ONCE Falls Slowly to Playhouse On The Square
Winner of 8 Tony Awards, including Best Musical, Once is an enchanting tale of a Dublin street musician who's about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs. As the chemistry between them grows, his music soars to powerful new heights, and their unlikely connection turns out to be deeper and more complex than your everyday romance.
Michael W. Fulton Releases FALLEN ANGEL
'Fallen Angel': a beautiful and tragic tale of a couple, lucky in love and expecting twins, only to fall prey to cancer. 'Fallen Angel' is the creation of published author, Michael W. Fulton, a gifted storyteller and true Jack of All Trades.
BWW Review: At New Moon Theatre's TITUS, Tamora Gets Hers 'Sonny Side Up'
Probably the best (of the few) productions of TITUS ANDRONICUS was the 1999 film directed by Julie Taymor. Anthony Hopkins, donning his apron from SILENCE OF THE LAMBS, was a witty choice as 'Titus,' and Jessica Lange, years before jumping with abandon into the excesses of AMERICAN HORROR STORY, was a stunning 'Tamora, Queen of the Goths.' The visuals, typically 'Taymor,' were imaginative and impressive. Yet, by the film's conclusion, one thing was obvious about Shakespeare's TITUS (wildly popular in its day, but largely dismissed by modern audiences): The Bard jettisoned poetry for gore and special effects. That is also the direction that John Maness and his eager group of actors has taken New Moon Theatre Company's latest production at Theatre Works.
BWW Reviews: Theatre Memphis' ANYTHING GOES - It's 'De-Lovely'!
It's early June in Memphis, but, with the recent success of Playhouse on the Square's KISS ME, KATE and, now, Theatre Memphis' sparkling production of ANYTHING GOES, we seem to be having, as my late grandmother might say, 'another 'cole' snap' - Cole Porter, that is. Who would not welcome the giddy book by the great P.G. Wodehouse and Guy Bolton, with a reworking by Howard Lindsay and Russel Crouse? And who has not delighted to such songs as 'You're the Top,' 'I Get a Kick Out of You,' 'Blow, Gabriel, Blow,' 'It's De-Lovely,' and, of course, the title tune?
BWW Reviews: Theatre Memphis Brings THE PHILADELPHIA STORY South
George Cukor's 1940 film version of Philip Barry's THE PHILADELPHIA STORY was Katharine Hepburn's return to glory after the actress had been labeled 'box office poison' after the failure of several films. 021The savvy Hepburn was able to bend MGM to her will when it wanted to film Barry's play, and the end result rewarded everyone involved: Hepburn, her old RKO co-star Cary Grant, and the up and coming James Stewart. Not only were Oscar nominations and wins in store, but at the center of it all was Hepburn in all her patrician, high cheek-boned elegance. She may have given greater performances as the tragic, dope-addicted 'Mary Tyrone' in the film version of Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT or as the caustic, sparring 'Eleanor of Aquitaine' in James Goldman's THE LION IN WINTER, but for those who want to see Hepburn at the height of her unusual beauty and comedic gifts, THE PHILADELPHIA STORY is a must. Having seen the film numerous times, I was wary of Theatre Memphis' staging of Barry's work. THE PHILADELPHIA STORY, once seen, leaves such an impression that it's rather like tackling a remake of THE WIZARD OF OZ or GONE WITH THE WIND or THE GODFATHER. Director Jason Spitzer has taken the dare, and he and his cast have mostly succeeded in the satiny, stylized production currently playing at Theatre Memphis.
THE PHILADELPHIA STORY Opens 4/24 at Theatre Memphis
The Philadelphia Story opens April 24 and runs through May 10, 2015, on the Lohrey Stage at Theatre Memphis. A classic American comedy, this sophisticated fun and zany satire takes a witty look behind the scenes of a posh socialite wedding. Tracy Lord is all set to walk down the aisle for a second time when suddenly confronted by an ex-husband and a charming reporter covering the wedding for a national magazine. Tracy will walk down the aisle ... but with whom?
BWW Reviews: Theatre Memphis Toots Its Horns in THE MUSIC MAN
A number of years ago, I was ordering breakfast at the Dogwood Cabin in Gatlinburg, Tennessee, and before the food arrived, a barbershop quartet began to harmonize. 'How delightful,' I thought - and then there was another song, followed by yet another: A barbershop quartet convention was in town, and several groups were scattered throughout the restaurant and waiting for their opportunity to perform. Before my pancake syrup was even out of the bottle, I was already craving some antidotal 'heavy metal.' Such experiences remind me of Mark Twain's story CAPTAIN STORMFIELD'S VISIT TO HEAVEN: Upon first arriving behind the Pearly Gates, the Captain is delighted to hear the heavenly harps; but as time passes, the harmonies become stultifying. Thankfully, the barbershop quartet that strolls through Theatre Memphis' colorful new production of Meredith Willson's THE MUSIC MAN never overstays its welcome.