Harry Green

Sydney Theatre Company Announces Chekhov's THREE SISTERS

Sydney Theatre Company presents a new interpretation of the Chekov classic Three Sistersthis November at the Sydney Opera House, directed by STC Artistic Director Kip Williams, with design by Alice Babbage.

Sydney Theatre Company presents CLOUD NINE

Rehearsals commence today for Cloud Nine, Caryl Churchill's witty exploration of the complex politics of human relationships, directed by Sydney Theatre Company's (STC's) Artistic Director Kip Williams following the success of his production of another of the playwright's beguiling works, Love and Information in 2015. Set and costumes are by STC's Resident Designer Elizabeth Gadsby, with lighting by Alexander Berlage, composition by Chris Williams and sound design by Nate Edmondson.

BWW REVIEW: Caryl Churchill's Genderbending, Time Travelling CLOUD NINE Shines A Spotlight On How Much Society Has And Has Not Changed.

Caryl Churchill's CLOUD NINE, which premiered 38 years ago is reinterpreted for the 21st Century by Director Kip Williams.

Michigan Opera Theatre Announces 2017-2018 Studio Artists

Michigan Opera Theatre is pleased to announce the 2017-2018 Michigan Opera Theatre Studio Artists. The roster includes tenor, Michael Day; soprano, Monica Dewey; baritone, Harry Greenleaf; bass-baritone, Erik Van Heyningen; and returning Studio Artist mezzo-soprano, Briana Elyse Hunter.

Sydney Theatre Company presents CLOUD NINE

Rehearsals commence today for Cloud Nine, Caryl Churchill's witty exploration of the complex politics of human relationships, directed by Sydney Theatre Company's (STC's) Artistic Director Kip Williams following the success of his production of another of the playwright's beguiling works, Love and Information in 2015. Set and costumes are by STC's Resident Designer Elizabeth Gadsby, with lighting by Alexander Berlage, composition by Chris Williams and sound design by Nate Edmondson.

BWW REVIEW: Andrew Upton's Adaptation of A FLEA IN HER EAR Is A Fabulously Fun Farce

Georges Feydeau's early 20th Century French farce is given further complexity in Andrew Upton's adaptation of A FLEA IN HER EAR. Under the Simon Phillips direction, Sydney Theatre Company presents a hilariously delicious layered confection of cotton candy stickiness and fluff.

Sydney Theatre Company Presents A FLEA IN HER EAR

Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and lighting designer Nick Schlieper. Performances are at the Drama Theatre, Sydney Opera House from 31 October to 17 December (opening 4 November 2016).

Sydney Theatre Company Presents A FLEA IN HER EAR

Andrew Upton's new adaptation for Sydney Theatre Company of the 1907 French farce, A Flea in Her Ear by Georges Feydeau, is realised in all its clockwork-precision by the creative team behind STC's Rosencrantz and Guildenstern are Dead: director Simon Phillips, designer Gabriela Tylesova and lighting designer Nick Schlieper. Performances are at the Drama Theatre, Sydney Opera House from 31 October to 17 December (opening 4 November 2016).

STC & Malthouse Theatre to Present LOVE AND INFORMATION

In Caryl Churchill's Love and Information, eight actors portray a dazzling kaleidoscope of more than 100 characters in a series of tantalising snapshots of contemporary life. For Sydney Theatre Company and Malthouse Theatre's co-production, Kip Williams directs Marco Chiappi, Harry Greenwood, Glenn Hazeldine, Anita Hegh, Zahra Newman, Anthony Taufa, Alison Whyte and Ursula Yovich, with performances at Wharf 1 from 9 July 2015 (opening night 11 July).