BWW Review: SHAKESPEARE IN LOVE A Love Letter to Theatre
SHAKESPEARE IN LOVE is a 2014 stage adaptation by Lee Hall of the 1998 Academy Award winning film by Marc Norman and Tom Stoppard of the same name. It was first created under the auspices of Disney Theatrical Productions and Sonia Friedman Productions. The story concerns an imaginary love affair involving Viola de Lesseps (Claire Grasso) and playwright William Shakespeare (Stephen Mercantel) while he was writing Romeo and Juliet. Many of the characters are based on historical figures, and many of the characters, lines, and plot devices allude to Shakespeare's plays. The production, now playing at Austin Playhouse, is one of their biggest productions to date. This script has become one of the most produced plays in America this season, and rightfully so, as it as entertaining as the 1998 film was.
BWW Review: DISGRACED Looks At The Prejudice That Simmers Under The Surface
DISGRACED is the 2013 Pulitzer Prize award-winning play that asks difficult questions about religion, assimilation and individuality. It is now in its Regional Premiere at Austin Playhouse. DISGRACED tells the story of Amir (J. Ben Wolfe), a successful Pakistani-American lawyer, whose life unravels after he lends his name to the cause of an imam accused of terrorism. When he and his artist wife Emily (Molly Karrasch) host an intimate dinner party, the social niceties that can disguise a person's prejudice soon dissolve when the evening escalates into increasingly brutal language exposing all the prejudice simmering underneath the veneer of civility.
BWW Reviews: I'M NOT RAPPAPORT Is More Than Worthy of Its Encore Production
It's become a trend, both locally and nationally, for theater companies to reprise a production several years later with the same cast. Of course, if a show gets an encore, it better be deserving of it. In the case of Austin Playhouse's I'm Not Rappaport, the encore is more than well deserved, and its two stars put on a veritable master class in acting.
Austin Playhouse Stages SHERLOCK HOLMES AND THE CASE OF THE JERSEY LILY, Now thru 12/21
In this comic twist on a classic sleuthing caper Oscar Wilde's muse, actress Lillie Langtry presents Holmes with what seems like an open and shut case. But with his superior powers of deductive reasoning, Sherlock wastes no time in exposing a much more sinister conspiracy. In a fast-paced ride full of surprises and disguises, Holmes and Watson must do whatever it takes to help their friends...while facing their greatest foe.
Austin Playhouse to Present SHERLOCK HOLMES AND THE CASE OF THE JERSEY LILY
In this comic twist on a classic sleuthing caper Oscar Wilde's muse, actress Lillie Langtry presents Holmes with what seems like an open and shut case. But with his superior powers of deductive reasoning, Sherlock wastes no time in exposing a much more sinister conspiracy. In a fast-paced ride full of surprises and disguises, Holmes and Watson must do whatever it takes to help their friends…while facing their greatest foe.
Austin Playhouse to Stage SHERLOCK HOLMES AND THE CASE OF THE JERSEY LILY, 11/21-12/21
In this comic twist on a classic sleuthing caper Oscar Wilde's muse, actress Lillie Langtry presents Holmes with what seems like an open and shut case. But with his superior powers of deductive reasoning, Sherlock wastes no time in exposing a much more sinister conspiracy. In a fast-paced ride full of surprises and disguises, Holmes and Watson must do whatever it takes to help their friends...while facing their greatest foe.
BWW Reviews: We'd Be Lying If We Disparaged THE LIAR
Honesty may be the best policy, but it's not the most fun one. Thank God 16th century playwright Pierre Corneille and modern day playwright David Ives have an affinity for the truth-challenged. Ives's modern take on Corneille's classic French comedy The Liar is an exhilarating and side-splitting mix of the old and new, and Austin Playhouse's production of it reminds us just how exceptional the Austin theater community is.
BWW Reviews: BLOOD WEDDING Is Eerily Beautiful But Could Use Stronger Translation
It's not what you say, it's how you say it. That adage often runs through my head, both in my personal life and in my work as a theater critic. It also runs through my head when viewing productions, especially ones like Blood Wedding. With plays not originally in English, attention must be paid to the translation. Blood Wedding, originally written in Spanish by Frederico Garcia Lorca, offers an additional challenge in Lorca's poetic style. It's not what he says but how he says it that makes Lorca's Blood Wedding an interesting and engaging piece of theatre. While the current production at St. Edwards University manages to visually capture Lorca's poetry, the translation by James Graham Lujan and Richard O'Connell is less successful.
BWW Reviews: MOTHERF**KER WITH THE HAT is Motherf**ing Funny
Is there a twelve step program to creating a perfect comedy? I don't know, but if there is, writer Stephen Adly Guirgis and Austin's Capital T Theatre have found it. The Motherf**ker with the Hat is a hysterical, riotous comedy that, despite what the vulgar title may suggest, is just as intelligent and poignant as it is filthy.