Review: THE LIGHT at Theatre Exile
Directed by J. Paul Nicholas and starring Abdul Sesay and Angela Bey, The Light centers on the hot-and-cold engagement night of two youngish Chicagoans as they wind up reliving their romantic pinnacles alongside their separate, secreted traumas around sexual assault.
Sarasota Orchestra Announces February Concerts
Sarasota Orchestra’s February programs include two Masterworks concerts featuring Grammy Award-winning performers and richly orchestrated, dazzlingly popular works from the 19th century through today. The fourth installment of the Great Escapes series brings Valentine’s Day-themed fare, and a Chamber Soirée entitled “Voices of Color” offers an opportunity to explore music by several Black composers.
Sarasota Orchestra Announces January 2022 Concerts
Sarasota Orchestra's January programs include a Masterworks concert featuring towering giant of the classical piano world, Garrick Ohlsson, and a Pops concert tribute to one of the legendary giants of 20th century rock, The Beatles.
Florida Studio Theatre Welcomes J Paul Nicholas as New Associate Artist
Florida Studio Theatre has announced that J Paul Nicholas will join its Artistic Team beginning March 1, 2021. As an Associate Artist, Nicholas will bring his talent to FST’s stages as an actor and director, will help advance FST’s robust New Play Development program, and will lead classes at the FST School.
Florida Studio Theatre Receives Grant From The National Endowment For The Arts
Florida Studio Theatre (FST) announces that it has been approved for a $15,000 Art Works grant to support The Suffragist Project: Celebrating 100 Years of the Woman's Right to Vote. In honor of this historic milestone, The Suffragist Project has brought together over 60 community partners, each creating their own artistic, cultural, and educational programming. As part of FST's contribution to The Project, the theatre has launched Historically Speaking, an educational touring program; commissioned four playwrights to develop new plays inspired by the movement for women's suffrage; and created an original devised play. The grant from the National Endowment for the Arts (NEA) will support these artistic initiatives, as well as FST's Dangerous Ladies Festival, a weekend-long culminating celebration in August 2020 of the new theatrical work created over the course of The Project.
BWW Review: THE CORPSE WASHER at Actors Theatre Of Louisville
A young man is raised with the expectation that he will follow in his father's footsteps, working in the trade and carrying on an important tradition, but instead, he wants to follow his own path and become an artist. It is a classic coming-of-age narrative of a generational and cultural shift that is common enough in Western literature. By finding the same conflict in an Iraqi family, Sinan Antoon's The Corpse Washer shows just how universal fundamental storytelling forms can be.
Cleveland Play House's 102nd Season Continues with THE INVISIBLE HAND
The 102nd Season at Cleveland Play House (CPH) continues with The Invisible Hand by Pulitzer Prize-winning Author Ayad Akhtar. The Invisible Hand tells the story of American investment banker Nick Bright as he risks everything to return to his family. Held hostage in Pakistan by Islamic revolutionaries, his last chance for freedom depends on his ability to play the stock market to benefit his captors. This sharp geo-political thriller from Pulitzer Prize winner Ayad Akhtar takes us to the treacherous intersection of terrorism and capitalism, where greed and deceit prevail and no one escapes without blood on their hands. Directed by Pirronne Yousefzadeh, The Invisible Hand runs February 17th through March 11, 2018 in the Outcalt Theatre at Playhouse Square.
BWW Reviews: WITTENBERG in Richmond
A joint achievement from Henley Street Theatre and Richmond Shakespeare, David Davalos's WITTENBERG, is the region's latest entry in the Acts of Faith festival. Davalos's script, with puffs of repartee, allusion and other witty wordplay, is heavy handed at times. Lucky for a general audience, he balances his bardish banter with modern language.