Jared Reynolds
Latest News on Jared Reynolds:
Lauren Calve Sets Co-Headline Tour Ahead of Debut Album (Jul 31, 2023)
Lauren Calve to Release New Single 'Shift' Tomorrow (May 25, 2023)
THE THEORY OF RELATIVITY Opens At Bridgetown Conservatory Of Musical Theatre (Apr 20, 2022)
Lauren Calve Sets Co-Headline Tour Ahead of Debut Album (Jul 31, 2023)
Lauren Calve to Release New Single 'Shift' Tomorrow (May 25, 2023)
THE THEORY OF RELATIVITY Opens At Bridgetown Conservatory Of Musical Theatre (Apr 20, 2022)
BIO
Jared Reynolds is a writer, actor, and director. He graduated from the University of New Haven with a BA in Theater Arts in 2018. He is also experience in other fields of theater, including lighting design, board operation, and set building.
His writing credits includes his short plays, "Blizzard," "E.Y.E.," and "The Missing Connection," at the University of New Haven, and his short play collection, "Connections," at the Brookfield Theater.
Some of his acting credits include the Favorite Son in Brookfield Theater of the Art's "American Idiot," Al Deluca in the University of New Haven's "A Chorus Line, and Sam in Actorsinger's "A Wild Party."
His directing credits include being a contributing director to the University of New Haven Theater Department's collaborative production, "Empathy," and the short play, "What Remains of Youth," by Erik Gernand.
Photos
News
Lauren Calve Sets Co-Headline Tour Ahead of Debut Album
Shift was recorded in Nashville at 3Sirens Music Group with producer, engineer, songwriter, and multi-instrumentalist Dex Green (Margo Price, Aaron Lee Tasjan, Allison Russell) along with a stellar line-up of musical talent including Fred Eltringham on drums (ACM Drummer of the Year, Drumeo Country Drummer of the Year, Sheryl Crow, Willie Nelson).
Shift was recorded in Nashville at 3Sirens Music Group with producer, engineer, songwriter, and multi-instrumentalist Dex Green (Margo Price, Aaron Lee Tasjan, Allison Russell) along with a stellar line-up of musical talent including Fred Eltringham on drums (ACM Drummer of the Year, Drumeo Country Drummer of the Year, Sheryl Crow, Willie Nelson).
Lauren Calve to Release New Single 'Shift' Tomorrow
Shift was recorded in Nashville at 3Sirens Music Group with producer, engineer, songwriter, and multi-instrumentalist Dex Green (Margo Price, Aaron Lee Tasjan, Allison Russell) along with a stellar line-up of musical talent including Fred Eltringham on drums (ACM Drummer of the Year, Drumeo Country Drummer of the Year, Sheryl Crow, Willie Nelson).
Shift was recorded in Nashville at 3Sirens Music Group with producer, engineer, songwriter, and multi-instrumentalist Dex Green (Margo Price, Aaron Lee Tasjan, Allison Russell) along with a stellar line-up of musical talent including Fred Eltringham on drums (ACM Drummer of the Year, Drumeo Country Drummer of the Year, Sheryl Crow, Willie Nelson).
THE THEORY OF RELATIVITY Opens At Bridgetown Conservatory Of Musical Theatre
Bridgetown Conservatory of Musical Theatre has announced the cast of its May 2022 in-person live production of The Theory of Relativity, by Neil Bartram and Brian Hill. The production will take place May 19 through May 22, 2022 in Bridgetown's new Black Box Theatre. After postponing the production in 2020, and again in 2021, Bridgetown has high hopes for a successful third try.
Bridgetown Conservatory of Musical Theatre has announced the cast of its May 2022 in-person live production of The Theory of Relativity, by Neil Bartram and Brian Hill. The production will take place May 19 through May 22, 2022 in Bridgetown's new Black Box Theatre. After postponing the production in 2020, and again in 2021, Bridgetown has high hopes for a successful third try.
Last Chance To Vote For The BroadwayWorld Connecticut Awards; SPONGEBOB Leads Best Musical!
This is the last chance to vote for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
This is the last chance to vote for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Final Weeks To Vote For The BroadwayWorld Connecticut Awards; Pantochino's SPONGEBOB Leads Best Musical!
