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Jacob Stebly

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BIO

Jacob Stebly is a New York City-based music director, pianist, and private voice teacher. Originally from Ohio, Jacob earned his Bachelor of Music degree from The Eastman School of Music. He has worked in both professional and educational theatre and has served as associate music director, staff pianist, and adjunct voice faculty for Syracuse University's Department of Drama. Currently, he is on faculty as the private voice instructor for Syracuse University's Tepper Semester in NYC. Select credits include music director of Baggage at the Door (AMT Theater), The Last 5 Years (Southern Colorado Repertory Theatre), Cantaré/Major Fourth (Holland-America Line), and A Grand Night for Singing (Syracuse University); associate conductor for The Little Mermaid (Syracuse Stage), and Matilda (Syracuse Stage); associate music director for Funny Girl, White Christmas, and Beautiful (Maine State Music Theatre); and keyboard for How To Dance in Ohio (Syracuse Stage), and Andrea Bell Wolff’s Adventures in Vegas (AMT Theater). He has also music directed developmental workshops of the new musicals The Bridge and Miss Havisham’s Wedding. Outside of music direction, Jacob is a multidisciplinary musician with experience in singing, accordion, arranging, and orchestrating. Most recently his orchestrations and arrangements have been heard at Steinmetz Hall in Orlando for the University of Central Florida’s alumni concert. 

News


Review: MSMT Celebrates Community

On August 14, the Brunswick Town Mall brimmed full with spectators, all eager to enjoy Maine State Music Theatre’s annual free Concert on the Mall, presented in collaboration with the Brunswick Downtown Association. For MSMT, the performance is a meaningful opportunity to give back to the community that has supported the theatre all summer. Stars of the final main stage show, BEAUTIFUL: THE CAROLE KING MUSICAL, together with the MSMT singers and several other favorite artists, treated the enthusiastic crowd of all ages to an evening of Broadway favorites and covers of popular standards.
Review: Beyond the Rainbow: MSMT Presents THE WIZARD OF OZ Youth Edition

When Dorothy, swept away by the tornado, finds herself transported beyond the rainbow to a land of vibrant color, the audience at Maine State Music Theatre’s final Theatre for Young Audiences production gasps in wonder. The production of the children’s version of the Harold Arlen/Yip Harburg musical with a cast of young professionals and local youth, directed by Betsy Puelle, has transformed the Pickard Theater into a land of pure fantasy and imagination using all the theatrical elements at their disposal. MSMT serves up an evening of song, dance, puppetry, and visual wizardry that is one of the most stunning and enchanting TYA performances seen there in recent years.
Review: Some Kind of Wonderful - BEAUTIFUL: THE CAROLE KING MUSICAL at Maine State Music Theatre

Powered by poetry, fueled by raw and resilient emotion, and presented with passion and high voltage energy by a company committed to the music and message, BEAUTIFUL: THE CAROLE KING MUSICAL triumphantly takes the stage as the finale of Maine State Music Theatre’s 2024 season. Exploring the early life and creative journey of popular music’s living legend, Carole King, BEAUTIFUL is a biographical jukebox musical that plays like a top 10 hit parade, at the same time that it tells its disarmingly, immediate and vulnerable story. With the luminous Kyra Kennedy giving a deeply authentic, earthy, and uplifting performance in the title role, BEAUTIFUL offers both absorbing entertainment and inspiration.
BWW Q&A: Kyra Kennedy on BEAUTIFUL: THE CAROLE KING MUSICAL at Maine State Music Theatre

Kyra recently completed a run of Beautiful at Papermill Playhouse - also playing the role of Carole King. Maine State Music Theatre (MSMT) is thrilled to announce its upcoming production of 'Beautiful: The Carole King Musical,' a captivating journey through the life of one of music’s most iconic songwriters. The production, a co-production with the Fulton Theatre, will run from August 7 to August 24.
Review: Into the Land of Magic: MSMT Presents THE STORY OF THE NUTCRACKER

What could be more enticing to youngsters than Christmas that comes early? This summer Maine State Music Theatre invites families to experience Christmas in July at the Pickard Theatre and to share the magic of a musical never before presented here in Brunswick: Robin and Clark’s  THE STORY OF THE NUTCRACKER. Twinkling lights, myriads of trees, a market filled with goodies, and even a hint of snow …. all join forces to create an immersive experience for the Theatre for Young Audiences series. While Robin and Clark’s musical version of the Nutcracker story has been a Christmas staple for years in cities like Chicago and Lancaster, PA, It has not been presented here in Maine until now.  But after this debut series of performances, one can only hope it will become a new Maine tradition.
Review: MSMT's WHITE CHRISTMAS Is Pure & Perfect Magic

