Joel Prieto
Latest News on Joel Prieto:
TV: Trailer de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela (Oct 6, 2023)
Photos: Primeras imágenes de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela (Oct 2, 2023)
Daniele Rustioni Makes American Orchestral Conducting Debut With the Indianapolis Symphony Orchestra (Jan 31, 2019)
TV: Trailer de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela (Oct 6, 2023)
Photos: Primeras imágenes de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela (Oct 2, 2023)
Daniele Rustioni Makes American Orchestral Conducting Debut With the Indianapolis Symphony Orchestra (Jan 31, 2019)
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News
TV: Trailer de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela
Hoy se estrena oficialmente la nueva ópera firmada por Arturo Díez Boscovich.
Hoy se estrena oficialmente la nueva ópera firmada por Arturo Díez Boscovich.
Photos: Primeras imágenes de EL CABALLERO DE OLMEDO en el Teatro de la Zarzuela
Este viernes se estrena la ópera de Arturo Díez Boscovich, con dirección musical de Guillermo García Calvo.
Este viernes se estrena la ópera de Arturo Díez Boscovich, con dirección musical de Guillermo García Calvo.
Daniele Rustioni Makes American Orchestral Conducting Debut With the Indianapolis Symphony Orchestra
Daniele Rustioni, 35, Principal Conductor of the Opera National de Lyon, will make his American orchestral conducting debut with the Indianapolis Symphony Orchestra, January 31-February 2, 2019. Rustioni will lead the orchestra in performances of Rachmaninoff's Symphony No. 3, Respighi's Fontane di Roma, and Shostakovich's Cello Concerto No. 1 with soloist Julian Steckel. Later in the season, Rustioni will conduct a new production of Tchaikovsky's rarely-performed The Enchantress for Opera National de Lyon, make his debut at the Teatro Real Madrid with Verdi's Falstaff, lead the Orchestra della Toscana in a three-city tour of Italy, and return to conduct the Staatsorchester Stuttgart.
Daniele Rustioni, 35, Principal Conductor of the Opera National de Lyon, will make his American orchestral conducting debut with the Indianapolis Symphony Orchestra, January 31-February 2, 2019. Rustioni will lead the orchestra in performances of Rachmaninoff's Symphony No. 3, Respighi's Fontane di Roma, and Shostakovich's Cello Concerto No. 1 with soloist Julian Steckel. Later in the season, Rustioni will conduct a new production of Tchaikovsky's rarely-performed The Enchantress for Opera National de Lyon, make his debut at the Teatro Real Madrid with Verdi's Falstaff, lead the Orchestra della Toscana in a three-city tour of Italy, and return to conduct the Staatsorchester Stuttgart.
Daniele Rustioni Makes American Orchestral Conducting Debut With the Indianapolis Symphony Orchestra
Daniele Rustioni, 35, Principal Conductor of the Opera National de Lyon, will make his American orchestral conducting debut with the Indianapolis Symphony Orchestra, January 31-February 2, 2019. Rustioni will lead the orchestra in performances of Rachmaninoff's Symphony No. 3, Respighi's Fontane di Roma, and Shostakovich's Cello Concerto No. 1 with soloist Julian Steckel. Later in the season, Rustioni will conduct a new production of Tchaikovsky's rarely-performed The Enchantress for Opera National de Lyon, make his debut at the Teatro Real Madrid with Verdi's Falstaff, lead the Orchestra della Toscana in a three-city tour of Italy, and return to conduct the Staatsorchester Stuttgart.
Daniele Rustioni, 35, Principal Conductor of the Opera National de Lyon, will make his American orchestral conducting debut with the Indianapolis Symphony Orchestra, January 31-February 2, 2019. Rustioni will lead the orchestra in performances of Rachmaninoff's Symphony No. 3, Respighi's Fontane di Roma, and Shostakovich's Cello Concerto No. 1 with soloist Julian Steckel. Later in the season, Rustioni will conduct a new production of Tchaikovsky's rarely-performed The Enchantress for Opera National de Lyon, make his debut at the Teatro Real Madrid with Verdi's Falstaff, lead the Orchestra della Toscana in a three-city tour of Italy, and return to conduct the Staatsorchester Stuttgart.
