Photos: Go Inside Opening Night of THE LEHMAN TRILOGY at Center Theatre Group/Ahmanson Theatre
by Chloe Rabinowitz - Mar 7, 2022
The Los Angeles engagement of 'The Lehman Trilogy' opened Sunday, March 6 at 7 p.m. at Center Theatre Group / Ahmanson Theatre. 'The Lehman Trilogy,' comes to Los Angeles direct from a run on Broadway and follows runs at London's National Theatre, the Park Avenue Armory, and in London's West End. This epic portrayal will play through April 6, 2022.
The Casting Society of America Announces 37th Artios Awards Nominations
by Michael Major - Nov 23, 2021
Since Broadway had been dark throughout the nomination process, the society would instead honor virtual theatre productions that happened throughout the year, naming it the Virtual Theatre Award. Other nominees include Zoey's Extraordinary Playlist, Girls5Eva, Ted Lasso, Bridgerton, Wandavision, Shrill, This Is Us, The Queen's Gambit, and more.
Photo Flash: Sexy, Scandalous LES LIASONS DANGEREUSES Premieres at Antaeus Theatre Company
by Julie Musbach - Oct 28, 2017
Sex, revenge, betrayal... let the games begin. Antaeus Theatre Company presents a fully partner-cast production of Les Liaisons Dangereuses, Christopher Hampton's Olivier, Evening Standard and New York Drama Critic's Circle Award-winning adaptation of the scandalous novel by Choderlos de Laclos. Directed by Robin Larsen, Les Liaisons Dangereuses opens on Oct. 26and Oct. 27 (one opening for each cast), running through Dec. 10 at theKiki & David Gindler Performing Arts Center in Glendale. Low-priced previews begin on Oct. 19.
Megan Sikora and Andy Talen to Join the Campaign at CHURCH & STATE This Spring
by BWW News Desk - May 18, 2017
Producer Charlotte Cohn with SCS Innovations LLC, Franklin Theatrical Group, Neil Gooding Productions, Ralph Meranto/JCC CenterStage, Brierpatch Productions, Karen Cohen/Jack Hayflick, Bonnie E. Lautenberg, in association with NewYorkRep, announced today cast changes at Church & State.
The Broadwaysted Podcast Welcomes CHURCH & STATE and Broadway Bound Kids
by Broadwaysted - Apr 30, 2017
Did you pray for another Broadwaysted episode this week? Did I just 'state' the obvious? Well, your prayers are answered: we're pouring 'Another Round' with CHURCH & STATE's star Rob Nagle and Playwright Jason Odell Williams! We're drinking cider and chatting about the hilarious new play CHURCH & STATE playing now at New World Stages and their road from the West Coast to Off-Broadway. We reflect on the career of M. Night Shyamalan, talk about why we love real Southern women, and Game Master Kimberly introduces a new game, 'Lights of Broadway Show Cards Debate.' We also discover that Jason has a killer British accent and yes, we even get a little real when discussing the core issues of CHURCH & STATE. We had a blast having 'Another Round' with Jason and Rob, so y'all should grab tickets to see CHURCH & STATE at New World Stages!
CHURCH & STATE To Have New York Premiere In March 2017
by BWW News Desk - Dec 20, 2016
Charlotte Cohn, co-producers Brierpatch Productions, Neil Gooding Productions and SCS Innovations, LLC, in association with NewYorkRep and The Telling Company, will present the New York Premiere of Jason Odell Williams' critically acclaimed play Church & State.
Photo Coverage: Troubadour Theater Opens RUDOLPH THE RED-NOSED REINDOORS at Falcon Theatre
by Lily Lim - Dec 8, 2012
Falcon Theatre presents Troubadour Theater Company's Rudolph the Red-Nose ReinDOORS, directed by Matt Walker, the third production of its 2012-2013 Subscription Season. Celebrate the Season with the Ovation Award-winning Troubies as they give a wild, stripped-down, bare bones, rock re-telling of the classic holiday tale of Rudolph, with a sexy, sultry, scary soundtrack - and snow. BroadwayWorld brings you photos from last night's opening below!
Antaeus Presents The Malcontent
by Don Grigware - May 10, 2011
Antaeus' quest for the ultimate in classic plays has led to a rare production of John Marston's satire The Malcontent, which, despite an intense, almost insurmountable language barrier, offers a timeless and humorous glimpse at the hypocrisy of mankind, especially as it applies to the manipulation of the political machine. It is 1603 but it might as well be 2011 as adultery and greed for money and power remain man's top priorities. This is a production that is first and foremost stunning to look at but it does have its drawbacks. The flow of Act I is slowed by a barrage of unfamiliar dialectal terms, but if you're willing to hang in there, Act II pays off big time with an elegant sense of fun.