Review: CHASING HARES, Young Vic
by Debbie Gilpin - Jul 26, 2022
“I’m not political. Not at all.” Prab and his wife Kajol are struggling to make ends meet in early 21st century Kolkata. Since the local factory closed indefinitely, they’ve had to take on any jobs going ito be able to support themselves and their baby daughter, Amba. After treating themselves to a night at the theatre, they find themselves backstage with the performers – one of whom just so happens to be the son of the factory owner. Initially hoping to get back in the family’s good books if the factory ever does reopen, Prab inadvertently finds himself with a more stimulating task.
THE SEAGULL Leads July's Top 10 New London Shows
by Aliya Al-Hassan - Jul 1, 2022
July continues a fantastic summer of theatre in London. From Emilia Clarke's West End debut in Jamie Lloyd's version of Chekhov's The Seagull to Anything Goes returning to The Barbican,
here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Complete Cast Announced For Sonali Bhattacharyya's CHASING HARES at The Young Vic
by Stephi Wild - May 26, 2022
The Young Vic today announces the complete cast and creative team for the world premiere of Chasing Hares, a new play by award-winning playwright Sonali Bhattacharyya (Two Billion Beats) and directed by Milli Bhatia (seven methods of killing kylie jenner). The play, set between the UK and West Bengal, considers the power of storytelling in the struggle for a fairer world.
BWW Review: HAMLET, Sam Wanamaker Playhouse
by Cindy Marcolina - Feb 4, 2022
As if the Sam Wanamaker Playhouse wasn’t already atmospheric enough, it feels like a special treat to witness their first candlelit Hamlet. After directing the colourful A Midsummer Night’s Dream just across the courtyard at the Globe, Sean Holmes goes darker and moodier with our favourite revenge tragedy. George Fouracres is the title character. Known mostly for his comedic work (he was Flute in Holmes’s Dream), he proves himself an eclectic actor and an electric Brummie anti-hero. The play’s not the thing here, Fouracres is.
Photos: First Look at HAMLET at Shakespeare's Globe
by Stephi Wild - Jan 31, 2022
The role of Hamlet will be played by George Fouracres, who delighted audiences with his performances in the 2021 Summer Season productions of A Midsummer Night’s Dream and Twelfth Night, also directed by Sean.
Photos: Go Inside Rehearsals for HAMLET at the Globe
by Chloe Rabinowitz - Jan 18, 2022
Shakespeare’s Globe is presenting, Hamlet which will be performed for the very first time in the candlelit Sam Wanamaker Playhouse by the Globe Ensemble, directed by Associate Artistic Director Sean Holmes.
MOULIN ROUGE! Leads January's Top 10 New London Shows
by Marianka Swain - Jan 4, 2022
Though hardly an ideal start to the new theatrical year, we want to applaud all of the incredible casts, creatives, backstage and front-of-house staff who are working so hard to keep shows on. If you can support productions, please do – whether revisiting an amazing long-running show or checking out something new. And speaking of which: here are some of the most intriguing London additions for this month. Keep checking back for our reviews, interviews and features!
Casting Announced For HAMLET at Shakespeare's Globe
by Stephi Wild - Dec 20, 2021
Shakespeare's Globe has announced the full cast of Hamlet which will be performed for the very first time in the candlelit Sam Wanamaker Playhouse by the Globe Ensemble, directed by Associate Artistic Director Sean Holmes.
Cast Announced For LIVING NEWSPAPER
by Stephi Wild - Dec 9, 2020
Michele Austin, Natalie Dew, Georgie Fellows, Zainab Hasan, Camille Mallet de Chauny, Rebekah Murrell, Amaka Okafor, Kimberley Okoye, Alexzandra Sarmiento, Irfan Shamji, Sophie Stone, Ragevan Vasan and Danny Lee Wynter have been cast in Edition 1 of the Royal Court Theatre's Living Newspaper: A Counter Narrative.
BWW Review: THE ARRIVAL, Bush Theatre
by Charlie Wilks - Nov 27, 2019
a??a??a??a??a??a??a??Tom and Samad have spent their entire lives separated. When one was given up for adoption, the other was raised with their biological parents. But despite their distance apart, when the pair finally meet, they realise they aren't so different at all. Award-winning director Bijan Sheibani's debut play is a tender a?" but at the same time - harrowing examination of family loyalty and betrayal.
BWW Review: DANCE NATION, Almeida Theatre
by Marianka Swain - Sep 5, 2018
Wild, raw, hilarious and tender, Clare Barron's electrifying play - first seen in New York earlier this year - is a candid portrait of prepubescent girls, rare compared with the myriad male coming-of-age tales. But, like its warrior women, Barron's piece fights for its space, and with a formal daring that teeters thrillingly on the edge of chaos.