SCREAMING SECRETS Comes to the Tristan Bates Theatre
'SCREAMING SECRETS', written by writer and philosopher Alexander Matthews, forms part of Matthews' debut two-play season at the Tristan Bates Theatre in Covent Garden. The first play, 'Screaming Secrets' is set in 1975, in a world of free love, flared trousers, and deep thinking.
Casting Announced For The ALEXANDER MATTHEWS Season At Tristan Bates
The playwright and philosopher Alexander Matthews presents the debut of his two witty social dramas at Covent Garden's Tristan Bates Theatre in spring 2018. 'Screaming Secrets' and 'Glass Roots' will have back-to-back runs and will form the first Alexander Matthews Season in the UK. Both plays are directed by Evan Keele with production design by Nancy Surman.
Agatha Christie's THE MOUSETRAP Begins Final Leg of Record-breaking UK Tour
Agatha Christie's beloved murder mystery THE MOUSETRAP will begin the final leg of its record-breaking, and first ever, UK tour at Glasgow Theatre Royal on 12th September. The tour will then visit Swindon, Cardiff, Wakefield, Perth, Ayr, Edinburgh, Guildford, Birmingham, Tunbridge Wells, Isle of Wight, Derry, Oxford, Carlisle and Aberystwyth.
White Bear Theatre Presents MUSWELL HILL by Torben Betts , August 12-31
January 2010 - an earthquake in Haiti leaves a hundred thousand people dead and almost two million homeless. Meanwhile in a leafy north London suburb, six individuals sit down to avocado and prawns - 'so reassuringly 1970s' - followed by a monkfish stew. They admire their host's beautifully appointed kitchen, fret about their 'ambitious' mortgages, make holiday plans, compare mobile phone tariffs, connect with Facebook friends, and worry that they might after all just be ordinary - will history remember any of them, and if so, what for? A social event in which much is said but little communicated rapidly disintegrates as the wine flows and some hard truths are told.
White Bear Theatre Presents MUSWELL HILL by Torben Betts , 8/12-31
January 2010 - an earthquake in Haiti leaves a hundred thousand people dead and almost two million homeless. Meanwhile in a leafy north London suburb, six individuals sit down to avocado and prawns - 'so reassuringly 1970s' - followed by a monkfish stew. They admire their host's beautifully appointed kitchen, fret about their 'ambitious' mortgages, make holiday plans, compare mobile phone tariffs, connect with Facebook friends, and worry that they might after all just be ordinary - will history remember any of them, and if so, what for? A social event in which much is said but little communicated rapidly disintegrates as the wine flows and some hard truths are told.