Time is running out to vote for for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Time is running out to vote for for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Vote For The 2021 BroadwayWorld Connecticut Awards; Playhouse On Park's PIPPIN Leads Best Musical
Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Our readers set the nominees, and now voting is open for the 2021 BroadwayWorld Connecticut Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Cast Announced For Bridgetown Conservatory's THE THEORY OF RELATIVITY
Bridgetown Conservatory of Musical Theatre has announced the cast of its December 2021 in-person live production of The Theory of Relativity, by Neil Bartram and Brian Hill. The production will take place December 9th through December 12th in Bridgetown's new Black Box Theatre.
Bridgetown Conservatory of Musical Theatre has announced the cast of its December 2021 in-person live production of The Theory of Relativity, by Neil Bartram and Brian Hill. The production will take place December 9th through December 12th in Bridgetown's new Black Box Theatre.
BWW Blog: Amanda Grillo - Theater Club Corner: Meet the Short Play Festival Directors
Coming up March 24th and 25th, we have the theater club's first short play festival. Completely student run, this festival will showcase published plays as well as two original student works. These plays are performed, designed, and directed by the students. As one of the student directors, I can't begin to tell you about how proud I am to be a part of this festival. This is my first time directing outside of classes and I am absolutely thrilled to be directing Smitten written by Mark Harvey Levine. The entire experience has shaped me as a director, actor, designer, and even an audience member. It has definitely impacted how I will look at future productions and has given me even more respect for the various positions involved in making a production happen. Let's meet some of my other fellow directors shall we?
Coming up March 24th and 25th, we have the theater club's first short play festival. Completely student run, this festival will showcase published plays as well as two original student works. These plays are performed, designed, and directed by the students. As one of the student directors, I can't begin to tell you about how proud I am to be a part of this festival. This is my first time directing outside of classes and I am absolutely thrilled to be directing Smitten written by Mark Harvey Levine. The entire experience has shaped me as a director, actor, designer, and even an audience member. It has definitely impacted how I will look at future productions and has given me even more respect for the various positions involved in making a production happen. Let's meet some of my other fellow directors shall we?
BWW Blog: Amanda Grillo - Understanding Empathy: A Theatre for Community Impact Reflection
In taking the class this semester, I learned so much about how theatre makes an impact on our community (yes, that is the class title and it is self explanatory). I learned about other theatre companies make their impact such as La Poca Nostra, the Yes Men, and the San Francisco Mime Troupe. I got the chance to research issues affecting our communities and collaborate with my classmates to make art addressing those issues. This show was certainly one for the books. With a minimal amount of rehearsal time, we put this show together within a matter of weeks. Everyone took on a wide array of responsibilities and I couldn't be prouder of my classmates. Here is what some of them had to say about their experiences:
In taking the class this semester, I learned so much about how theatre makes an impact on our community (yes, that is the class title and it is self explanatory). I learned about other theatre companies make their impact such as La Poca Nostra, the Yes Men, and the San Francisco Mime Troupe. I got the chance to research issues affecting our communities and collaborate with my classmates to make art addressing those issues. This show was certainly one for the books. With a minimal amount of rehearsal time, we put this show together within a matter of weeks. Everyone took on a wide array of responsibilities and I couldn't be prouder of my classmates. Here is what some of them had to say about their experiences:
BWW Blog: Amanda Grillo - Theatre for Community Impact: Inside Rehearsals
Welcome Back! Decisions have been made and by the time you read this article we are merely days away from displaying our work and findings from the semester. Our title has been finalized as ?em-p?-th?. If you notice or it needs to be explained, this is the phonetic spelling of empathy, which has been the overall theme to our work. Our company has been hard at work in rehearsals and in the classroom. I decided to get an inside scoop from my classmates on their thoughts about the production and the class this semester as a whole. Let's get started shall we?
Welcome Back! Decisions have been made and by the time you read this article we are merely days away from displaying our work and findings from the semester. Our title has been finalized as ?em-p?-th?. If you notice or it needs to be explained, this is the phonetic spelling of empathy, which has been the overall theme to our work. Our company has been hard at work in rehearsals and in the classroom. I decided to get an inside scoop from my classmates on their thoughts about the production and the class this semester as a whole. Let's get started shall we?
