George Miles
Latest News on George Miles:
New Audio Comedic Dramedy Podcast A PLACE CALLED FAIRNECK Out Now (Apr 2, 2020)
KUDZU The Musical Celebrates Local Folklore And Weirdness (Nov 6, 2018)
Ishmael Houston-Jones' THEM Returns To Performance Space New York, June 21-28 (May 15, 2018)
New Audio Comedic Dramedy Podcast A PLACE CALLED FAIRNECK Out Now (Apr 2, 2020)
KUDZU The Musical Celebrates Local Folklore And Weirdness (Nov 6, 2018)
Ishmael Houston-Jones' THEM Returns To Performance Space New York, June 21-28 (May 15, 2018)
News
New Audio Comedic Dramedy Podcast A PLACE CALLED FAIRNECK Out Now
Announcing the release of 'A Place Called Fairneck,' a new audio dramedy podcast by Los Angeles based actress, writer, and producer Eva Bilick. Her upcoming six-episode comedic scripted podcast, 'A Place Called Fairneck,' is loosely based on her upbringing in an orthodox Jewish community in New Jersey. On April 7, 2020, the story will be available to listen to on Apple Podcasts, Spotify, Stitcher, Castbox, and more.
Announcing the release of 'A Place Called Fairneck,' a new audio dramedy podcast by Los Angeles based actress, writer, and producer Eva Bilick. Her upcoming six-episode comedic scripted podcast, 'A Place Called Fairneck,' is loosely based on her upbringing in an orthodox Jewish community in New Jersey. On April 7, 2020, the story will be available to listen to on Apple Podcasts, Spotify, Stitcher, Castbox, and more.
KUDZU The Musical Celebrates Local Folklore And Weirdness
'Kudzu Covers the South.' That's the on-air slogan for WKDZ, a Columbus radio station at the center of the action of the Springer's original musical comedy opening November 8.
'Kudzu Covers the South.' That's the on-air slogan for WKDZ, a Columbus radio station at the center of the action of the Springer's original musical comedy opening November 8.
Ishmael Houston-Jones' THEM Returns To Performance Space New York, June 21-28
Performance Space New York's East Village Series, the first themed series under the leadership of Executive Artistic Director Jenny Schlenzka, has reexamined the audacious origins of the organization and the communities that formed around it. In 1986, choreographer Ishmael Houston-Jones, composer/guitarist Chris Cochrane, writer Dennis Cooper, and an ensemble of dancers performed the first full version of THEM, an unblinking interdisciplinary work of scored improvisational dance, spoken text, and guitar, at what was then Performance Space 122.
Performance Space New York's East Village Series, the first themed series under the leadership of Executive Artistic Director Jenny Schlenzka, has reexamined the audacious origins of the organization and the communities that formed around it. In 1986, choreographer Ishmael Houston-Jones, composer/guitarist Chris Cochrane, writer Dennis Cooper, and an ensemble of dancers performed the first full version of THEM, an unblinking interdisciplinary work of scored improvisational dance, spoken text, and guitar, at what was then Performance Space 122.
HANDMAID'S TALE, GAME OF THRONES Among Directors Guild Award Nominees; Full List!
Directors Guild of America President Thomas Schlamme today announced the DGA's nominees for Outstanding Directorial Achievement in Television, Commercials and Documentary for 2017.
Directors Guild of America President Thomas Schlamme today announced the DGA's nominees for Outstanding Directorial Achievement in Television, Commercials and Documentary for 2017.
New Federal Theatre's 44th Season to Feature Ed Bullin's IN THE WINE TIME & THE FABULOUS MISS MARIE
Woodie King Jr's New Federal Theatre kicks off its 44th season with 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - In The Wine Time and The Fabulous Miss Marie. Bullins, winner of the prestigious NY Drama Critics' Circle Award and OBIE Award for The Taking of Miss Janie, has greatly influenced American theatre, especially Black theatre. His work, characterized by disdain for ineffective political rhetoric as a substitute for action, most often examines the lives of Black people in the inner city. In 1968, Clive Barnes, writing in the New York Times called Bullins 'a welcome addition to the ranks of New York playwrights.' Four years later, Barnes added 'Bullins writes the way Charlie Parker played: It is all so easy and effortless. It sounds improvised, and yet it doesn't sound improvised, simply because it is the improvisation of formality.' Today, Bullins is regarded as a seminal force in the American theater.
Woodie King Jr's New Federal Theatre kicks off its 44th season with 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - In The Wine Time and The Fabulous Miss Marie. Bullins, winner of the prestigious NY Drama Critics' Circle Award and OBIE Award for The Taking of Miss Janie, has greatly influenced American theatre, especially Black theatre. His work, characterized by disdain for ineffective political rhetoric as a substitute for action, most often examines the lives of Black people in the inner city. In 1968, Clive Barnes, writing in the New York Times called Bullins 'a welcome addition to the ranks of New York playwrights.' Four years later, Barnes added 'Bullins writes the way Charlie Parker played: It is all so easy and effortless. It sounds improvised, and yet it doesn't sound improvised, simply because it is the improvisation of formality.' Today, Bullins is regarded as a seminal force in the American theater.
Houston-Jones, Cochrane Star in THEM at PS122, 10/21-30
THEM is an intensely physical interdisciplinary work that presents an unblinking look into the lives and interactions of young, gay men. Conceived and directed by Ishmael Houston-Jones, THEM features provocative texts by Dennis Cooper and a cacophonous live electric guitar sound score by Chris Cochrane. Houston-Jones' choreography, while rooted in improvisation, develops the themes of connections that never quite happen, grappling and wrestling that seem inconsequential and ineffective, and support that disappears.
THEM is an intensely physical interdisciplinary work that presents an unblinking look into the lives and interactions of young, gay men. Conceived and directed by Ishmael Houston-Jones, THEM features provocative texts by Dennis Cooper and a cacophonous live electric guitar sound score by Chris Cochrane. Houston-Jones' choreography, while rooted in improvisation, develops the themes of connections that never quite happen, grappling and wrestling that seem inconsequential and ineffective, and support that disappears.
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