Jack Kleinsinger's Highlights In Jazz to Stage THE RETURN OF THE JAM SESSION
You won't want to miss the Jack Skleinsinger's dynamic final Highlights in Jazz concert for 2022, when today's top jazz players take to the BMCC Tribeca Performing Arts Center stage to celebrate the Return of the Jam Session. The 49th season final is is set for May 12. It features Peter and Will Anderson on saxophones, flutes and clarinets; trombonist Wycliffe Gordon, pianist Ted Rosenthal, drummer Victor Lewis, trumpeter Brian Lynch and guitarist James Chirillo, playing together for the very first time.
Three Near-Death Experiences Later, Singer Angela Verbrugge Prevails, Pursues Her Dream, and Releases New Album
Some real-life stories are so remarkable, they take on a cinematic quality. In the case of singer Angela Verbrugge, her personal journey is filled with not one, not two, but three near-death experiences that have shaped her path, and have provided the fuel for her burgeoning music career: “I was in a head-on collision, almost drowned, and then, when I had three kids under five, I got a very serious kind of cancer that had spread. I decided that if I could get through the treatments and survive it, and get my life back together, I would pursue my dream.”
Jack Kleinsinger's Highlights In Jazz Presents A Salute To Russell Malone
Jack Kleinsinger's Highlights In Jazz closes its 46thseason with a tribute to lauded jazz guitarist Russell Malone. A mainstay on the Manhattan music scene since the 1980s, as well as a regular at international festivals and concert halls, Russell has attracted critical and fan recognition for his work as an accomplished leader and in-demand sideman.
Lionel Loueke Trio and Renee Rosnes Quartet Come to the Miller in November
New York's jazz heart wasn't always located downtown. Once it was found on 52nd Street and before that on 125th, and for many decades its most powerful radio voice has been WKCR-FM on the campus of Columbia University. Just a few yards away, jazz finds an uptown home at Columbia's Miller Theatre. This season, Melissa Smey has programmed groups from the top of her wish list in a Jazz series that begins with the inventive Lionel Loueke Trio and the Renee Rosnes Quartet.
Lionel Loueke Trio and Renee Rosnes Quartet Come to the Miller in November
New York's jazz heart wasn't always located downtown. Once it was found on 52nd Street and before that on 125th, and for many decades its most powerful radio voice has been WKCR-FM on the campus of Columbia University. Just a few yards away, jazz finds an uptown home at Columbia's Miller Theatre. This season, Melissa Smey has programmed groups from the top of her wish list in a Jazz series that begins with the inventive Lionel Loueke Trio and the Renee Rosnes Quartet.
Labor Records Reissues TRIBUTE TO BIRD AND MONK
A truly groundbreaking landmark recording, Tribute To Bird and Monk, was widely lauded when it was first released in 1978 - credited as one of the best and most unusual albums of that year by Neil Tesser in a Jazz Magazine article that noted the record's 'tough, bright, innovative resiliency' and earning the coveted five star (highest) rating in a Downbeat review by critic Jerry de Muth (who called the two LP set 'a brilliant mixture of arranged and free jazz') and garnering arranger-producer Heiner Stadler a place in the magazine's Annual Critic's Poll as a Talent Deserving Wider Recognition. More than thirty years later, the album originally released on Tomato Records, is a coveted collectors item whose importance has only been compounded with time, while Stadler's pioneering conception continues to be a talent very much deserving of wider recognition. Now reissued as a compact disc on his own Labor Records imprint, it is likely that Stadler's unique talent will again be heard as deserving increased attention and the music will once more be praised on a level comparable to when it first appeared. The considerable artistic success of Stadler's pioneering project can be credited as much to his visionary assembling of a truly distinctive ensemble to perform his inventive orchestrations, described by de Muth as 'far more than arrangements,' noting that 'recompositions would be a better term.'