Agatha Christie's MURDER ON THE ORIENT EXPRESS to Open at The Gateway
Rehearsals have begun for Agatha Christie's Murder on the Orient Express, on stage March 6 through 15. This 'classic whodunit' takes audiences on a fast paced thrill ride with a train full of suspects, and each one with an alibi! There are twists and turns aplenty in this intrigue-filled story, newly adapted for the stage from Agatha Christie's masterpiece by two-time Tony-nominated playwright Ken Ludwig. This unforgettable mystery takes audiences on a thrilling ride - Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer - in case he or she decides to strike again.
Full Casting Announced For Shakespeare's AS YOU LIKE IT
In part celebration of its 70th Anniversary Celebration and in order to attract a more diverse audience, The Gateway will produce a Shakespearean comedy for the first time in over 50 years a?" As You Like It, for four performances from Feb 21 a?" 23.
Playhouse Set To Open British Farce SEE HOW THEY RUN
Saint Michael's Playhouse announces the August 1 opening of Philip King's classic British farce See How They Run. 'In times like these we can all use a couple hours of non-stop laughter and See How They Run offers exactly that. Audience members laugh heartily from beginning to end at the hilarious hijinks and madcap mayhem of this perfectly written British farce,' said Chuck Tobin, Producing Artistic Director, Saint Michael's Playhouse. This is the grand finale of our 71st season,' Tobin continued, 'and it's British comedy at its finest.' Opening Wednesday August 1, 2018, evening performances are August 1 - 4, 7 - 11 (8pm), with matinee performances August 4 and 11 (2pm).
Review - I Love My Wife: There's No Place Like Home
One of the many reasons I've been a fan of the Opening Doors Theatre Company since their debut production of Bring Back Birdie two-and-a-half years ago is the consistent ability of their directors and choreographers to have as many as a dozen actors singing and dancing on the small cabaret stage of The Duplex (already occupied by a piano) without ever looking crowded. But that's not a concern with their newest venture, the hilarious and tuneful Cy Coleman/Michael Stewart 1977 musical, I Love My Wife.