-day, two-city symposium, ?What?s Modern about American Art, 1900 ?1930?? on June 19 (Chicago) and June 20 (Milwaukee). The symposium explores modernism as expressed in American painting and design from 1900 to 1930. Free registration is required, and includes free round-trip transportation between Chicago and Milwaukee for the June 20 programming. For more information and to register, visit www.terraamericanart.org/modernism-symposium or call (312) 654-2278.

Renee Fleming and Thomas Hampson Star In Met's 'Thais' 12/8

Ren?e Fleming and Thomas Hampson star in the Met's first new production of Jules Massenet's richly melodic Tha?s in thirty years. The rarely performed opera opens at the Met on Monday, December 8, and runs through January 8, with the December 20 matinee transmitted live worldwide as part of The Met: Live in HD series. 'Fleming and Hampson made a heavenly match,' Chicago Sun-Times critic Wynne Delacoma wrote when this production, which comes from the Lyric Opera of Chicago, opened there in 2002.

Renee Fleming and Thomas Hampson Star In Met's 'Thais' 12/8

Ren?e Fleming and Thomas Hampson star in the Met's first new production of Jules Massenet's richly melodic Tha?s in thirty years. The rarely performed opera opens at the Met on Monday, December 8, and runs through January 8, with the December 20 matinee transmitted live worldwide as part of The Met: Live in HD series. 'Fleming and Hampson made a heavenly match,' Chicago Sun-Times critic Wynne Delacoma wrote when this production, which comes from the Lyric Opera of Chicago, opened there in 2002.