Review: ITCH, Opera Holland Park
Jonathan Dove's music underpins and enhances the tale of a teen suddenly thrust into a world of corporate power and environmental exploitation
Review: SERSE, Opera Holland Park
This historical revival of Handel’s Serse particularly emphasises the humorous aspects of the opera, thereby creating a wonderfully entertaining spectacle from start to finish.
Photo Flash: First Look at Royal Opera and London Handel Festival's BERENICE
Handel's Berenice returns to Covent Garden in a new co-production by The Royal Opera and London Handel Festival, nearly 282 years after its 1737 premiere at the Covent Garden Theatre, a forerunner to the Royal Opera House. Staged in the Royal Opera House's Linbury Theatre, the West's End's newest and most intimate theatre, the new production is directed by Adele Thomas and sung in a new English translation by Selma Dimitrijevic.
BWW Review: MARNIE, London Coliseum
After a season that saw some triumphant returns of classic operas, such as the magnificent revival Jonathan Miller's The Barber of Seville, the ENO has taken another gamble on bringing a brand new production to the stage of the London Coliseum. Following Two Boys in 2011, Marnie is the young composer Nico Muhly's second world premiere for ENO.
2015 OzAsia Festival Returns
From Korean synth-rock stars to visionary Japanese performance, heart-breaking Chinese theatre to haunting Indonesian puppetry this year's OzAsia Festival had it all. Record attendance figures have shown that OzAsia Festival has hit its straps, with more than 230,000 people engaging with the event.
Tickets for the Glyndebourne Festival are Still Available
This will be Robin Ticciati's first Glyndebourne Festival as Music Director. He is only the seventh conductor to hold the post in Glyndebourne's 80- year history, following in the distinguished line of Fritz Busch, Vittorio Gui, John Pritchard, Bernard Haitink, Andrew Davis and Vladimir Jurowski.
Glyndebourne Festival Announces 80th Anniversary Season
· Robin Ticciati will conduct his first Glyndebourne Festival as Music Director. He is only the seventh conductor to hold the post in Glyndebourne's 80- year history, following in the distinguished line of Fritz Busch, Vittorio Gui, John Pritchard, Bernard Haitink, Andrew Davis and Vladimir Jurowski.
The New Victory Theater Presents THE FIREWORK MAKER'S DAUGHTER, Premiering 5/3
Co-produced by the United Kingdom's The Opera Group and Opera North in association with ROH2 and Watford Palace Theatre comes the U.S. premiere of David Bruce and Glyn Maxwell's THE FIREWORK MAKER'S DAUGHTER, based on the novel by Philip Pullman (His Dark Materials trilogy) and directed by John Fulljames (The Enchanted Pig, New Vic 2010). Featuring performances by New York's Metropolis Ensemble chamber orchestra, led by GRAMMY Award-nominated conductor Andrew Cyr, and a cast of five singers who enliven shadow puppetry designed by Cambridge, England's Indefinite Articles, THE FIREWORK MAKER'S DAUGHTER makes its American debut at The New Victory Theater from May 3 through May 12, 2013.