TV: STREET SCENE en el Teatro Real de Madrid
La obra hibrida y marginal del repertorio lirico norteamericano se estrena hoy en el Teatro Real
La obra hibrida y marginal del repertorio lirico norteamericano se estrena hoy en el Teatro Real
STREET SCENE calienta motores para su estreno en el Teatro Real
Llega el 13 de Febrero al Teatro Real en coproduccion con las Operas de Colonia y de Montecarlo y con el patrocinio de BBVA
Llega el 13 de Febrero al Teatro Real en coproduccion con las Operas de Colonia y de Montecarlo y con el patrocinio de BBVA
LA Opera to Stage Mozart's ABDUCTION FROM THE SERAGLIO This Winter
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson.
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson.
LA Opera to Stage Mozart's ABDUCTION FROM THE SERAGLIO This Winter
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson.
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson.
Photo Flash: First Look at LA Opera's THE ABDUCTION FROM THE SERAGLIO
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson. BroadwayWorld brings you a first look below!
General Director Placido Domingo announced that LA Opera's next production-Mozart's sparkling comedy The Abduction from the Seraglio, conducted by Music Director James Conlon-will take audiences on a delightful journey aboard the fabled Orient Express, thanks to a cleverly updated staging by director James Robinson. BroadwayWorld brings you a first look below!
Over 50 Performances Set for Lincoln Center's 50th MOSTLY MOZART FESTIVAL
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Photo Flash: First Look at CARMEN in Paris Adapted by HAMILTON's Alex Lacamoire
Theatre du Chatelet presents Carmen la Cubana with arrangements and orchestration by HAMILTON's Alex Lacamoire and directed by Manny Schvartzman, now running thru April 30. BroadwayWorld has a first look below!
Theatre du Chatelet presents Carmen la Cubana with arrangements and orchestration by HAMILTON's Alex Lacamoire and directed by Manny Schvartzman, now running thru April 30. BroadwayWorld has a first look below!
Over 50 Performances Set for Lincoln Center's 50th MOSTLY MOZART FESTIVAL
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Lincoln Center and Ehrenkranz Artistic Director Jane Moss announced today the 50th Mostly Mozart Festival, one of the world's major music festivals and a beloved summer New York tradition, with events taking place across Lincoln Center July 22-August 27, 2016.
Festival d'Aix-en-Provence Sets 2016 Season
The 68th season of the Festival d'Aix-en-Provence, under the leadership of General Manager Bernard Foccroulle, will present an international roster of artists in six major vocal productions plus an opera-in-concert from June 30 - July 20. New Festival productions this year are Mozart's Cosi fan tutte directed by Christophe Honore and conducted by Louis Langree with the Freiburger Barockorchester; Debussy's Pelleas et Melisande led by Esa-Pekka Salonen with the Philharmonia Orchestra; and completing the Festival's Handel Cycle, Il Trionfo del tempo e del disinganno conducted by Emmanuelle Haimwith Le Concert d'Astree. In addition, the 2016 season will feature a concert version of Rameau's Zoroastre with Raphael Pichon leading the orchestra and choir of the Ensemble Pygmalion.
The 68th season of the Festival d'Aix-en-Provence, under the leadership of General Manager Bernard Foccroulle, will present an international roster of artists in six major vocal productions plus an opera-in-concert from June 30 - July 20. New Festival productions this year are Mozart's Cosi fan tutte directed by Christophe Honore and conducted by Louis Langree with the Freiburger Barockorchester; Debussy's Pelleas et Melisande led by Esa-Pekka Salonen with the Philharmonia Orchestra; and completing the Festival's Handel Cycle, Il Trionfo del tempo e del disinganno conducted by Emmanuelle Haimwith Le Concert d'Astree. In addition, the 2016 season will feature a concert version of Rameau's Zoroastre with Raphael Pichon leading the orchestra and choir of the Ensemble Pygmalion.
The Santa Fe Opera Holds High Note This Season
At a time when things seem challenging for opera, the Santa Fe Opera holds strong. Santa Fe is among the oldest opera festivals in America and is the largest and most important. It has made its reputation as a distinctive company with a flair for the unusual. This summer they presented operas such as “Dr. Sun Yat-Sen” by Huang Ruo, and Beethoven's “Fidelio.”
