SLASHR Biting Political Satire Returns To The Gene Frankel Theatre In January
Last September, veteran downtown playwright Tony Stinkmetal foisted upon a Trump-weary New York City a frantic fever dream of a theater show: SlashR was a tongue-in-cheek satire that tackled issues as diverse as immigration, political correctness, dating apps, Benghazi, Big Pharma and bedbugs - all wrapped up in a cuddly tale of serial killers and Russians destroying American democracy.
SLASHR Biting Political Satire Returns To The Gene Frankel Theatre In January
Last September, veteran downtown playwright Tony Stinkmetal foisted upon a Trump-weary New York City a frantic fever dream of a theater show: SlashR was a tongue-in-cheek satire that tackled issues as diverse as immigration, political correctness, dating apps, Benghazi, Big Pharma and bedbugs - all wrapped up in a cuddly tale of serial killers and Russians destroying American democracy.
Photo Coverage: Meet the Cast of Tony Stinkmetal's SLASHR
SlashR is a taught and sexy thriller set in the traumatized New York of November 2016. What starts as a mundane murder investigation (of a young man prone to using dating apps) soon exposes a conspiracy for world domination skewering the entire two-party system, celebrity worship and the tendency for the US to find the shallowest and easiest solutions. In the course of the investigation, Detective Oakley comes up against evil PACs, a manipulative media, and serial killers. With the help of an outlaw hacker named Reeta and her mid-to-low-tech comrade The Exterminator, Oakley uncovers a connection between The Great Bed Bug Panic of 2010, the 2016 election, the worldwide spread of fascism and the scary clowns.
FREEZE FRAME: Meet the Cast of Tony Stinkmetal's SLASHR
SlashR is a taught and sexy thriller set in the traumatized New York of November 2016. What starts as a mundane murder investigation (of a young man prone to using dating apps) soon exposes a conspiracy for world domination skewering the entire two-party system, celebrity worship and the tendency for the US to find the shallowest and easiest solutions. In the course of the investigation, Detective Oakley comes up against evil PACs, a manipulative media, and serial killers. With the help of an outlaw hacker named Reeta and her mid-to-low-tech comrade The Exterminator, Oakley uncovers a connection between The Great Bed Bug Panic of 2010, the 2016 election, the worldwide spread of fascism and the scary clowns.
SLASHR Announces Limited Run at Gene Frankel Theatre
SlashR, a tongue in cheek satire written & directed by Tony Stinkmetal and centered around the fractured culture in the wake of the last national election and inventively staged in the style of the 1970s slasher movies of Dario Argento and John Carpenter, will make its world premiere September 5 - 15th at the Gene Frankel Theatre. The production is intended to convince Americans to liberate themselves from our two party political system.
SLASHR Announces Limited Run at Gene Frankel Theatre
SlashR, a tongue in cheek satire written & directed by Tony Stinkmetal and centered around the fractured culture in the wake of the last national election and inventively staged in the style of the 1970s slasher movies of Dario Argento and John Carpenter, will make its world premiere September 5 - 15th at the Gene Frankel Theatre. The production is intended to convince Americans to liberate themselves from our two party political system.
Charles Atlas Variety Show Comes to The Kitchen
The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (through May 12).
The Kitchen Welcomes Charles Atlas For A Multimedia Project
The Kitchen presents a multimedia project from Charles Atlas, continuing the institution's nearly 45-year relationship with the video art pioneer. In The Kitchen's gallery, two new video installations take a retrospective look at Atlas' work while offering a counterpoint to his interactive 2003 show Instant Fame! and its portraits of downtown figures (March 28-May 12).
Abrons Arts Center Sets 2016-17 Season
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."
EAST 10TH STREET: SELF PORTRAIT WITH EMPTY HOUSE Begins 2/12
Axis Company will present an encore engagement of EAST 10TH STREET: SELF PORTRAIT WITH EMPTY HOUSE, a play by and about Downtown performance icon Edgar Oliver. Originally presented in November of 2008, this stark and enigmatic look at a life on the fringes of New York's Lower East Side was acclaimed by critics and embraced by record-breaking audiences at Axis. The production comes on the heels of what could be Oliver's breakthrough role in the upcoming film from Napoleon Dynamite's Jared Hess, Gentlemen Broncos, opposite Sam Rockwell as well as a national advertising campaign for mobile phones in Ireland that has also become a cult phenomenon. Directed by Randy Sharp, and presented on an Off-Broadway contract, performances of this limited engagement begin February 12.
EAST 10TH STREET: SELF PORTRAIT WITH EMPTY HOUSE Begins 2/12
Axis Company will present an encore engagement of EAST 10TH STREET: SELF PORTRAIT WITH EMPTY HOUSE, a play by and about Downtown performance icon Edgar Oliver. Originally presented in November of 2008, this stark and enigmatic look at a life on the fringes of New York's Lower East Side was acclaimed by critics and embraced by record-breaking audiences at Axis. The production comes on the heels of what could be Oliver's breakthrough role in the upcoming film from Napoleon Dynamite's Jared Hess, Gentlemen Broncos, opposite Sam Rockwell as well as a national advertising campaign for mobile phones in Ireland that has also become a cult phenomenon. Directed by Randy Sharp, and presented on an Off-Broadway contract, performances of this limited engagement begin February 12.