Gillian Wiggin
Latest News on Gillian Wiggin:
Emit Theatre Presents ISLE FULL OF NOISES, An Interactive TEMPEST (Dec 10, 2019)
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse (Apr 8, 2011)
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse (Mar 28, 2011)
Emit Theatre Presents ISLE FULL OF NOISES, An Interactive TEMPEST (Dec 10, 2019)
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse (Apr 8, 2011)
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse (Mar 28, 2011)
News
Emit Theatre Presents ISLE FULL OF NOISES, An Interactive TEMPEST
Emit Theatre will present ISLE FULL OF NOISES: An Interactive Tempest, an interactive show for young audiences and families, adapted from Shakespeare's The Tempest and directed by Gianna Cioffi. The show is the first in the Little Lights Series of monthly pop up performances hosted by The Shakespeare Forum. Isle Full of Noises performs Sunday, January 12 at 1pm at El Barrio's Artspace PS109 (215 E. 99th St., off the Q and 6 trains). Tickets are free with a $10 suggested donation and can be reserved online at www.islefullofnoises.brownpapertickets.com or walk ins are welcome at the door.
Emit Theatre will present ISLE FULL OF NOISES: An Interactive Tempest, an interactive show for young audiences and families, adapted from Shakespeare's The Tempest and directed by Gianna Cioffi. The show is the first in the Little Lights Series of monthly pop up performances hosted by The Shakespeare Forum. Isle Full of Noises performs Sunday, January 12 at 1pm at El Barrio's Artspace PS109 (215 E. 99th St., off the Q and 6 trains). Tickets are free with a $10 suggested donation and can be reserved online at www.islefullofnoises.brownpapertickets.com or walk ins are welcome at the door.
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse
This funny and stylish comedy from Noel Coward, the author of Private Lives and Hay Fever, is the story of a cantankerous novelist, Charles Condomine, who is re-married but haunted - literally - by the ghost of his late first wife, Elvira. When a 'happy medium', one Madame Arcati, conjures up the specter of his former spouse, all the personalities, worldly and otherwise, clash with rib tickling results.
This funny and stylish comedy from Noel Coward, the author of Private Lives and Hay Fever, is the story of a cantankerous novelist, Charles Condomine, who is re-married but haunted - literally - by the ghost of his late first wife, Elvira. When a 'happy medium', one Madame Arcati, conjures up the specter of his former spouse, all the personalities, worldly and otherwise, clash with rib tickling results.
Classic Noel Coward Comedy 'Blithe Spirit' Performed At Gulfshore Playhouse
This funny and stylish comedy from Noel Coward, the author of Private Lives and Hay Fever, is the story of a cantankerous novelist, Charles Condomine, who is re-married but haunted - literally - by the ghost of his late first wife, Elvira. When a 'happy medium', one Madame Arcati, conjures up the specter of his former spouse, all the personalities, worldly and otherwise, clash with rib tickling results.
This funny and stylish comedy from Noel Coward, the author of Private Lives and Hay Fever, is the story of a cantankerous novelist, Charles Condomine, who is re-married but haunted - literally - by the ghost of his late first wife, Elvira. When a 'happy medium', one Madame Arcati, conjures up the specter of his former spouse, all the personalities, worldly and otherwise, clash with rib tickling results.
Cody Nickell, et al. to Star in Gulfshore's BLITHE SPIRIT
Gulfshore Playhouse is closing their fabulous fifth mainstage season with the Noel Coward comedy Blithe Spirit. This production will run April 8 through 23, with a preview performance April 7.
Gulfshore Playhouse is closing their fabulous fifth mainstage season with the Noel Coward comedy Blithe Spirit. This production will run April 8 through 23, with a preview performance April 7.
Aeschylus' AGAMENNON to Run Nov. 12 - 29 at La MaMa E.T.C.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
The Eleventh Hour Presents New Translation Of Aeschylus' AGAMEMNON At La MaMa 11/12-29
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Aeschylus' AGAMENNON to Run Nov. 12 - 29 at La MaMa E.T.C.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
The Eleventh Hour Presents New Translation Of Aeschylus' AGAMEMNON At La MaMa 11/12-29
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Aeschylus' AGAMENNON to Run Nov. 12 - 29 at La MaMa E.T.C.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
The Eleventh Hour Presents New Translation Of Aeschylus' AGAMEMNON At La MaMa 11/12-29
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Figaro/Figaro: This Plum is Too Ripe
(re:)Directions Theater company presents 'Figaro/Figaro', Eric Overmyer's adaptation of 'The Marriage of Figaro' by Beaumarchais, combined with Horvath's satiric sequel 'Figaro Gets a Divorce'.
(re:)Directions Theater company presents 'Figaro/Figaro', Eric Overmyer's adaptation of 'The Marriage of Figaro' by Beaumarchais, combined with Horvath's satiric sequel 'Figaro Gets a Divorce'.
Directions Theatre Co Presents FIGARO/FIGARO 2/27-3/2
Directions Theatre Company is pleased to present the New York premiere of Eric Overmyer's adaptation of Beaumarchais' The Marriage of Figaro and ?d?n von Horv?th's Figaro Gets a Divorce. FIGARO/FIGARO follows the iconic characters Figaro, Susanna, the Count and Countess Almaviva and other favorites through the ups and downs inherent in all relationships - husband and wife, master and servant, family ties and the like.
Directions Theatre Company is pleased to present the New York premiere of Eric Overmyer's adaptation of Beaumarchais' The Marriage of Figaro and ?d?n von Horv?th's Figaro Gets a Divorce. FIGARO/FIGARO follows the iconic characters Figaro, Susanna, the Count and Countess Almaviva and other favorites through the ups and downs inherent in all relationships - husband and wife, master and servant, family ties and the like.
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