Frieda Pittoors
Latest News on Frieda Pittoors:
Director Eline Arbo And Five New Actors Joining Internationaal Theater Amsterdam (Oct 12, 2022)
BWW Review: AVIGNON THEATRE FESTIVAL Presents DE DINGEN DIE VOORBIJGAAN By IVO VAN HOVE (Jul 23, 2018)
Director Eline Arbo And Five New Actors Joining Internationaal Theater Amsterdam (Oct 12, 2022)
BWW Review: AVIGNON THEATRE FESTIVAL Presents DE DINGEN DIE VOORBIJGAAN By IVO VAN HOVE (Jul 23, 2018)
News
Director Eline Arbo And Five New Actors Joining Internationaal Theater Amsterdam
Internationaal Theater Amsterdam has announced that director Eline Arbo has committed herself to the theatre as Associate Artistic Director. Alongside director Ivo van Hove, she will be part of the artistic core of ITA. From January '23, Arbo will be appointed Ibsen Artist in Residence, an initiative of the Philip Loubser Foundation, which gives directors with an international ambition the opportunity to develop themselves artistically.
Internationaal Theater Amsterdam has announced that director Eline Arbo has committed herself to the theatre as Associate Artistic Director. Alongside director Ivo van Hove, she will be part of the artistic core of ITA. From January '23, Arbo will be appointed Ibsen Artist in Residence, an initiative of the Philip Loubser Foundation, which gives directors with an international ambition the opportunity to develop themselves artistically.
BWW Review: AVIGNON THEATRE FESTIVAL Presents DE DINGEN DIE VOORBIJGAAN By IVO VAN HOVE
Has anyone embodied the industrial elegance of central European theatre more fully than Ivo Van Hove? His worlds are factory made with squares of glass, metal, and stone. His characters reside within an inescapable atmosphere of manufactured order. Whenever disorder breaks the mold, whether it be by cascading water and blood in his View From The Bridge, or by reams of black snow in De Dingen Die Voorbijgaan, now in performance at the Avignon Theatre Festival's Lycee Saint Joseph, its breach comes as a violent shock. Gazing at the looming black metal and industrial lighting yawning over Jan Versweyveld's slate tiled scenography, it's hard to imagine that this world could contain full people. However, such is the case in De Dingen Die Voorbijgaan which, within this environment devoid of softness creates a drama of the deepest intimacy and the most raw humanity. In Van Hove's glittering diadem of masterpieces, it is a particularly glowing jewel.
Has anyone embodied the industrial elegance of central European theatre more fully than Ivo Van Hove? His worlds are factory made with squares of glass, metal, and stone. His characters reside within an inescapable atmosphere of manufactured order. Whenever disorder breaks the mold, whether it be by cascading water and blood in his View From The Bridge, or by reams of black snow in De Dingen Die Voorbijgaan, now in performance at the Avignon Theatre Festival's Lycee Saint Joseph, its breach comes as a violent shock. Gazing at the looming black metal and industrial lighting yawning over Jan Versweyveld's slate tiled scenography, it's hard to imagine that this world could contain full people. However, such is the case in De Dingen Die Voorbijgaan which, within this environment devoid of softness creates a drama of the deepest intimacy and the most raw humanity. In Van Hove's glittering diadem of masterpieces, it is a particularly glowing jewel.
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