Jay Eisenberg
Latest News on Jay Eisenberg:
BWW Review: Pillsbury House Theatre's Odd and Oddly Titled [ALMOST EQUAL TO] is a Uniquely Entertaining and Starkly Relevant Look at Capitalism (Sep 27, 2017)
Mixed Blood Theatre's CHARM Opens 4/22 (Mar 23, 2016)
BWW Reviews: Mixed Blood Theatre's HIR is a Challenging and Rewarding Look at Changing Family Dynamics and Gender Roles and Identities (Mar 1, 2015)
BWW Review: Pillsbury House Theatre's Odd and Oddly Titled [ALMOST EQUAL TO] is a Uniquely Entertaining and Starkly Relevant Look at Capitalism (Sep 27, 2017)
Mixed Blood Theatre's CHARM Opens 4/22 (Mar 23, 2016)
BWW Reviews: Mixed Blood Theatre's HIR is a Challenging and Rewarding Look at Changing Family Dynamics and Gender Roles and Identities (Mar 1, 2015)
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![BWW Review: Pillsbury House Theatre's Odd and Oddly Titled [ALMOST EQUAL TO] is a Uni Photo](https://cloudimages.broadwayworld.com/columnpic8/200200B315D8C0-E5AF-DD71-998DCB7AFA9EC764.jpg)
BWW Review: Pillsbury House Theatre's Odd and Oddly Titled [ALMOST EQUAL TO] is a Uniquely Entertaining and Starkly Relevant Look at Capitalism
Swedish playwright Jonas Hassen Khemiri's* work makes its area debut with Pillsbury House Theatre's excellent production of the odd and oddly titled ALMOST EQUAL TO . But odd in a good way, odd in that it's uniquely structured and covers many topics and doesn't always entirely make sense. In fact pre- and mid-show announcements break the fourth wall a bit and tell us what to expect (or not). According to the program, the play 'is a commentary on the constraints and effects of living within a capitalist economic system.' A mix of economics, sociology, and family drama, ALMOST EQUAL TO will leave you questioning the very meaning of money. In a world with vast inequalities of wealth, that's a worthy thing to think about in a play that's also engaging and entertaining.
Swedish playwright Jonas Hassen Khemiri's* work makes its area debut with Pillsbury House Theatre's excellent production of the odd and oddly titled ALMOST EQUAL TO . But odd in a good way, odd in that it's uniquely structured and covers many topics and doesn't always entirely make sense. In fact pre- and mid-show announcements break the fourth wall a bit and tell us what to expect (or not). According to the program, the play 'is a commentary on the constraints and effects of living within a capitalist economic system.' A mix of economics, sociology, and family drama, ALMOST EQUAL TO will leave you questioning the very meaning of money. In a world with vast inequalities of wealth, that's a worthy thing to think about in a play that's also engaging and entertaining.
Mixed Blood Theatre's CHARM Opens 4/22
Philip Dawkins' CHARM is the story of Mama Darleena, an African American trans woman in her 60s teaching an etiquette class to trans youth experiencing precarious housing in a LGBTQI Chicago community center. Her students range in sexuality, race, and gender identity from a Latina trans woman, to a cisgender couple, to a member of a local gang, to a gay suburban teen. They fight each other and their instructor in equal measure, struggle through their daily battles with poverty, prejudice, and personal identity, seek solace in each other, succeed and fail separately and together.
Philip Dawkins' CHARM is the story of Mama Darleena, an African American trans woman in her 60s teaching an etiquette class to trans youth experiencing precarious housing in a LGBTQI Chicago community center. Her students range in sexuality, race, and gender identity from a Latina trans woman, to a cisgender couple, to a member of a local gang, to a gay suburban teen. They fight each other and their instructor in equal measure, struggle through their daily battles with poverty, prejudice, and personal identity, seek solace in each other, succeed and fail separately and together.
BWW Reviews: Mixed Blood Theatre's HIR is a Challenging and Rewarding Look at Changing Family Dynamics and Gender Roles and Identities
The English language is in need of a gender-neutral pronoun. Firstly to eliminate the awkward 'he or she' and 'his or her,' but also to refer to people who don't identify with either, or in cases where gender really doesn't matter (which is most cases). The title of the new play HIR (pronounced here) is playwright Taylor Mac's suggestion for an alternative to her and him, with ze replacing he and she. But to say that HIR is about transgender and gender issues is to simplify it too much. In fact, it's difficult to put into words just what it's about, but I'll do my best. It's epic and brutal and funny and heart-breaking as it explores ideas of not just gender, but also class, domestic violence, the changing order of things, and the effects of war on soldiers and those left behind. It's one of those plays that will rip you open, lay your emotions bare, and perhaps leave you with a bit of a queasy feeling in the pit of your stomach. But this beautifully done, perfectly cast production at Mixed Blood Theatre, known for its challenging and rewarding work, is well worth it.
The English language is in need of a gender-neutral pronoun. Firstly to eliminate the awkward 'he or she' and 'his or her,' but also to refer to people who don't identify with either, or in cases where gender really doesn't matter (which is most cases). The title of the new play HIR (pronounced here) is playwright Taylor Mac's suggestion for an alternative to her and him, with ze replacing he and she. But to say that HIR is about transgender and gender issues is to simplify it too much. In fact, it's difficult to put into words just what it's about, but I'll do my best. It's epic and brutal and funny and heart-breaking as it explores ideas of not just gender, but also class, domestic violence, the changing order of things, and the effects of war on soldiers and those left behind. It's one of those plays that will rip you open, lay your emotions bare, and perhaps leave you with a bit of a queasy feeling in the pit of your stomach. But this beautifully done, perfectly cast production at Mixed Blood Theatre, known for its challenging and rewarding work, is well worth it.
Photo Flash: First Look at Kindling Theatre's TAKE ME BACK, Opening Tonight at Walkerspace
Kindling Theatre Company presents the World Premiere of TAKE ME BACK, written by Emily Schwend and directed by Jay Stull. TAKE ME BACK begins performances on Friday, February 28 for a limited engagement through Saturday, March 22. Opening Night is Wednesday, March 5 at 8 PM. BroadwayWorld has a first look at the cast in action below!
Kindling Theatre Company presents the World Premiere of TAKE ME BACK, written by Emily Schwend and directed by Jay Stull. TAKE ME BACK begins performances on Friday, February 28 for a limited engagement through Saturday, March 22. Opening Night is Wednesday, March 5 at 8 PM. BroadwayWorld has a first look at the cast in action below!
NYC Premiere of Emily Schwend's TAKE ME BACK Set for Walkerspace, Now thru 3/22
Kindling Theatre Company has announced the World Premiere of TAKE ME BACK, written by Emily Schwend and directed by Jay Stull. TAKE ME BACK begins performances tonight, February 28 for a limited engagement through Saturday, March 22. Opening Night is Wednesday, March 5 at 8 PM. The performance schedule is Wednesday - Saturday at 8 PM, with added performances on Monday, March 3 and Tuesday, March 4 at 8 PM. Performances are at Walkerspace (46 Walker Street, between Broadway and Church Streets).
Kindling Theatre Company has announced the World Premiere of TAKE ME BACK, written by Emily Schwend and directed by Jay Stull. TAKE ME BACK begins performances tonight, February 28 for a limited engagement through Saturday, March 22. Opening Night is Wednesday, March 5 at 8 PM. The performance schedule is Wednesday - Saturday at 8 PM, with added performances on Monday, March 3 and Tuesday, March 4 at 8 PM. Performances are at Walkerspace (46 Walker Street, between Broadway and Church Streets).
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