Review: NOISES OFF at Keegan Theatre
Noises Off remains the hardest to perform play ever written, as well as one of the easiest and most fun to watch. The Play That Goes Wrong tried to surpass it, but it can't be done. Playwright Michael Frayn's 1982 play could be called a love letter to theatre people if it weren't the play that threatens to undermine their work because the play within the play that nestles inside it foils their ability to stay wrong. Want to laugh? Keegan's production runs through September 1.
Cast Set For NOISES OFF at the Keegan Theatre
The Keegan Theatre has announced the cast and team of Michael Frayn’s NOISES OFF, the fan-favorite farce capping Keegan’s 27th season! A sold-out hit when it last played at Keegan in 2010, NOISES OFF returns by audience demand, playing August 1-September 1, 2024.
BWW Review: Brave Spirits' HENRY THE FIFTH Rounds out their History Rep in Sobering, Moving Style
Forget the Cherry Blossoms, folks, they'll be gone before you know it. Brave Spirits' Histories rep, cultivated, rested and ready, will be where it's at when our theatres re-open. Their a?oeHenry the Fifth,a?? as with all the other plays in the current cycle, is full of surprises and fresh interpretations. It is clear that the Histories Repertory will wrap up a few loose ends, while pointing towards contentions and bloodshed to come.
BST Opens HENRY THE FIFTH, The Final Production In Their King's Shadow Repertory
The final chapter of The King's Shadow is about to begin. Henry the Fifth, opening March 14, 2020, completes the first season in Brave Spirits Theatre's two-year project to stage Shakespeare's eight history plays about the Wars of the Roses. During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. Brave Spirits Theatre is making history by becoming the first professional American theatre company to mount full productions of Shakespeare's two tetralogies and perform them in repertory.
BWW Review: Brave Spirits Opens its Epic History Rep with a Strong 'Richard II'
One of D.C.'s finer classical companies, Brave Spirits, has embarked on a two-year repertory of William Shakespeare's history plays. Leading off this ambitious project is Charlene V. Smith's razor-sharp production of a?oeRichard II.a?? Smith has assembled a cast that is assured in its understanding of Shakespeare's language; more importantly, she has nurtured some of the most creative, nuanced readings of the Bard's famous speeches I have ever heard.
Brave Spirits Theatre Presents In Upcoming Season THE KING'S SHADOW
During a tumultuous period of less than a hundred years, England experienced civil war and political upheaval as the throne switched hands nine times. Shakespeare dramatized these events over the course of his career in eight remarkable plays: Richard the Second, Henry the Fourth Part 1, Henry the Fourth Part 2, Henry the Fifth, Henry the Sixth Part 1, Henry the Sixth Part 2, Henry the Sixth Part 3, and Richard the Third. With an ensemble of twenty actors, Brave Spirits Theatre will stage these eight plays over the next two years, culminating in marathon performance weekends during July 2021.
Cast Announced For HANDS ON A HARD BODY From The Keegan Theatre
The Keegan Theatre continues its 22nd season with the announcement of the cast and creative team for the regional premiere of the musical HANDS ON A HARDBODY. Inspired by the true events of the acclaimed 1997 documentary of the same name, HANDS ON A HARDBODY features a catchy combination of blues, rhythm & blues, and country songs co-written by Amanda Green and Trey Anastasio of the band Phish. Keegan's production is co-directed by Elena Velasco and Mark A. Rhea with music direction by Jake Null and choreography by Elena Velasco. The show runs March 9 through April 6, 2019 at The Andrew Keegan Theatre in Washington, DC, with the press opening slated for Tuesday, March 12 at 8:00 p.m.
BWW Review: SHOPWORN at Capital Fringe Festival is a Real Diamond in the Rough
With over 80 plays to choose from, Capital Fringe Festival can be overwhelming for the average theatergoer. There are plenty of good choices ranging from over-the-top comedies to funky experimental dramas to allegories and satires and everything in between. Obviously, with so many offerings, there will be works that fail to execute their artistic vision effectively. Thankfully, Derek Hills's Shopworn, which opened on Tuesday night at Capital Fringe's Orange venue (Christ United Methodist Church), is a true diamond in the rough: a family drama that provides modern commentary without getting too preachy. It is thoroughly delightful and a perfect selection for Fringe veterans and first-timers alike.
BWW Review: Scena Theatre's 1984 Provides Thrills Despite a Slow Start
If you've never read George Orwell's 1984, the seminal classic examining a world that's fallen under the rule of the nameless Party and their omnipotent leader Big Brother, stop what you're doing and read it now. Or you can just see Scena Theatre's new production playing at the Atlas Performing Arts Center. The show takes a while to amp up but the thrilling climax is performed with such vigor and authenticity that the true dangers of Orwell's devised society come to fruition.
Photo Flash: First Look at 1st Stage's THE FARNSWORTH INVENTION
In his return to playwriting, celebrated film and television writer Aaron Sorkin's signature style lends itself to the remarkable story of the invention that changed our lives. In 1929, two ambitious visionaries race against each other to invent a device called "television." Separated by two thousand miles, each knows that if he stops working, even for a moment, the other will gain the edge. Who will unlock the key to the greatest innovation of the 20th century: the ruthless media mogul, or the selftaught Idaho farm boy? The answer comes to compelling life in the regional premiere of this "firecracker of a play" (The Chicago Sun-Times).