Gil Wechsler
Latest News on Gil Wechsler:
National Ballet of Canada Announces Lead Cast for GISELLE (Nov 8, 2024)
Puccini's TURANDOT Returns To The Met In February (Feb 15, 2024)
VIDEO: Watch the Cast of THE GILDED AGE Chat with Met Opera Vice President C. Graham Berwind, III (Dec 9, 2023)
National Ballet of Canada Announces Lead Cast for GISELLE (Nov 8, 2024)
Puccini's TURANDOT Returns To The Met In February (Feb 15, 2024)
VIDEO: Watch the Cast of THE GILDED AGE Chat with Met Opera Vice President C. Graham Berwind, III (Dec 9, 2023)
BIO
Wechsler was the first resident lighting designer at the Met. He lit his inaugural show in 1977 and, over the next 20 years, made days dawn, rain fall and cities burn in 112 Met productions, 74 of them new.
Productions
Videos
VIDEO: Watch the Cast of THE GILDED AGE Chat with Met Opera Vice President C. Graham Berwind, III
by Blair Ingenthron - Dec 9, 2023
News
National Ballet of Canada Announces Lead Cast for GISELLE
Tirion Law, Siphesihle November, and Peng-Fei Jiang make their debut performances in the classic ballet GISELLE.
Tirion Law, Siphesihle November, and Peng-Fei Jiang make their debut performances in the classic ballet GISELLE.
Puccini's TURANDOT Returns To The Met In February
Franco Zeffirelli’s larger-than-life production of Puccini’s Turandot returns to the Met stage for 17 performances, starting February 28. Ukrainian conductor Oksana Lyniv will lead the production.
Franco Zeffirelli’s larger-than-life production of Puccini’s Turandot returns to the Met stage for 17 performances, starting February 28. Ukrainian conductor Oksana Lyniv will lead the production.
VIDEO: Watch the Cast of THE GILDED AGE Chat with Met Opera Vice President C. Graham Berwind, III
The cast of HBO’s The Gilded Age visited the Met for a discussion with Met Vice President C. Graham Berwind, III, followed by a performance of Wagner’s Tannhäuser. Watch clips from the discussion here!
The cast of HBO’s The Gilded Age visited the Met for a discussion with Met Vice President C. Graham Berwind, III, followed by a performance of Wagner’s Tannhäuser. Watch clips from the discussion here!
Wagner's TANNHAUSER to Return to The Met This Week
Wagner’s Tannhäuser returns to the Met with soprano Elza van den Heever and tenor Andreas Schager making their Met role debuts as Elisabeth and Tannhäuser. Baritone Christian Gerhaher also makes his company debut in the role of Wolfram.
Wagner’s Tannhäuser returns to the Met with soprano Elza van den Heever and tenor Andreas Schager making their Met role debuts as Elisabeth and Tannhäuser. Baritone Christian Gerhaher also makes his company debut in the role of Wolfram.
Review: Exquisitely Subtle CARMELITES Makes Another of Its Brief Stops at the Met
I’ve heard the opera a number of times at the Met over the years and this year’s run holds up with the most breathtaking of them. Despite the number of star performances among the magnificent ensemble currently being heard at the Met, the star of the show doesn’t have a single word to say or note to sing. It's the John Dexter production that does it.
I’ve heard the opera a number of times at the Met over the years and this year’s run holds up with the most breathtaking of them. Despite the number of star performances among the magnificent ensemble currently being heard at the Met, the star of the show doesn’t have a single word to say or note to sing. It's the John Dexter production that does it.
BWW Review: Lise Davidsen Soars Over Naxos in Strauss's ARIADNE at the Met
I flipped over Lise Davidsen when she made her Met debut in QUEEN OF SPADES—the voice, the acting, the overall subtlety--but I was still unprepared for the performance she gave as the Prima Donna who became Princess Ariadne of Crete in Strauss’s ARIADNE AUF NAXOS. She was altogether divine.
I flipped over Lise Davidsen when she made her Met debut in QUEEN OF SPADES—the voice, the acting, the overall subtlety--but I was still unprepared for the performance she gave as the Prima Donna who became Princess Ariadne of Crete in Strauss’s ARIADNE AUF NAXOS. She was altogether divine.