At a time when things seem challenging for opera, the Santa Fe Opera holds strong. Santa Fe is among the oldest opera festivals in America and is the largest and most important. It has made its reputation as a distinctive company with a flair for the unusual. This summer they presented operas such as “Dr. Sun Yat-Sen” by Huang Ruo, and Beethoven's “Fidelio.”
BWW Reviews: HGO's DON GIOVANNI's Plot Drags Despite Tremendous Talents
Running opposite the bright and colorful SHOWBOAT in Houston Grand Opera's winter repertoire is an austere and dark production of Wolfgang Amadeus Mozart and Lorenzo Da Ponte's DON GIOVANNI. This atmospheric and melodramatic opera presents the audience with the lecherous Don Giovanni, who has hired Leporello to keep a little black book of each of his numerous conquests and sexual assaults against the women of Europe. The show opens with Donna Anna escaping the man and crying out about his assault. Her father rushes to protect her and is unapologetically slain by Don Giovanni. Moving on, Don Giovanni stupefies the naïve Zerlina with his Casanova-like charms and lures her away from her husband Masetto. Meanwhile, Donna Anna, her fiancé, Don Ottavio, and Donna Elvira, an embittered woman that is one of Don Giovanni's conquests, all strive to bring his transgressive improprieties to public light.
Running opposite the bright and colorful SHOWBOAT in Houston Grand Opera's winter repertoire is an austere and dark production of Wolfgang Amadeus Mozart and Lorenzo Da Ponte's DON GIOVANNI. This atmospheric and melodramatic opera presents the audience with the lecherous Don Giovanni, who has hired Leporello to keep a little black book of each of his numerous conquests and sexual assaults against the women of Europe. The show opens with Donna Anna escaping the man and crying out about his assault. Her father rushes to protect her and is unapologetically slain by Don Giovanni. Moving on, Don Giovanni stupefies the naïve Zerlina with his Casanova-like charms and lures her away from her husband Masetto. Meanwhile, Donna Anna, her fiancé, Don Ottavio, and Donna Elvira, an embittered woman that is one of Don Giovanni's conquests, all strive to bring his transgressive improprieties to public light.
Houston Grand Opera Announces Expanded Season
With rave reviews for Puccini's La boheme and Rossini's Italian Girl in Algiers to its credit, Houston Grand Opera's season is up and running. Starting in January, the company offers productions of Mozart's Don Giovanni and Kern and Hammerstein's classic American musical Show Boat, which bring with them the company debuts of conductor Trevor Pinnock, bass Morris Robinson, baritone Adrian Erod, Broadway legend Tommy Tune, and more. They will be followed in March by HGO's original and highly acclaimed production of Cruzar la Cara de la Luna / To Cross the Face of the Moon, a mariachi opera by Jose "Pepe" Martinez and Leonard Foglia. Tickets are on sale now and moving quickly for this winter repertory period, which accounts for 14 of the season's 44 performances, a 38 percent increase from an average of 32 performances in recent seasons. This increase, as well as HGO's 34 percent growth in subscription sales and more than $112 million fundraising effort over the last five years, clearly identifies HGO as today's most successful American opera company.
With rave reviews for Puccini's La boheme and Rossini's Italian Girl in Algiers to its credit, Houston Grand Opera's season is up and running. Starting in January, the company offers productions of Mozart's Don Giovanni and Kern and Hammerstein's classic American musical Show Boat, which bring with them the company debuts of conductor Trevor Pinnock, bass Morris Robinson, baritone Adrian Erod, Broadway legend Tommy Tune, and more. They will be followed in March by HGO's original and highly acclaimed production of Cruzar la Cara de la Luna / To Cross the Face of the Moon, a mariachi opera by Jose "Pepe" Martinez and Leonard Foglia. Tickets are on sale now and moving quickly for this winter repertory period, which accounts for 14 of the season's 44 performances, a 38 percent increase from an average of 32 performances in recent seasons. This increase, as well as HGO's 34 percent growth in subscription sales and more than $112 million fundraising effort over the last five years, clearly identifies HGO as today's most successful American opera company.
