Review: THE FLYING DUTCHMAN at Metropolitan Opera
Thomas Guggeis, the young German conductor making his Met debut, is Kapellmeister at the Staatsoper Berlin and the designated Generalmusikdirektor of the Oper Frankfurt; pretty impressive for one who has yet to hit his 30th birthday! His Met debut was justly anticipated, as across Europe he is known as something of a Wagner and Strauss specialist. His performance was well-paced and well-colored and energetic. The score provides for enormous surges of energy and power, and the orchestra was certainly up to the task, but Guggeis’ rendition while quite good, was perhaps a tad lacking in thrills – the magnificent Wagner bombast was a little timid and the quieter passages were lovely but just a bit bland. With time and more experience with this orchestra, one can safely expect some exceptional performances in the future.
Review: Met's New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen
The Met’s new production of Richard Wagner’s LOHENGRIN showcases startlingly good singing from tenor Piotr Beczala in the title role, supported ably and nobly by soprano Tamara Wilson’s Elsa, bass-baritone Evgeny Nikitin’s Telramund and bass Gunther Groissbock’s King Heinrich. And soprano Christine Goerke’s evil Ortrud nearly steals the show. With the Met’s orchestra and chorus in glorious form, led by music director Yannick Nezet-Seguin in the pit, the performance made you want to scream and yell for more.
BWW Review: Parsing PARSIFAL at the Met, with an Impressive Cast under Nezet-Seguin
Richard Wagner's last opera, PARSIFAL, is a tough nut to crack. With its highly religious overtones, lack of action and incredible length (it ran about 5 hours 40 minutes the other night), it's not exactly a 'light night' at the opera--even if for those of us who consider opera to be a 'light night'. Still, with the right cast and conductor, it can be transcendent. The Met's new revival came pretty close to getting us there.
Photo Flash: BROADWAY KIDS FOR ORLANDO: ALL YOU NEED IS LOVE Honors Orlando Victims
On Monday, June 27 at 7:30 p.m. at Don't Tell Mama, several young past and present performers from Broadway joined forces in a benefit cabaret to raise money and show support for the victims, survivors and those suffering as a result of the mass shooting in Orlando this month. The benefit was entitled Broadway Kids for Orlando: All You Need is Love. One hundred percent of the proceeds are being donated to the GLBT Center of Central Florida, and all 49 victims of The Pulse Nightclub shooting were honored in the program. BroadwayWorld has photos and footage from the show below!
Copland House Celebrates John Corigliano's 75th Birthday Today
John Corigliano, the celebrated Oscar-, Pulitzer-, and Grammy-winner and one of the most honored and often-performed American composers of the last quarter-century, who has worked with everyone from Leonard Bernstein and Yo-Yo Ma to film directors Ken Russell and Francois Girard. Plus the Music from Copland House ensemble with acclaimed soprano Amy Burton.
Copland House to Celebrate John Corigliano's 75th Birthday, 12/1
John Corigliano, the celebrated Oscar-, Pulitzer-, and Grammy-winner and one of the most honored and often-performed American composers of the last quarter-century, who has worked with everyone from Leonard Bernstein and Yo-Yo Ma to film directors Ken Russell and Francois Girard. Plus the Music from Copland House ensemble with acclaimed soprano Amy Burton.
BWW Reviews: 'And the Winners Were...' A Report Card for the Metropolitan Opera's 2012-2013 Season
The regular season just ended for the Metropolitan Opera--all that's left is a series of HD rebroadcasts on Lincoln Center Plaza and a couple of low profile concerts in New York City parks--and it's time for a look back at what kind of season it was. With seven new productions and 21 other operas in rep during a season that ran from the end of September to mid-May, the Met was nothing if not far-reaching in its repertoire. And that's the way it should be. But how did its ambitions work out?
BWW Reviews: Redemption for the Metropolitan Opera's New PARSIFAL Is in the Music
There used to be an ad campaign from a New York bakery company, “You don't have to be Jewish to love Levy's rye bread.” Well, a similar statement could be made about Richard Wagner's final opera (or as he called it, a büenenweihfestspiel , or “a festival play for the consecration of the stage”): You don't have to be Christian to love PARSIFAL, with its themes of redemption, honor and loyalty.
It is a unique experience, regardless of one's faith, because the music's the thing. And I'd follow the cast, orchestra and chorus of the Metropolitan Opera's new production anywhere. Heard at the opera's second performance of the season, February 18, they were superb.
Robert Lepage's Staging of THE TEMPEST at The Met to Air on PBS, 3/17
British composer Thomas Ades conducts the Met premiere of his contemporary Masterpiece The Tempest, an English-language opera based on Shakespeare's final play.The Met's fantastical new production by Robert Lepage airs on Great Performances at the Met Sunday, March 17 at 12 noon on PBS (check local listings).