Review: ROUGH CROSSING at Resident Ensemble Players
The curriculum vitae of Tom Stoppard is staggering. 1964’s “Rosencrantz and Guildenstern Are Dead” brought him initial fame in the theatre world. Prolific does not do the man justice. In every theatrical/writing genre he has excelled. Tony Awards, Academy Awards and every other conceivable one. To give some context, he wrote the film “Shakespeare In Love” and “Indiana Jones and the Last Crusade”. His genius in writing is equal to that of Stephen Sondheim in musical theatre.
Review: IN THE HEAT OF THE NIGHT at Resident Ensemble Players
Aisle Say has had the privilege of reviewing this staggering talented ensemble since 2008. Still do I remember their second show of the season, THE IMAGINARY INVALID. Forever imprinted in my mind are the enema gloves of Michael Gotch and Mic Matarrese. These two actors and many of their colleagues from the PTTP Masters Program remain today, representing the culture that founder and now retired Sandy Robbins created.
The Resident Ensemble Players Returns Live With BLUE DOOR
After 23 months, the Resident Ensemble Players (REP), the professional theatre company in residence at the University of Delaware, has announced its return to live performances this February with Tanya Barfield's powerful play, Blue Door.
VOTETRICKERY: A SPOKEN WORD SYMPHONY is Now Playing at The REP
The Resident Ensemble Players will present their audio production of Votetrickery: A Spoken Word Symphony, written and directed by REP company member Hassan El-Amin whose thought-provoking audio play, Talk About Race, delighted listeners last season.
The REP to Present VOTETRICKERY: A SPOKEN WORD SYMPHONY
The Resident Ensemble Players will present their audio production of Votetrickery: A Spoken Word Symphony, written and directed by REP company member Hassan El-Amin whose thought-provoking audio play, Talk About Race, delighted listeners last season.