John Caird's Production of LA BOHEME Opens Houston Grand Opera's 2012-13 Season, 10/19
Houston Grand Opera, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its 2012-13 season, headlined by four new productions. The first of these is Puccini's La boheme, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013's joint bicentennials of Wagner and Verdi, the coming season juxtaposes Tristan und Isolde - starring Ben Heppner and Nina Stemme in a new contemporary staging by Christof Loy - with a revival of Steven Lawless's unforgettable take on Il trovatore. British conductor Trevor Pinnock leads a strong international cast in Mozart's ensemble masterpiece Don Giovanni, while Francesca Zambello's new production of Kern and Hammerstein's Show Boat brings together stars of Broadway and the opera house in a celebration of America's own contribution to the art. For a more intimate experience, Daniela Barcellona and Lawrence Brownlee star in Rossini's dramma giocoso, The Italian Girl in Algiers.
Houston Grand Opera, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its 2012-13 season, headlined by four new productions. The first of these is Puccini's La boheme, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013's joint bicentennials of Wagner and Verdi, the coming season juxtaposes Tristan und Isolde - starring Ben Heppner and Nina Stemme in a new contemporary staging by Christof Loy - with a revival of Steven Lawless's unforgettable take on Il trovatore. British conductor Trevor Pinnock leads a strong international cast in Mozart's ensemble masterpiece Don Giovanni, while Francesca Zambello's new production of Kern and Hammerstein's Show Boat brings together stars of Broadway and the opera house in a celebration of America's own contribution to the art. For a more intimate experience, Daniela Barcellona and Lawrence Brownlee star in Rossini's dramma giocoso, The Italian Girl in Algiers.
Houston Grand Opera Announces its 2012-13 Season
Houston Grand Opera, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its 2012-13 season, headlined by four new productions. The first of these is Puccini's La boheme, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013's joint bicentennials of Wagner and Verdi, the coming season juxtaposes Tristan und Isolde - starring Ben Heppner and Nina Stemme in a new contemporary staging by Christof Loy - with a revival of Steven Lawless's unforgettable take on Il trovatore. British conductor Trevor Pinnock leads a strong international cast in Mozart's ensemble masterpiece Don Giovanni, while Francesca Zambello's new production of Kern and Hammerstein's Show Boat brings together stars of Broadway and the opera house in a celebration of America's own contribution to the art. For a more intimate experience, Daniela Barcellona and Lawrence Brownlee star in Rossini's dramma giocoso, The Italian Girl in Algiers.
Houston Grand Opera, with Music Director Patrick Summers and Managing Director Perryn Leech, announces its 2012-13 season, headlined by four new productions. The first of these is Puccini's La boheme, which launches the new season with a new staging by award-winning British director John Caird. To honor 2013's joint bicentennials of Wagner and Verdi, the coming season juxtaposes Tristan und Isolde - starring Ben Heppner and Nina Stemme in a new contemporary staging by Christof Loy - with a revival of Steven Lawless's unforgettable take on Il trovatore. British conductor Trevor Pinnock leads a strong international cast in Mozart's ensemble masterpiece Don Giovanni, while Francesca Zambello's new production of Kern and Hammerstein's Show Boat brings together stars of Broadway and the opera house in a celebration of America's own contribution to the art. For a more intimate experience, Daniela Barcellona and Lawrence Brownlee star in Rossini's dramma giocoso, The Italian Girl in Algiers.
Photo Coverage: Dress Rehearsal of Wolfgang Amadeus' Opera Don Giovanni in Salzburg
August 6 was the dress rehearsal of Wolfgang Amadeus' opera DON GIOVANNI in Salzburg. The opera is conducted by Yannick Nezet-Seguin, directed by Claus Guth, and the stage design is by artist Christian Schmidt. DON GIOVANNI will premiere on August 9 as part of the annual Salzburg Festival. Broadwayworld brings you coverage of the rehearsal below.
August 6 was the dress rehearsal of Wolfgang Amadeus' opera DON GIOVANNI in Salzburg. The opera is conducted by Yannick Nezet-Seguin, directed by Claus Guth, and the stage design is by artist Christian Schmidt. DON GIOVANNI will premiere on August 9 as part of the annual Salzburg Festival. Broadwayworld brings you coverage of the rehearsal below.
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