Lyric Opera of Kansas City Announces 2021-2022 Season
The season includes two mainstage productions at the Kauffman Center for the Performing Arts, The (R)evolution of Steve Jobs and Tosca and two add on experiences- a night of glamour at the Kauffman Center with Lyric Opera Goes to Hollywood and live performances of Amahl and the Night Visitors.
LA BOHÈME and CENDRILLON Return to Lyric Opera of Chicago
Lyric Opera of Chicago kicks off 2019 with two acclaimed productions: the return of the new production of Puccini's captivating and tragic love story La boheme, and the Midwest premiere of a beloved production of Massenet's Cendrillon, based on the Cinderella story. La boheme is a quintessentially Italian opera and the plot is forever youthful and eternally fresh. Cendrillon features an enchanting blend of wit, sensitivity, and elegance against the backdrop of a familiar storybook kingdom.
Photo Flash: Lyric Opera of Chicago Presents LA BOHEME
Lyric Opera of Chicago's new coproduction of Puccini's La boheme opens the company's 64th season tomorrow -- Saturday, October 6, at 6:30pm. There are five performances through October 20 and six additional performance Jan. 10-25 at the Lyric Opera House, 20 N. Wacker Drive, Chicago. Tickets start at $49 and are available now at lyricopera.org/Boheme or at 312-827-5600.
BWW Interview: Thea Musgrave at 90, Queen of SCOTS and Composer for all Seasons
Composer Thea Musgrave is celebrating these days. It's not just that she's marking her 90th birthday on May 27 with a concert in New York, but that the concert is showcasing a gaggle of world premieres, US premieres and NY premieres (along with more familiar works), which highlight her rich musical vocabulary and keen sense of drama.
BWW Reviews: An Uneven SWEENEY TODD Opens Virginia Opera Company's 40th Season
When Stephen Powell's Sweeney Todd lunges at the audience in vengeful anger declaring, "No ones in the chair, come on! Come on! Sweeney's waiting, I want you bleeders," It's hard to think of anything more thrilling. And yet, Powell's performance along with a glorious 28 piece orchestra only partially makes-up for the Virginia Opera Company's rather uneven production of Sweeney Todd: The Demon Barber of Fleet Street.
The Houston Grand Opera Announces 60th Anniversary Season, Featuring World Premiere of A CHRISTMAS CAROL by Iain Bell and More
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
The Houston Grand Opera Closes Its 2013-2014 Season with THE PASSENGER
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
North Carolina Opera Presents Mozart's COSI FAN TUTTE Tonight
Coming to Raleigh's Fletcher Opera Theater tonight, October 3 and October 5 and 6 is a fully staged operatic production of Mozart's Così fan tutte (or 'The School for Lovers') presented by the North Carolina Opera (Sung in Italian with English supertitles).
North Carolina Opera Presents Mozart's COSI FAN TUTTE, 10/3
Coming to Raleigh's Fletcher Opera Theater on October 3, 5 and 6 is a fully staged operatic production of Mozart's Così fan tutte (or “The School for Lovers”) presented by the North Carolina Opera (Sung in Italian with English supertitles).
North Carolina Opera Announces 2013-14 Season
On Monday, July 29 the North Carolina Opera announced its new season at a kick-off event hosted by CAM Raleigh. Over 250 fans and friends of the organization excitedly gathered for the unveiling of the new season presented by NCO Artistic Director & Principal Conductor Timothy Myers, and to hear live performances of excerpts from each opera.