Echo LABFEST 2022 Readings to Take Place Online
The Echo Theater Company has moved the previously announced Echo LABFest 2022, readings of seven new plays developed in the company's Playwright's Lab under the leadership of Brian Otaño and Hannah Wolf, online.
7 New Plays to be Featured in Echo LABFEST 2022
The Echo Theater Company will present staged readings of seven new plays developed in the company’s Playwright’s Lab under the leadership of Brian Otaño and Hannah Wolf. They will run from February 15th until February 20th, 2022.Â
BWW Review: Paper Chairs' PLANO is Perfection
PLANO is everything an adult audience could ask for in a night of local theatre - a stellar cast, magnificent set, and design details executed to perfection. With a combination of tragic themes and dark humor, this show left mundanity behind...
The Playwrights Realm Announces 2019-2020 Writing Fellows And 2019-2020 Scratchpad Series Playwrights
The Playwrights Realm today announces recipients of two career-propelling development programs the organizationa?"led by Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereiraa?"offers to gifted, incisive, and diverse playwrights. Now entering its thirteenth season, The Realm has continually produced work by brave new voices and expanded its commitment to providing holistic support to playwrights striving to make a life in the arts.
Paper Chairs Announces The Texas Premiere Of PLANO By Will Arbery
paper chairs enthusiastically announces its next production, PLANO written by Will Arbery and directed by returning paper chairs co-founder Dustin Wills. This marks the second collaboration between Arbery and Wills, who previously presented Evanston Salt Costs Climbing with New Neighborhood . PLANO recently received its NYC debut with Clubbed Thumb . Now paper chairs is thrilled to give this very Texas play its very Texas premiere!
UTNT (UT NEW THEATRE) Comes to Oscar G. Brockett Theatre
The University of Texas Department of Theatre and Dance at Austin presents UTNT (UT New Theatre), March 12-31, 2019 in multiple locations throughout the F. Loren Winship Drama Building. Established in 2007 by nationally renowned playwright Steven Dietz, UTNT (UT New Theatre) is an annual showcase of newly developed works for the American stage from playwrights of the Department of Theatre and Dance's master of fine arts program and Michener Center for Writers. Now in its twelfth year, UTNT brings to the stage compelling works by I-Chia Chiu, Hannah Kenah, Daria Miyeko Marinelli and Thom May.
Salvage Vanguard Theater Stages TRYOUTS By Adara Meyers
Salvage Vanguard Theater (SVT) presents MainStage world premiere of Tryouts by Adara Meyers, a Boston-based experimental playwright. Directed by co-Artistic Director Diana Lynn Small, Tryouts casts a satirical gaze on women, femininity, and motherhood, inspired by Leonardo Da Vinci's 'The Virgin and Child with St. Anne,' and Freud's debunked maternal psychosexual essay on the painting.
Salvage Vanguard Theater Stages TRYOUTS By Adara Meyers
Salvage Vanguard Theater (SVT) presents MainStage world premiere of Tryouts by Adara Meyers, a Boston-based experimental playwright. Directed by co-Artistic Director Diana Lynn Small, Tryouts casts a satirical gaze on women, femininity, and motherhood, inspired by Leonardo Da Vinci's 'The Virgin and Child with St. Anne,' and Freud's debunked maternal psychosexual essay on the painting.
Salvage Vanguard Theater Stages TRYOUTS By Adara Meyers
Salvage Vanguard Theater (SVT) presents MainStage world premiere of Tryouts by Adara Meyers, a Boston-based experimental playwright. Directed by co-Artistic Director Diana Lynn Small, Tryouts casts a satirical gaze on women, femininity, and motherhood, inspired by Leonardo Da Vinci's 'The Virgin and Child with St. Anne,' and Freud's debunked maternal psychosexual essay on the painting.
Harbor Stage Company Celebrates Sixth Season
The Harbor Stage Company, the artist-run ensemble that produces intrepid, live performance on the shores of Wellfleet Harbor, will celebrate their sixth season with another summer of ambitious, authentic theater.
BWW Review: FIELD GUIDE is an Excitingly Experimental Evening
FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center. Rude Mechs creates new works collaboratively, and with FIELD GUIDE they are actively engaging their audience to get feed back on what works and what doesn't in order to help shape the piece. FIELD GUIDE, commissioned by the Yale Repertory Theatre, is a mash-up of Dostoyevsky's The Brothers Karamazov, stand-up comedy, dance and some frankly uncomfortable direct audience addressing confessions. How much of the direct confessions are fact or fiction we'll never really know. What we do know is this is an excitingly different evening of pure theatricality… an evening that you, as an audience member, are being asked to help define.
Along the way during your 90 minute journey the Mechs cover topics from the longest Russian novel written such as intellectualism, spiritualism, sensuality and hedonism. While it is ostensibly an adaptation of The Brothers Karamazov, it really just uses the characters in the briefest Cliff Notes sense. This approach allows the performers to riff on the underlying themes present. There is even an unaccredited moment by Tom Lehrer when Robert S. Fisher performs 'They're Rioting in Africa'. What you are treated to is highly experimental in nature and at moments what ensues is truly magical.