The thermometer in Brunswick Maine reads 85°F, but as one approaches the Pickard Theater, a band plays Christmas music outside, and inside the lights are twinkling; the halls are decked with garlands and wreaths; there is literally a forest of elegantly decorated trees, and there is a promise of snow in the air. This is, indeed, a white Christmas like no other. The brainchild of Artistic Director Curt Dale Clark, Maine Street Music Theatre has created “Christmas in July” with a spectacular production of Irving Berlin’s classic WHITE CHRISTMAS, directed and choreographed by Marc Robin as its centerpiece. This is a singular and sensational opportunity to experience a breathtaking Broadway musical in a beautiful fantasy setting. 
Review: MSMT's FUNNY GIRL: Bold, Beautiful & Star-Studded

Maine State Music Theatre’s new production of FUNNY GIRL is a triumph for its star and a coup for the company. Obtaining the first rights to produce the show after the closing of the recent Broadway revival is an unprecedented accomplishment for the theatre’s Artistic Director, Curt Dale Clark.  In addition, the production, itself, is arguably the first FUNNY GIRL anywhere to use the state-of-the art video technology, and perhaps the most thrilling feat of all: not only does the entire cast deliver stunning performances, but Jenna Lea Rosen, who makes her MSMT debut and role debut as Fanny Brice, is unquestionably a superstar. The result is an evening in the theatre that is as exhilarating and spellbinding as any you will see on any stage and an experience not to be missed!
Review: Maine State Music Theatre's BEAUTY AND THE BEAST

In a colorful, imaginative retelling of this “tale as old as time,” MSMT opens its 2024 TYA series with a revival of Robin and Clark’s version of BEAUTY AND THE BEAST. The production, directed by Betsy Puelle, not only offers a contemporary twist on the classic fairytale, but also layers onto that version another dimension of fantasy and fun. Setting the ancient story as a play within a modern play, Robin and Clark create the dual perspective that characterizes many of their musicals and allows the actors to break the fourth wall and engage the youngsters directly. The narrator, a schoolgirl named Cindy, fashion – often improvises - her version of the story, lobbies to have it produced, and eventually plays a pivotal role in the work. Employing MSMT’s exciting new video technology, a stellar cast of young professionals, and incorporating large-scale, whimsical puppetry into the mix, this BEAUTY AND THE BEAST proves the resilience of the source material and the creative genius of the company
Feature: Lucky To Be Me: MSMT Singers Perform Around the State

“We perform in parking lots, restaurants, tents, bandshells, and lovely venues like this one,” declares Maine State Music Theatre’s Artistic Director Curt Dale Clark. He is addressing a full house in the Lunt Auditorium at Oceanview at Falmouth on May 30. It is only one of over 95 free public outreach events that MSMT offers in the course of each year,  but today is special because it introduces the new 2024 crop of MSMT Singers in their second public performance since arriving in the state. An outgrowth of the company’s former intern program, the MSMT Singers are an elite group of young (college age) professionals selected by Clark in an annual nationwide search that has holds over 3000 auditions for eight spots. “These young artists have to sing, dance and act on a scale of at least an 8 out of 10 when they come here,” Clark explains, “and when they leave, I expect that they will have grown into the stars they are going to be.”  
Photos: First Look At BAGGAGE AT THE DOOR At AMT Theater

Performances begin tonight, Tuesday, October 31, 2023 at 7pm for the Off-Broadway premiere of Baggage at the Door, an original one-woman musical addressing the critical moment a (seemingly well-adjusted trauma-queen) survivor realizes she may no longer be able to cope; when falling in love triggers here lurking PTSD, she might by f*#&ed. Get a first look at the production in new photos.
Dana Aber Brings One-Woman Musical BAGGAGE AT THE DOOR to AMT Theater

Dana Aber brings her one-woman musical 'Baggage at the Door' Off-Broadway at AMT Theater. Performances begin tonight!
Dana Aber to Debut One-Woman Musical BAGGAGE AT THE DOOR Off-Broadway at AMT Theater

Get ready for a captivating one-woman musical experience as Dana Aber brings 'Baggage at the Door' to the AMT Theater in November. Don't miss this Off-Broadway production that promises to leave audiences spellbound.
BWW Review: Syracuse University's LITTLE SHOP OF HORRORS is Thrilling at Syracuse Stage

There is no doubt that Syracuse University has a fabulous Department of Drama. This time around they are showcasing their talented students in the thrilling and cult classic musical Little Shop of Horrors at Syracuse Stage. With book and lyrics by Howard Ashman and toe-tapping tunes by Alan Menken, the show certainly provides entertainment. Meticulously directed by Brian Cimmet, the students lift character acting to new heights, show off incredible puppetry skills with Audrey II, and belt out those oh so familiar tunes with pure power backed by the onstage five-person band under the direction of Jacob Stebly.

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