The National Ballet of Canada Announces GISELE Casting
Karen Kain, Artistic Director of The National Ballet of Canada, today announced the principal casting for Giselle which will feature several milestone events as well as important debuts. Giselle opens the 2019/20 season, which celebrates Ms. Kain's 50th anniversary with the company, and is onstage November 6 a?" 10, 2019 at the Four Seasons Centre for the Performing Arts. #GiselleNBC
Karen Kain, Artistic Director of The National Ballet of Canada, today announced the principal casting for Giselle which will feature several milestone events as well as important debuts. Giselle opens the 2019/20 season, which celebrates Ms. Kain's 50th anniversary with the company, and is onstage November 6 a?" 10, 2019 at the Four Seasons Centre for the Performing Arts. #GiselleNBC
BWW Review: Leonard Is CARMELITES' Soft Center in Met's Brilliant Production
You'd never know that the Met's production of Francis Poulenc's DIALOGUES DES CARMELITES is over 40 years old, except for a few giveaways. There are no dancing nuns, no nudity, no screeching train whistle as the women go to their deaths (a la SWEENEY TODD). This fictionalized version of the story of Carmelite nuns who were martyred during the French Revolution, sent to the guillotine, is certainly the most simple and eloquent work on the Met's stage these days.
You'd never know that the Met's production of Francis Poulenc's DIALOGUES DES CARMELITES is over 40 years old, except for a few giveaways. There are no dancing nuns, no nudity, no screeching train whistle as the women go to their deaths (a la SWEENEY TODD). This fictionalized version of the story of Carmelite nuns who were martyred during the French Revolution, sent to the guillotine, is certainly the most simple and eloquent work on the Met's stage these days.
BWW Review: Finally, Netrebko Gives Us a Gala Opening at the Met, with Spectacular AIDA
The synopsis of Verdi's AIDA, with Ghislanzoni's smart libretto, places it in 'Egypt, during the reign of the pharaohs.' For the first performance of the opera this season, on Wednesday, they should have changed that to 'during the reign of soprano Anna Netrebko,' because she owned the stage from the moment she entered.
The synopsis of Verdi's AIDA, with Ghislanzoni's smart libretto, places it in 'Egypt, during the reign of the pharaohs.' For the first performance of the opera this season, on Wednesday, they should have changed that to 'during the reign of soprano Anna Netrebko,' because she owned the stage from the moment she entered.
GREAT PERFORMANCES Season 12 Continues Sunday, July 8 on PBS with Rossini's SEMIRAMIDE
Season 12 of Great Performances at the Met continues Sunday, July 8 on PBS (check local listings) with a rare Met performance of Rossini's masterpiece Semiramide, starring Angela Meade as the titular Queen of Babylon and Elizabeth DeShong as the warrior Arsace. Javier Camarena, Ildar Abdrazakov and Ryan Speedo Greencomplete the all-star bel canto cast.
Season 12 of Great Performances at the Met continues Sunday, July 8 on PBS (check local listings) with a rare Met performance of Rossini's masterpiece Semiramide, starring Angela Meade as the titular Queen of Babylon and Elizabeth DeShong as the warrior Arsace. Javier Camarena, Ildar Abdrazakov and Ryan Speedo Greencomplete the all-star bel canto cast.
PBS' GREAT PERFORMANCES to Continue May 20 with Puccini's LA BOHEME Starring Michael Fabiano and Sonya Yoncheva
Season 12 of Great Performances at the Met continues Sunday, May 20 on PBS (check local listings) with one of the world's most popular operas, Puccini's La Bohème, starring Sonya Yoncheva as the fragile Mimì and Michael Fabiano as the poet Rodolfo.
Season 12 of Great Performances at the Met continues Sunday, May 20 on PBS (check local listings) with one of the world's most popular operas, Puccini's La Bohème, starring Sonya Yoncheva as the fragile Mimì and Michael Fabiano as the poet Rodolfo.
The Met: Live In HD's 2018"19 Season Kicks Off On October 6 With Anna Netrebko In The Title Role Of Verdi's AIDA
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 13th season on October 6, with the Met's grand production of Verdi's Aida, starring one of the world's most acclaimed sopranos, Anna Netrebko.
The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 13th season on October 6, with the Met's grand production of Verdi's Aida, starring one of the world's most acclaimed sopranos, Anna Netrebko.
Review Roundup: LA BOHEME at The Metropolitan Opera
Giacomo Puccini's LA BOHEME will play at The Metropolitan Opera through March of 2018, and the critics are weighing in!
Giacomo Puccini's LA BOHEME will play at The Metropolitan Opera through March of 2018, and the critics are weighing in!
Mozart's Early Masterpiece 'Idomeneo' Conducted by James Levine Comes to GREAT PERFORMANCES
Tenor Matthew Polenzani sings the title role of the King of Crete, with mezzo-soprano Alice Coote in the trouser role of his noble son Idamante, soprano Elza van den Heever as Elettra, and soprano Nadine Sierra as Ilia.
Tenor Matthew Polenzani sings the title role of the King of Crete, with mezzo-soprano Alice Coote in the trouser role of his noble son Idamante, soprano Elza van den Heever as Elettra, and soprano Nadine Sierra as Ilia.
