BWW Review: SHAW SHORTS, Orange Tree Theatre
by Aliya Al-Hassan - May 28, 2021
It will come as no surprise to those who are familiar with the output of Richmond’s Orange Tree Theatre that Bernard Shaw is the first pick for what the theatre is calling their Recovery Season. Artistic Director Paul Miller has directed several Shaw plays here, most recently Candida in 2019. In this quick-witted revival of two of Shaw’s short plays, social expectations and marriage are skewered in typical Shavian style.
BWW Review: AMSTERDAM, Orange Tree Theatre
by Aliya Al-Hassan - Sep 12, 2019
In our turbulent modern times, the issue of intolerance for foreigners, immigrants and being 'the other' is a much-debated and controversial topic. In this way, Amsterdam, Maya Arad Yasur's thought-provoking, yet disjointed new play, could not be more prescient.
2018 Year in Review: Aliya Al-Hassan's Best of Theatre
by Aliya Al-Hassan - Dec 15, 2018
What a bizarre year 2018 has been. In the months that saw too much Trump, devastating Californian wildfires, an escalation in the refugee crisis, not to mention the dreaded 'B' word, it makes me more grateful than ever for the pure escapism that live theatre so often provides.
BWW Review: DEALING WITH CLAIR, Orange Tree Theatre
by Aliya Al-Hassan - Oct 31, 2018
Dealing With Clair was first staged thirty years ago at the Orange Tree Theatre. It now returns in a disturbingly well observed revival, still striking a very darkly comic and contemporary story that explores greed, morality and unsettling behaviour in the world of house buying.
Photo Flash: In Rehearsal with DEALING WITH CLAIR
by Julie Musbach - Oct 10, 2018
Richard Twyman will direct Gabriel Akuwudike, Roseanna Frascona, Michael Gould, Tom Mothersdale, Lizzy Watts and Hara Yannas in Martin Crimp's psychological thriller and disturbing satire on real estate Dealing with Clair, in a co-production with English Touring Theatre.
BWW Review: UNCLE VANYA, Manchester HOME
by Abigail Donoghue - Nov 23, 2017
Uncle Vanya at its simplest is a bleak take on the human condition. At its most complex, it's a harrowing look into the never-ending cycle of humanity and how easy it is to be consumed by your own mind.
Photo Flash: In Rehearsal with Aisling Loftus, Matthew Needham and More for THE TREATMENT at Almeida
by BWW News Desk - Apr 11, 2017
Joining Aisling Loftus and Matthew Needham in THE TREATMENT are Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. THE TREATMENT begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The press night is Friday 28 April. BroadwayWorld has a sneak peek at the company in rehearsal below!
Gary Beadle, Ian Gelder, Ben Onwukwe, and More Complete the Cast of THE TREATMENT at Almeida Theatre
by BWW News Desk - Feb 24, 2017
Joining Aisling Loftus and Matthew Needham in THE TREATMENT will be Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. The Treatment begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June.
BWW Review: 1984 is Inventive and Immediate at Shakespeare Theatre Company
by Barbara Johnson - Mar 16, 2016
"War is peace. Freedom is slavery. Ignorance is strength." Most of us are familiar with the slogans of the bleak, dystopian society George Orwell constructed in his novel 1984. The inventive production of 1984 at Shakespeare Theatre Company takes these phrases and makes them more relevant than ever to a contemporary Washington, DC, audience.
Shakespeare Theatre Company to Stage 1984
by Tyler Peterson - Mar 1, 2016
Next up in the 2015-2016 season The Shakespeare Theatre Company (STC) presents 1984 as part of an ongoing initiative to include productions by international companies on its mainstage.
BWW REVIEW: What's Scarier than George Orwell's 1984? Politics in 2016.
by Jan Nargi - Feb 27, 2016
The horrific future depicted in George Orwell's cautionary tale '1984' feels that much more frightening in 2016 because so much of the oligarchical world predicted by the visionary author in his dystopian 1949 novel has come to fruition. The power gap between the haves and the have-nots is alarming. Politicians use doublethink to twist hypocrisies into mind-numbing (and brainwashing) campaign slogans. Three-second sound bites and 140-character tweets are the newspeak that distills thought into easily regurgitated propaganda.
American Repertory Theater Sets 1984 Cast
by Tyler Peterson - Jan 15, 2016
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, presents George Orwell's 1984, in a new adaptation created by Robert Icke and Duncan Macmillan.Â