MorDance Presents WORKS IN PROCESS, November 5
MorDance presents Works in Progress on Saturday, November 5, 2022 at 7:30pm at Martha Graham Studios, 55 Bethune St, NYC. This intimate showing is an opportunity to peer into the creative process and hear from the artists themselves.
New York Festival Of Song and Kaufman Music Center Present THE WIDER VIEW: SONGS BY BLACK COMPOSERS
The concert features mezzo-soprano Lucia Bradford, soprano Kearstin Piper Brown, and baritone Jorell Williams, together with pianists Nathaniel LaNasa and Steven Blier, in works by Black composers that include H. Leslie Adams, Margaret Bonds, Harry Burleigh, Adolphus C. Hailstork, Robert Owens, Hale Smith, and William Grant Still..
Beth Morrison Projects, PROTOTYPE and Trinity Church Wall Street Announce Five New Operas in Three Years
Beth Morrison Projects (BMP) and Trinity Church Wall Street (Trinity), together with PROTOTYPE: Opera|Theatre|Now, are pleased to announce a multiyear partnership in which BMP and Trinity will commission and produce five cutting-edge new opera-theater works for premiere at the PROTOTYPE Festival over three seasons (2021a?"2023). These comprise a new work by the Pulitzer Prize-winning composer-director team Du Yun and Michael McQuilken; two new works by librettist Royce Vavrek, paired with Mary Kouyoumdjian and Julian Wachner, respectively; a work by composer Ted Hearne with text by Halim Flowers and rap from Momolu Stewart; and a work by Paola Prestini with poet Brenda Shaughnessy.
Writers In Performance Present DREAM At Tribeca PAC
Writers in Performance is a 12-week writing and performance workshop hosted by BMCC Tribeca Performing Arts Center, culminating in two public presentations. Throughout the course of the workshop, talented actors, playwrights, poets and storytellers have explored writing exercises, theater games, improvisation, movement techniques, and ensemble work in a safe, creative environment. This season, the theme and title of the Writers in Performance show is a?oeDream.a?? Writers in Performance participants are diverse by design; not only in ethnicity, but by age, and experience as well, mixing professionals with students.
Riverside Opera Company Presents SUPERSTARS Concert!
The Riverside Opera Company (ROC), under the direction of award-winning conductor Maestro Alan Aurelia, presents: Superstars! on Saturday, October 19, 8 p.m. at St. Teresa's Church, 1634 Victory Blvd., Staten Island, NY. ROC held city-wide auditions and the winners are the featured performers in Superstars! Gina Hanzlick, soprano; Chantelle Grant, mezzo soprano; Hyunho Cho, tenor and Joseph Gansert, baritone are accompanied by a 57 piece orchestra conducted by Maestro Alan Aurelia as they perform operatic favorites.
Teatro Grattacielo Celebrates 25th Anniversary With A VERISMO TRILOGY Gala Concert
Teatro Grattacielo celebrates its 25th Anniversary season with a Gala Concert in three acts featuring well-known, but rarely performed, verismo operas, Leoncavallo's La Boheme, Catalani's Loreley and Respighi's La Bella Dormente Nel Bosco (Sleeping Beauty) on Saturday, September 28th at 8:00 PM at the Gerald Lynch Theater at John Jay College, located at 524 W. 59th St. (between 10th and 11th Aves), New York.
TimesTalks Announces Fall 2019 Program Ft. Mark Ronson, Jessica Lange, Renée Zellweger, And Colson Whitehead
TimesTalks, The New York Times live conversation and performance series, is proud to announce its Fall 2019 Program, featuring intimate conversations that pair Times journalists with today's most creative and influential voices in the fields of film, technology, politics, music, literature and science.
BWW Review: THE BLACK CLOWN at Mostly Mozart Festival
THE BLACK CLOWN, as envisioned by Langston Hughes, is a metaphor for the Afro-American as a figure of entertainment in a white world. It is also a series of verses by Hughes. In this performance piece devised by Davone Tines and Michael Schachter, the clown is examined though the lens of history and given life in a series of impressive vignettes, employing song, acting, and dance. An eclectic mix of music is heard, mainly soul, gospel, Black choral, and spiritual. Various verses of the poem, which is lengthy, are brought to life by the extremely talented performers; some examples follow:
BWW Interview: No Clowning Around for Bass-Baritone Davone Tines in Mostly Mozart's THE BLACK CLOWN
The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and I thought that I wanted to hear more of him. He opens July 24, 2019 at Mostly Mozart in THE BLACK CLOWN at the Gerald Lynch Theatre of John Jay College, near Lincoln Center.
BWW Preview: Ready or Not, Here Comes NY's PROTOTYPE 2019, January 5-13
New York's PROTOTYPE OperaTheatreNow Festival returns for its seventh season from January 5 to the 13th and the one thing that you can't ask about it is “What's new?” That's not because there's nothing to answer. On the contrary--there's too much, in style, in content, in the sizes of its venues: This year's Festival is larger than ever, with a dozen works, 24 composerlibrettists and over 150 collaborators.