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Review: WOLVES ON ROAD, Bush Theatre

Director, Daniel Bailey, follows up his hit Red Pitch with a play that cannot locate the detail it needs to step out of a generic plot
Photos: ODD AND THE FROST GIANTS In Rehearsal At Unicorn Theatre

See photos from inside rehearsal for Odd and the Frost Giants by Neil Gaiman, adapted for the stage by Robert Alan Evans, and directed by Rachel Bagshaw.
Review: BRACE BRACE, Royal Court Theatre

Digging deep into human nature, Oli Forsyth’s Brace Brace combines the pace and excitement of a thriller with an unexpectedly perceptive intelligence. Ambitiously designed and skillfully directed, it’s a deeply engrossing piece of theatre writes our critic.
Review: KING TROLL (THE FAWN), New Diorama

This co-production between the New Diorama Theatre and Kali Theatre is a visceral investigation of how migrant communities transform under the layers of anger, fear, and resilience they adopt - products of survival in a vexatious state.
Review: NOWHERE, Battersea Arts Centre

The world is a dark place. Every day, we seem to edge closer to the start of another global conflict. Nowhere is safe. War and destruction have become steady protagonists on our television screens, to the point where we’re growing increasingly desensitised to violence.
Review: THE REAL ONES, Bush Theatre

At once intimate and expansive, The Real Ones follows the friendship of Zaid and Neelam from age nineteen to thirty-six. Once kindred spirits, moving in sync, they fall out of step when the harsh reality of adult life sends them in different directions. Waleed Akhtar (Olivier winner for The P Word) pens a sharply observed look into whether platonic love can last.
Photos: Vasco Emauz, Cory English, and More Lead BACK TO THE FUTURE in the West End

All new production images have been released for the critically acclaimed BACK TO THE FUTURE The Musical in London's West End. Check out the photos here!
Review: DEATH OF ENGLAND: CLOSING TIME, @sohoplace

It only premiered last October, but Death of England: Closing Time, the final chapter in Roy Williams and Clint Dyer’s state of the nation triptych, not only retains its spine-frosting freshness, but feels more dangerous than ever.
Review: DEATH OF ENGLAND: DELROY, @sohoplace

Some actors can play a role. Sure. Only a handful can inhabit it living and breathing. Even fewer are so convincing that you can’t imagine anyone else in their shoes. Paapa Essiedu is the latter. Without a doubt. Not even a second of doubt.
Review: DEATH OF ENGLAND: MICHAEL, @sohoplace

The guns fire loud and sonorous for the opening salvos of Clint Dyer and Roy Williams’s Death of England trilogy. A staggered premiere over four years at The National Theatre from 2020, new kid on the theatreland block @sohoplace (it’s really called that) have collated the trilogy (Michael, Delroy, and Closing Time) in rep in the West End.
Review: THE PROMISE, Minerva Theatre, Chichester

'To promise nearly fifty million people truly universal health care - ‘cradle to the grave’ - is crackers.' Despite this quote featuring quite prominently in promotional material, and the poster image showing a pair of midwives, The Promise isn’t wholly about the founding of the NHS. Paul Unwin’s new play instead depicts the rise of Clement Attlee’s Labour Party in the wake of the Second World War, and their attempts to create unity and growth in the years that follow.
Review: THE HOT WING KING, National Theatre

When food takes centre stage, it is usually as a conduit for humanity. Somewhere in the pseudo religiosity of ritual and the flurry of flavours we summon stories of cultures, families, histories across time and geography.
Photos: THE HOT WING KING at the National Theatre

The National Theatre has released first look production photos for the UK premiere of Katori Hall’s  Pulitzer Prize-winning The Hot Wing King. Check out the photos here!
Review Roundup: SLAVE PLAY Arrives in London

Slave Play by Jeremy O. Harris, and  directed by Robert O’Hara, has arrived in London! Let's see what the London critics are saying about the play...
Review: SLAVE PLAY, Noël Coward Theatre

For a play that wears controversy as a badge of honour the last thing I expected to feel was slightly bored
Review: SKELETON CREW, Donmar Warehouse

It takes its time to warm up. But when this American four hander stretches its dramatic muscles a pummelling emotional workout results
Review: A CHILD OF SCIENCE, Bristol Old Vic

Ultimately, A Child of Science offers a vivid portrayal of the intersection between scientific pursuit and human longing. It’s a testament to the extraordinary efforts behind ordinary miracles. And how the path to creating life can be as intricate and moving as the lives it aims to bring into the world.
SLAVE PLAY in London Will Offer 'Pay What You Can' Lottery; Plus New Rehearsal Photos!

The sign up for the ‘Pay What  You Can’ lottery for Slave Play by Jeremy O. Harris, and  directed by Robert O’Hara, launches today. Plus, check out all new rehearsal photos here!
Photos: Inside Rehearsal For A CHILD OF SCIENCE at Bristol Old Vic

With a month to go before the world premiere production of Gareth Farr’s new play A Child of Science, directed by Matthew Dunster, all new rehearsal photos have been released. Check out the photos here!
Photos: Inside Rehearsal For the West End Return of 2:22 - A GHOST STORY

All new rehearsal photos have been released for the return of 2:22 - A Ghost Story to London’s West End later this month. Check out the photos here!

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