Review: THE MERCHANT OF VENICE 1936, Trafalgar Theatre
Oswald Mosley’s Blackshirts are getting a foothold in London’s East End. Shylock, here a single parent, requests a pound of flesh from Antonio, part of Mosley’s aficionados, in order to clear his debts. The demands of the Jewish moneylender who’s endlessly abused in public by the same people who require her services immediately gain further nuance in Brigid Larmour and Tracy-Ann Oberman.
Review: KISS MARRY KILL, Stone Nest
Dante or Die are back with another site-specific venture. Burrowed underneath the cold dome of Stone Nest, Kiss Marry Kill feels right at home within the harsh and unholy environment of the venue. Set in a prison against the backdrop of violence, it reframes homophobia and imagines the first same-sex wedding in a British penitentiary.
Photos: Inside Rehearsal For MY UNCLE IS NOT PABLO ESCOBAR at Brixton House
The world premiere of new play My Uncle Is Not Pablo Escobar challenges toxic stereotypes of Latinx people - the 8th largest ethnic community in the UK and one of the fastest growing, but still not recognised as a category in the national census and other major bodies. Check out rehearsal photos here!
Review: THE LOST SPELLS, Polka Theatre
Polka Theatre’s spring season continues with another new musical for families. Based on the book by Robert MacFarlane and Jackie Morris, The Lost Spells celebrates children’s connection to the ever-diminishing natural world. Following its premiere at Watford Palace Theatre, the actor-musician production plays in Polka’s main space ahead of a run at Theatre by the Lake.