Hannah Moscovitch

Listen: Sam Reid's THE VAMPIRE LESTAT Unveils New Single Ahead of AMC Premiere
by Josh Sharpe - May 15, 2026

Lestat de Lioncourt, the immortal rock star played by Sam Reid in AMC's The Vampire Lestat, has unveiled the sultry new single “Butterscotch Bitch.' This is the latest track to be released ahead of the premiere on Sunday, June 7.

JAJA'S AFRICAN HAIR BRAIDING and More Set for Nightwood Theatre 2026-27 Season
by Chloe Rabinowitz - May 14, 2026

Nightwood Theatre has revealed its 2026–2027 season, including the Canadian premiere of Jaja's African Hair Braiding, the return of its Groundswell Festival, and more.

Sam Reid's Lestat to Perform One Night Concert at the Beacon Theatre
by Josh Sharpe - Apr 30, 2026

The Vampire Lestat, the rock star vampire played by Sam Reid in the AMC series, will take over New York City's Beacon Theatre on June 2 for The Vampire Lestat: One Night Only - LIVE.

10 DAYS IN A MAD HOUSE To Premiere In Canada At Luminato Festival
by Marissa Faith Curley - Apr 17, 2026

Composer Rene Orth’s award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company. 

10 DAYS IN A MADHOUSE Opera Gets Canadian Premiere at Luminato Festival
by A.A. Cristi - Apr 7, 2026

Composer Rene Orth's award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.

10 DAYS IN A MADHOUSE Will Make Canadian Premiere at Luminato Festival
by Stephi Wild - Apr 7, 2026

Rene Orth and Hannah Moscovitch's opera 10 DAYS IN A MADHOUSE will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company, running June 16-21, 2026.

LUMINATO FESTIVAL Will Hold 20th Anniversary Celebrations in Toronto
by Stephi Wild - Mar 31, 2026

The LUMINATO FESTIVAL will celebrate its 20th anniversary with a series of events in Toronto. The festival aims to highlight various artistic expressions and cultural experiences throughout its duration.

All the Off-Broadway Shows to See in Spring 2026- A Complete Guide
by Team BWW - Mar 27, 2026

What’s happening Off-Broadway this spring? BroadwayWorld is here to guide you through the top picks for theatre this season. Spring 2026 is packed with exciting revivals, new works, and star-powered productions.

Crow's Theatre Reveals 2026-27 Season - A FINE BALANCE, MACBETH and More
by Chloe Rabinowitz - Mar 24, 2026

Crow's Theatre has revealed its 2026-27 season—the organization's 43rd season of programming—celebrating the 10-year anniversary of their permanent east-end home at Dundas and Carlaw.

WHAT HAPPENED WAS with Corey Stoll and Cecily Strong, and More Join Audible & Together 2026 Lineup
by Chloe Rabinowitz - Mar 11, 2026

Audible Theater and TOGETHER, will present two additional productions for their 2026 season, directed by Ian Rickson and presented in repertory at Audible’s Minetta Lane Theatre in New York City.

University of Washington School of Drama Will Perform BUNNY
by Stephi Wild - Mar 10, 2026

The University of Washington School of Drama will present Bunny,  written by Hannah Moscovitch. Directed by MFA student Ren Langer, the play spans 20  years of Bunny’s life.

Wake Up With BroadwayWorld March 2, 2026- New Look At MAYBE HAPPY ENDING On Broadway and More
by - Mar 2, 2026

Rise and shine, BroadwayWorld! It is March 2, 2026 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend!

Ella Beatty and Hugh Jackman to Return to SEXUAL MISCONDUCT OF THE MIDDLE CLASSES
by Chloe Rabinowitz - Feb 27, 2026

Following a collaboration last year, Audible Theater and TOGETHER will present the return of Hannah Moscovitch’s Sexual Misconduct of the Middle Classes with Ella Beatty and Hugh Jackman, and directed by Ian Rickson, to launch their 2026 season.

INFINITY Comes to Cork Arts Theatre in February
by Stephi Wild - Jan 13, 2026

Cork Arts Theatre will present the captivating production INFINITY from February 5-14, 2026, offering audiences a unique theatrical experience.

Feature: Ilana Lucas Picks the Top Toronto Theatre 2025
by Ilana Lucas - Jan 5, 2026

In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.

INFINITY Comes to Cork Arts Theatre in 2026
by Stephi Wild - Dec 15, 2025

Cork Arts Theatre will open its 50th anniversary year with Infinity, the first production in the venue’s new Re:Directing season. The 2026 programme showcases three contemporary plays directed by three Cork-born directors. 

10 DAYS IN A MADHOUSE to Make Canadian Premiere at the Bluma Appel Theatre
by Chloe Rabinowitz - Nov 28, 2025

10 Days in a Madhouse is a bold contemporary opera from innovative American composer Rene Orth and acclaimed Canadian playwright Hannah Moscovitch that will make its Canadian premiere in four performances at the Bluma Appel Theatre.

Cork Arts Theatre Unveils 50th Anniversary 2026 Season
by Chloe Rabinowitz - Nov 28, 2025

Cork Arts Theatre will celebrate its 50th anniversary in 2026. The Cork theatre will deliver an ambitious programme, producing three contemporary plays, under the banner Re:Directing.

U.S. Premiere of RED LIKE FRUIT Comes to the Bridge Street Theatre
by Stephi Wild - Sep 11, 2025

Bridge Street Theatre will continue its tradition of bringing bold, internationally acclaimed new works to the Hudson Valley with the U.S. Premiere of Red Like Fruit by award-winning Canadian playwright Hannah Moscovitch.

EDINBURGH 2025: Review: RED LIKE FRUIT, Traverse Theatre
by Mary Baillie - Aug 26, 2025

Red Like Fruit is a two-hander exploring questions around consent and the suppression of women’s voices in sexual abuse claims. The staging is minimal: Lauren (Michelle Montieth) sits on a chair on a raised platform, while Luke (David Patrick Flemming) stands at a lectern on a lower level beside her, reading her story aloud. For almost the entire 70-minute performance, he speaks as her - his voice carrying her words, memories, and pain. Lauren only occasionally interjects, sparking brief moments of dialogue. But for the most part, she sits silently, gazing out at the audience as her narrative is projected through him.