BWW Blog: Amanda Grillo - Our School, Our Show, OUR TOWN: Meet the Family Edition Part 1
The concept of family is a very large aspect of this production. The cast becomes a family through bonding; the script features two every day families. This week, we have the pleasure of meeting the Gibbs family and getting an inside look at their perspective of theatre and the production.
The concept of family is a very large aspect of this production. The cast becomes a family through bonding; the script features two every day families. This week, we have the pleasure of meeting the Gibbs family and getting an inside look at their perspective of theatre and the production.
BWW Blog: Amanda Grillo - LINE! : A Guide to Getting Off Book
Getting off book not everyone's favorite part, but a necessary one in the rehearsal process. Once the book is out of your hand, you can move freer and explore the character more. You can really dive into specific choices when you aren't preoccupied by the book taking up space in your hands. How does one get off book, you might ask? Well here are some tips and tricks based on what I've learned in my experiences, with input from some of the cast from Our Town.
Getting off book not everyone's favorite part, but a necessary one in the rehearsal process. Once the book is out of your hand, you can move freer and explore the character more. You can really dive into specific choices when you aren't preoccupied by the book taking up space in your hands. How does one get off book, you might ask? Well here are some tips and tricks based on what I've learned in my experiences, with input from some of the cast from Our Town.
BWW Blog: Amanda Grillo - Theatre Club Corner: An Inside Look at CABARET III
Music is in the air at the University of New Haven as the Theatre Club prepares for their third cabaret. The tradition started last Fall under the direction of Robert Vaccaro, who also directed the Spring Cabaret 'Cabaret 2: Electric Boogaloo'. Upon Vaccaro's graduation, the Cabaret was passed to the direction of two time cast member Jared Reynolds. I had the pleasure of speaking with the director, choreographer, and a few cast members about their experiences with Cabaret III.
Music is in the air at the University of New Haven as the Theatre Club prepares for their third cabaret. The tradition started last Fall under the direction of Robert Vaccaro, who also directed the Spring Cabaret 'Cabaret 2: Electric Boogaloo'. Upon Vaccaro's graduation, the Cabaret was passed to the direction of two time cast member Jared Reynolds. I had the pleasure of speaking with the director, choreographer, and a few cast members about their experiences with Cabaret III.
BWW Blog: Amanda Grillo - The Waiting: Post Audition Anxiety
Whether it be for a job interview, a sports team try out, or auditions for a show, we've all been kept waiting anxiously for results. 'Did I do well enough?' 'Did they like it?' 'It would have been better if I had done this.' Cue 'I Hope I Get It' from A Chorus Line. You begin to over analyze the performance you gave. You crave a sense of approval and validation. The audition haunts you until you get that email, phone call, see the physical list posted on a bulletin board, or however the director shares the information. I don't like thinking that things are a 'sure thing'. If it's my first time auditioning for a group/director or they are a close friend of mine that I've sung for dozens of times, I always make sure to bring my A game and the nerves are still there. How do we deal with post audition anxiety? How do we deal with the waiting? Cue Sutton Foster singing that C# for a near fourteen counts in 'I Know It's Today' from Shrek the Musical.
Whether it be for a job interview, a sports team try out, or auditions for a show, we've all been kept waiting anxiously for results. 'Did I do well enough?' 'Did they like it?' 'It would have been better if I had done this.' Cue 'I Hope I Get It' from A Chorus Line. You begin to over analyze the performance you gave. You crave a sense of approval and validation. The audition haunts you until you get that email, phone call, see the physical list posted on a bulletin board, or however the director shares the information. I don't like thinking that things are a 'sure thing'. If it's my first time auditioning for a group/director or they are a close friend of mine that I've sung for dozens of times, I always make sure to bring my A game and the nerves are still there. How do we deal with post audition anxiety? How do we deal with the waiting? Cue Sutton Foster singing that C# for a near fourteen counts in 'I Know It's Today' from Shrek the Musical.
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