Eve Gigliotti

Photos: Pittsburgh Opera Presents CAVALLERIA RUSTICANA and PAGLIACCI

Check out photos from CAVALLERIA RUSTICANA and PAGLIACCI at Pittsburgh Opera.  The operas will be performed November 9, 12, 15, and 17, 2024 at Benedum Center.

Review: With Great Music But Little Jesting, RIGOLETTO Returns to the Met

“This is not a cathartic tragedy or a tale of noble sacrifice. There are no admirable characters here, no moral lesson, no redemption, and no silver lining. There is only a merciless depiction of society’s dark side,” say the Met’s program notes for RIGOLETTO. I’m not so sure.

Review: Bernheim Brings His Well-Schooled HOFFMAN to the Met with Elan

The Met performed the season’s first TALES OF HOFFMANN (LES CONTES D’HOFFMANN), by Jacques Offenbach, with libretto by Jules Barbier and Michel Carre, also a Sher production, and it was a different story.

Prestini and Vavrek's Opera SILENT LIGHT to Open National Sawdust's 10th Anniversary Season

National Sawdust will open its momentous 10th anniversary season with the world premiere production of Paola Prestini and Royce Vavrek's sensual and poetic new opera Silent Light from September 26-29.

Review: Exquisite THE HOURS by Puts Triumphs Again at the Met under Watanabe

When I first heard Kevin Puts’s gorgeous, melodic score for THE HOURS back in 2022, I was blown away, thinking it was almost too good to be true. Could it be a classic? I wanted to hear it again, though not too soon, to give it a chance to settle in its own skin. Lucky us—lucky me—that the Met brought it back so quickly. It reminded me that first impressions are sometimes on the mark.

Review: Sierra, Bernheim Soar in the Met's ROMEO ET JULIETTE

While I’ve admired soprano Nadine Sierra’s before, she seemed to reach a whole new level with her glorious turn as Juliette in the season’s first performance of Gounod’s ROMEO ET JULIETTE at the Met the other night. She was vivid and a delight to watch as she inhabited the teenaged heroine of the piece. Perhaps it was her stage partner, French tenor Benjamin Bernheim, who egged her on to such heights, with his nuanced singing and boyish demeanor.

VIDEO: Get A First Look at Met Opera's MADAMA BUTTERFLY for the 2023/24 Season

Get a first look at Puccini’s Madama Butterfly which returns to the Met stage for 16 performances, starting January 11.

Puccini's MADAMA BUTTERFLY to Return to the Metropolitan Opera This Month

Puccini’s Madama Butterfly will return to the Met stage for 16 performances, starting January 11.

�¿The Dallas Opera Announces Release Of New 3D Spatial Immersive Audio Opera 'No One Is Forgotten' Based On The Play By Winter Miller

The Dallas Opera announces the digital release of No One is Forgotten: An Immersive Opera, its first-ever 3D spatial opera recording, available now for streaming in Dolby Atmos Immersive Audio to subscribers of Apple Music and Tidal and in a stereo mix for non-subscribers. No One is Forgotten is available for purchase now.

Review: Are Met Audiences Blue? Yes, Because TRAVIATA Has an Angel

Soprano Angel Blue’s Violetta didn’t seem as tragic as we’re used to seeing in Verdi’s masterwork and maybe that's right. She’s lived life on her own terms and if she’s dying of tuberculosis, well, c’est la vie. (After all, the source of the piece is French: the Alexandre Dumas fils “La Dame aux Camellias”).

The Metropolitan Opera Announces 2023�"24 Season Featuring Four Met Premieres & More

The Metropolitan Opera has announced a 2023–24 season with the most new works in the company’s modern history. See show details, performances dates, and how to purchase tickets!

Review: Exquisitely Subtle CARMELITES Makes Another of Its Brief Stops at the Met

I’ve heard the opera a number of times at the Met over the years and this year’s run holds up with the most breathtaking of them. Despite the number of star performances among the magnificent ensemble currently being heard at the Met, the star of the show doesn’t have a single word to say or note to sing. It's the John Dexter production that does it.

American Symphony Orchestra To Perform Saint-Saëns' Organ Symphony & Ethel Smyth's Mass In D, January 27

The American Symphony Orchestra continues its 2022-23 season on January 27 with a program at St. Bartholomew's Church, a New York National Historic Landmark, exploring music for organ and orchestra by Camille Saint-Saëns and Dame Ethel Smyth. It features soloist Paolo Bordignon, organist and choirmaster of the church and harpsichordist of the New York Philharmonic, along with soprano Anya Matanovic, mezzo-soprano Eve Gigliotti, tenor Joshua Blue, and bass Adam Lau.  

Review: 10th Anniversary PROTOTYPE Festival in NY Blasts Off with Du Yun's IN OUR DAUGHTER'S EYES

There’s more contemporary opera in New York these days than there used to be and I’ll drink to that. But there’s nothing else that does it with the panache of the PROTOTYPE Festival, the brainchild of Beth Morrison Projects and HERE.

American Symphony Orchestra Performs U.S. Premiere Of Sergei Taneyev's AT THE READING OF A PSALM at Carnegie Hall

The American Symphony Orchestra completes its 60th anniversary season on Friday, July 15, 2022 at 8 PM. The program, part of the Orchestra’s Vanguard Series and presented in a special collaboration with the Bard Music Festival, is conducted by Music Director Leon Botstein and features the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

BWW Review: Stravinsky's RAKE Progresses Briefly at the Met

While I was watching the Met’s current beautiful yet somehow languid production of the Igor Stravinsky and WH Auden/Chester Kallman opera THE RAKE’S PROGRESS the other night--with only two more performances until it goes back into mothballs for probably many years--I couldn’t help wishing that the opera house was more like Broadway.

American Symphony Orchestra Performs U.S. Premiere of Sergei Taneyev's at THE READING OF A PSALM

The American Symphony Orchestra celebrates its return to Carnegie Hall and its 60th anniversary season in 2021-22 on Friday, January 28, 2022 at 8 PM. The program, part of the Orchestra’s Vanguard Series conducted by Music Director Leon Botstein, features the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

American Symphony Orchestra Announces 60th Anniversary Season Lineup

The American Symphony Orchestra celebrates its return to the stage and its 60th anniversary season in 2021-22 with four full-orchestra programs at Carnegie Hall, Jazz at Lincoln Center’s Frederick P. Rose Hall, and a free opening concert titled Mahler in New York at the Cathedral of St. John the Divine on December 16. The opening program focuses on composers whom Mahler had championed during his years in New York.

BWW Review: The Met's Short Version of BORIS is Good-Enough for Me

The Lady or the Tiger? In this case, both are Mussorgsky’s BORIS GODUNOV—just different versions of it. Which is the preferred one? (Or, more properly, “the preferred one of several,” including one that the composer’s friend, Rimsky Korsakov, fiddled with after his death.) The Met chose Mussorgsky's original, and shorter, version for its revival of the composer's most famous opera this season.

Paola Prestini and Beth Morrison To Co-Direct 21c Liederabend, Op. Worldwide

The popular idea of a 'Liederabend' – an evening of song – goes back to Schubertiads and the flowering of German Romantic poetry and song in the 1800s. These musical salons provided the artists and ruling-class intelligentsia of their day opportunity to co-mingle ideas, music, and personal passions.