American Ballet Theatre Announces 2016 Fall Season
Programming for American Ballet Theatre's 2016 Fall Season, October 19-30, at the David H. Koch Theater was announced today by Artistic Director Kevin McKenzie. The season will feature a World Premiere by Jessica Lang, the Company Premiere of Daphnis and Chloe by Benjamin Millepied and revivals of George Balanchine's Prodigal Son and Frederick Ashton's Symphonic Variations.
Programming for American Ballet Theatre's 2016 Fall Season, October 19-30, at the David H. Koch Theater was announced today by Artistic Director Kevin McKenzie. The season will feature a World Premiere by Jessica Lang, the Company Premiere of Daphnis and Chloe by Benjamin Millepied and revivals of George Balanchine's Prodigal Son and Frederick Ashton's Symphonic Variations.
BWW Opera Review: Oh, To Be Abducted from This SERAGLIO at the Met
I wonder whether James Levine imagined that Mozart's DIE ENFUHRUNG AUS DEM SERAIL (THE ABDUCTION FROM THE SERAGLIO) would be his swan song as Music Director of the Metropolitan Opera. I think he might have chosen better.
I wonder whether James Levine imagined that Mozart's DIE ENFUHRUNG AUS DEM SERAIL (THE ABDUCTION FROM THE SERAGLIO) would be his swan song as Music Director of the Metropolitan Opera. I think he might have chosen better.
BWW Review: All Puccini, All the Time at the Met with LA BOHEME and TURANDOT
Sometimes, the Metropolitan Opera seems like an endless Puccini festival. It's particularly apparent this season, when top dogs LA BOHEME, TOSCA and MADAMA BUTTERFLY are joined by TURANDOT and MANON LESCAUT, which are not second drawer, though certainly less popular than the first three. (Let's see how that descriptor applies to the latter when Jonas Kaufmann steps on stage for the new production of LESCAUT.)
Sometimes, the Metropolitan Opera seems like an endless Puccini festival. It's particularly apparent this season, when top dogs LA BOHEME, TOSCA and MADAMA BUTTERFLY are joined by TURANDOT and MANON LESCAUT, which are not second drawer, though certainly less popular than the first three. (Let's see how that descriptor applies to the latter when Jonas Kaufmann steps on stage for the new production of LESCAUT.)
BWW Review: Let's Hear It for the Boys, in TANNHAUSER at the Met
Almost 40 years ago, on short notice, the great tenor Jon Vickers (who died this summer at 90) caused a scandal when he pulled out of the premiere of the Met's still-current production of Wagner's 'Tannhauser' because he considered the opera anti-Christian. Well, nothing that exciting happened when tenor Johan Botha took the stage in the title role of the opera last week--merely some wonderful singing.
Almost 40 years ago, on short notice, the great tenor Jon Vickers (who died this summer at 90) caused a scandal when he pulled out of the premiere of the Met's still-current production of Wagner's 'Tannhauser' because he considered the opera anti-Christian. Well, nothing that exciting happened when tenor Johan Botha took the stage in the title role of the opera last week--merely some wonderful singing.
BWW Reviews: Without Gypsies or Mistaken Identities, Soprano Meade Wins Four-Sided Tug of War in ERNANI at the Met
Nine years before IL TROVATORE took the prize for Verdi's most outlandish story line--with gypsies, stolen babies and mistaken identities--there was ERNANI, with a different kind of complicated plot to make your head spin. The Met's current revival of its 1983 production of the opera stars a formidable quartet: soprano Angela Meade, tenor Franceso Meli, bass-baritone Dmitry Belosselskiy and, last but certainly not least, tenor/baritone Placido Domingo.
Nine years before IL TROVATORE took the prize for Verdi's most outlandish story line--with gypsies, stolen babies and mistaken identities--there was ERNANI, with a different kind of complicated plot to make your head spin. The Met's current revival of its 1983 production of the opera stars a formidable quartet: soprano Angela Meade, tenor Franceso Meli, bass-baritone Dmitry Belosselskiy and, last but certainly not least, tenor/baritone Placido Domingo.
BWW Reviews: No Gods but Plenty of Masters in DIE MEISTERSINGER at the Met
I never ran a marathon, but I sure sat through one the other night at the Met. Richard Wagner's DIE MEISTERSINGER clocked in at six hours--a quarter of a day--without a god or flying horse in sight. And while the composer referred to this as a comedy, it's not exactly “I Love Lucy” (nor, for that matter, LE NOZZE DI FIGARO).
I never ran a marathon, but I sure sat through one the other night at the Met. Richard Wagner's DIE MEISTERSINGER clocked in at six hours--a quarter of a day--without a god or flying horse in sight. And while the composer referred to this as a comedy, it's not exactly “I Love Lucy” (nor, for that matter, LE NOZZE DI FIGARO).
Videos