Lyric Opera's RING Cycle to Come Full Circle With GOTTERDAMMERUNG
The tragedy of warrior-maiden Brünnhilde and her beloved hero Siegfried unfolds amidst the utter greed and evil machinations of revenge-driven Alberich and his malevolent son Hagen. Love triumphs as one world ends and a new one begins bringing Wagner's magnificent Ring cycle full circle.
Lyric Opera of Chicago's RING Cycle Will Begin in April
A four-opera saga that unfolds over the course of a single week. Three weeklong cycles to be presented at Lyric in a thrilling new production that has earned rave reviews and attracted audience members from every corner of the planet. One magical lump of gold that leads to the end of one world and the beginning of another. In opera's most monumental undertaking, characters inspired by Norse mythology battle over power and love, violate sacred oaths, and make unimaginable sacrifices a?" all set to Richard Wagner's brilliant, glorious music. The word 'epic' is often overused, but it truly applies to the Olympian achievement that is The Ring of the Nibelung.
Lyric's RING Cycle Continues With SIEGFRIED
Join the fearless young Siegfried on his adventure-filled journey to manhood (and discovery of love) over the course of this playful, musically magnificent opera. This is the third part of Richard Wagner's epic four-part Ring of the Nibelung cycle, of which each opera is a feast on its own. No prior Ring experience is necessary.
DIE WALK RE Opens Tonight at Lyric Opera of Chicago
Lyric Opera of Chicago's new production of Wagner's Die Walk re opens Wednesday, November 1. The famous Ride of the Valkyries music will exhilarate first-time and experienced audiences alike, as will the many powerful and poignant dramatic developments and musical motifs interwoven throughout this epic opera.
Photo Flash: First Look at Lyric Opera of Chicago's THE PASSENGER
Lyric Opera of Chicago presents Mieczys?aw Weinberg's powerfully haunting opera, The Passenger, conducted by Sir Andrew Davis in a new-to-Chicago production by David Pountney. It opens on Tuesday, February 24 with six performances through Sunday, March 15. Performance dates are Feb. 24, 28, Mar. 4, and 9 at 7:30pm; and Mar. 12 and 15 at 2pm. The Passenger will be sung in Russian, German, Polish, French, Yiddish, Greek, Czech, and English with projected English translations.
Author Zofia Posmysz Set for Lyric Opera of Chicago's Discussion of THE PASSENGER, 2/15
Lyric Opera of Chicago today announced several updates to “?Memory and Reckoning,” a confluence of activities related to the Chicago premiere of Mieczys?aw Weinberg's The Passenger, on stage at Lyric February 24 through March 15. This poignant and gripping 20th-century masterpiece portrays the story of the Holocaust from the perspectives of both victim and perpetrator, and was only recently rediscovered after more than 40 years of suppression. “Memory and Reckoning” is a supplemental series of events designed to expand and amplify the themes of this powerful opera.
The Houston Grand Opera Announces 60th Anniversary Season, Featuring World Premiere of A CHRISTMAS CAROL by Iain Bell and More
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
The Houston Grand Opera Closes Its 2013-2014 Season with THE PASSENGER
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
Houston Grand Opera Presents the New York Premiere of Mieczyslaw Weinberg's THE PASSENGER, Now thru 7/13
Houston Grand Opera's U.S. premiere of Mieczyslaw Weinberg's The Passenger- the long-suppressed Holocaust opera that Shostakovich declared 'a perfect masterpiece'- earned virtually universal acclaim earlier this year. The Chicago Tribune declared The Passenger to be an 'engrossing, thought-provoking experience,' while the Houston Chronicle praised the presentation for 'ingenious storytelling, potent music, commanding performances and vivid, fast-paced staging.' Now HGO brings the David Pountney production of The Passenger for its New York premiere in three performances- today, July 10, 12, 13 -at the Park Avenue Armory as part of the 2014 Lincoln Center Festival.
Placido Domingo Returns in LA Opera's THAIS, Starring Nino Machaidze, Tonight
General Director Plácido Domingo returns to the Dorothy Chandler Pavilion stage in the final production of LA Opera's 2013/14 season, Jules Massenet's Thaïs,starring soprano Nino Machaidze in the title role. Mr. Domingo will perform the baritone role of Athanaël, a monk whose determination to save the soul of a beautiful courtesan transforms into an unholy obsession. With these performances of Athanaël, Mr. Domingo will have sung 25 leading roles at LA Opera.
Cape Town Opera's SHOW BOAT Will Return this May
Presented by Cape Town Opera, Show Boat is a musical of the old American South, rich with nostalgia, humour, love stories and well-loved melodies such as Ol' Man River and Can't Help Lovin' Dat Man. This ever-popular critically acclaimed musical will be on stage at the Opera House at Artscape, Cape Town for four performances only from 16 to 18 May 2014 before the production tours the United Kingdom from 2 July to 2 August 2014. Tickets for the limited South African season are on sale at Computicket.
Placido Domingo Returns in LA Opera's THAIS, Starring Nino Machaidze, 5/17
General Director Plácido Domingo returns to the Dorothy Chandler Pavilion stage in the final production of LA Opera's 2013/14 season, Jules Massenet's Thaïs,starring soprano Nino Machaidze in the title role. Mr. Domingo will perform the baritone role of Athanaël, a monk whose determination to save the soul of a beautiful courtesan transforms into an unholy obsession. With these performances of Athanaël, Mr. Domingo will have sung 25 leading roles at LA Opera.
The LA Opera Presents THAÏS, 5/17-6/7
General Director Plácido Domingo returns to the Dorothy Chandler Pavilion stage in the final production of LA Opera's 2013/14 season, Jules Massenet's Thaïs,starring soprano Nino Machaidze in the title role. Mr. Domingo will perform the baritone role of Athanaël, a monk whose determination to save the soul of a beautiful courtesan transforms into an unholy obsession. With these performances of Athanaël, Mr. Domingo will have sung 25 leading roles at LA Opera.