Vote For the 2017 BroadwayWorld Orlando Awards; Just One Week Left!
by Alan Henry - Dec 22, 2017
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Vote For the 2017 BroadwayWorld Orlando Awards; Just Two Weeks Left!
by Alan Henry - Dec 15, 2017
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Vote For the 2017 BroadwayWorld Orlando Awards; DRACULA Leads Best Play!
by Alan Henry - Dec 8, 2017
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
BWW Review: A FEW GOOD MEN at Central Florida Community Arts
by Geoffrey Lawrence - Mar 1, 2017
In six short years, Central Florida Community Arts, has grown from a small community choir to a much larger arts organization with a school of performing arts, multiple choirs, orchestras, and a theatre season. For their second season, they have taken on A Few Good Men, written by Aaron Sorkin and directed by Donald Rupe, it has a few good moments.
BWW Review: The Intimate DRACULA at Carmine Boutique Provides Powerful, Personal Thrills
by Matt Tamanini - Oct 12, 2016
'Blood is too precious a thing to be spilled,' the titular character says in the production of DRACULA playing at Carmine Boutique in Orlando through October 15th. Directed by Jeremy Seghers, this ensemble piece by playwright Steven Dietz brings to life Bram Stoker's classic characters with intimate specificity that brings the story's inherent horror home in ways far more personal than in most films and adaptations of the same source material. While the production includes a requisite level of blood, the most haunting terrors that it supplies are born not of traditional Halloween fear, but of the strains on the relationships between the characters and the people that they hold most dear.