The Bluegrass Gospel Musical SMOKE ON THE MOUNTAIN Opens This Weekend At Totem Pole Playhouse
Totem Pole Playhouse, America's summer theatre, located in Caledonia State Park between Gettysburg and Chambersburg, PA has announced the return of Smoke on the Mountain one of the best-loved and most audience-requested musicals in the 69-year history of the venerable Playhouse. The hugely popular Bluegrass Gospel stage musical was first presented during the 1997 season and was so successful it returned again the next year in 1998.
BWW Review: THE 39 STEPS at Rep Stage in Columbia - It's a Sheer Delight!
When I left the Studio Theatre at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia where the Rep Stage is housed, I went up to Director Joseph W. Ritsch with a big smile on my face. He told me he wanted to end their season with a comedy that audiences would enjoy. Well, mission accomplished!
Rep Stage Closes Season With Fast-Paced Comedy THE 39 STEPS
Rep Stage, the professional regional theatre in residence at Howard Community College (HCC), closes its 26th season with "The 39 Steps," a comedy adapted by Patrick Barlow, from the novel by John Buchan. Based on the Alfred Hitchcock masterpiece, this fast-paced spoof of the classic 1935 film is a joy for anyone who loves the magic of theatre.
Rep Stage Closes Season With THE 39 STEPS
Rep Stage, the professional regional theatre in residence at Howard Community College (HCC), closes its 26th season with "The 39 Steps," a comedy adapted by Patrick Barlow, from the novel by John Buchan. Based on the Alfred Hitchcock masterpiece, this fast-paced spoof of the classic 1935 film is a joy for anyone who loves the magic of theatre.
Laguna Playhouse Presents DRIVING MISS DAISY
LAGUNA PLAYHOUSE presents the fourth show in its 98th season, four-time Emmy winner Michael Learned ('The Waltons') and Lance E. Nichols (HBO's 'Treme') staring in the Pulitzer Prize award-winning play, DRIVING MISS DAISY, written by Alfred Uhry and directed by Michael Bloom. Executive Director Ellen Richard comments, 'We are thrilled to bring in 2019 with this powerful and still vitally important play.' Adds Artistic Director Ann E. Wareham, 'Michael Learned and Lance E. Nichols will ignite the stage with their critically acclaimed powerful portrayals of these iconic characters. Led by our brilliant director Michael Bloom, this is a not-to-be-missed production to start the new year.' DRIVING MISS DAISY will begin previews on Wednesday, January 9; will open on Sunday, January 13 at 5:30pm and perform through Sunday, January 27, 2019 at the Laguna Playhouse, 606 Laguna Canyon Drive in Laguna Beach.
BWW Review: Linehan and Ellis March in Step in Reagle Music Theatre's THE MUSIC MAN
Mark Linehan and Jennifer Ellis march in step in a glorious rendering of Meredith Willson's THE MUSIC MAN to close out Reagle Music Theatre's 50th Anniversary Summer Season with a bang. Director/choreographer Susan M. Chebookjian's staging is seamless, with one production number after another showing off the ensemble's terpsichorean talent with challenging dance combinations, and Music Director Dan Rodriguez conducts a 12-piece orchestra that brings out the brio of Willson's score. The 1957 Tony Award-winning Best Musical still has lots of get up and go, with stirring marches and patter songs, romantic ballads, and a town full of characters as American as apple pie.
BWW Review: MY FAIR LADY at Olney Theatre Center is Just Plain 'Loverly'
I recall with reverence the illustrated cover of the original cast album of MY FAIR LADY by the acclaimed caricaturist, the late Al Hirschfeld (who has a Broadway theater named in his honor). It featured the author of 'Pygmalion' which MY FAIR LADY is based on, George Bernard Shaw, overlooking a cloud in heaven with puppet strings holding up the two lead characters in the show, Henry Higgins and Eliza Doolittle, It's a true classic. So was the original cast which opened on Broadway in 1956 and starred Julie Andrews and Rex Harrison and later became a smash movie with Harrison and Audrey Hepburn in 1964. I recall having a reserved seat ticket for the film.
BWW Review: Amusing THE LAST SCHWARTZ at Theater J
'The Last Schwartz,' a play that's perfectly suited for Theater J, is certainly a familiar trope for its audience: Somebody brings home a non-Jewish women to a solemn family occasion fraught with religious underpinnings.