BWW Review: MEMPHIS at Theatre Three
By 2009, when the musical MEMPHIS opened on Broadway, America had nearly 60 years since the Civil Rights Movement began in the 1950s. But, despite significant progress, headlines even today continue to affirm our society's failings in the areas of discrimination and prejudice. Monday night, when the house lights faded for opening night of MEMPHIS at Theatre Three, the crowd cheered. Although I was just as eager to support the company's newest production, I'd not considered how moved I would be by the historic, but still timely themes.
Photo Flash: First Look at MEMPHIS at Theatre Three, Now in Performances!
Memphis is set in the 1950s where rock 'n' roll was born: the seedy underground nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original book and score by David Bryan (keyboard player, songwriter and founding member of Bon Jovi) and Joe DiPietro (I Love You, You're Perfect, Now Change and All Shook Up!), it tells the fictional story of Huey Calhoun, a white radio DJ with a passion for R&B music and Felicia Farrell, an up-and-coming black club singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. Filled with high-octane dancing, songs that perfectly capture the era, and an absorbing tale of fame and forbidden love, the show offers soaring emotion and roof-raising rock 'n' roll.