Erin Spencer
Latest News on Erin Spencer:
BWW Review: VOICE OF THE PRAIRIE IS A STORY WORTH TELLING at Lofte Community Theatre (Jun 23, 2019)
Cinder Block Comedy Festival to Return with Janeane Garofalo and More (Sep 8, 2017)
Cinder Block Comedy Festival to Return with Janeane Garofalo and More (Aug 11, 2017)
BWW Review: VOICE OF THE PRAIRIE IS A STORY WORTH TELLING at Lofte Community Theatre (Jun 23, 2019)
Cinder Block Comedy Festival to Return with Janeane Garofalo and More (Sep 8, 2017)
Cinder Block Comedy Festival to Return with Janeane Garofalo and More (Aug 11, 2017)
News
BWW Review: VOICE OF THE PRAIRIE IS A STORY WORTH TELLING at Lofte Community Theatre
VOICE OF THE PRAIRIE is a story worth telling at the Lofte Community Theatre
VOICE OF THE PRAIRIE is a story worth telling at the Lofte Community Theatre
Cinder Block Comedy Festival to Return with Janeane Garofalo and More
The Cinder Block Comedy Festival, presented by the Meatball Shop, returns for another year of shows throughout Williamsburg and Bushwick, Brooklyn and remains committed to showcasing a diverse lineup of talent.
The Cinder Block Comedy Festival, presented by the Meatball Shop, returns for another year of shows throughout Williamsburg and Bushwick, Brooklyn and remains committed to showcasing a diverse lineup of talent.
Cinder Block Comedy Festival to Return with Janeane Garofalo and More
The Cinder Block Comedy Festival, presented by the Meatball Shop, returns for another year of shows throughout Williamsburg and Bushwick, Brooklyn and remains committed to showcasing a diverse lineup of talent.
The Cinder Block Comedy Festival, presented by the Meatball Shop, returns for another year of shows throughout Williamsburg and Bushwick, Brooklyn and remains committed to showcasing a diverse lineup of talent.
MUSIC CITY CONFIDENTIAL #2: Offstage, Onstage, Backstage and Beyond With The Theaterati
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…
Circle Players' Presents Regional Premiere of FAME FOREVER, 7/21-7/24
Circle Players' production comes as the result of a request by creator David De Silva, and is a sequel to De Silva's original 1980 movie and musical Fame. Among the cast in Circle's July performances are MTSU alumni Jamie London, Erin Spencer, Elizabeth Walsh and David Arnold.
Circle Players' production comes as the result of a request by creator David De Silva, and is a sequel to De Silva's original 1980 movie and musical Fame. Among the cast in Circle's July performances are MTSU alumni Jamie London, Erin Spencer, Elizabeth Walsh and David Arnold.
Circle Players' Presents Regional Premiere of FAME FOREVER, 7/21-7/24
Circle Players' production comes as the result of a request by creator David De Silva, and is a sequel to De Silva's original 1980 movie and musical Fame. Among the cast in Circle's July performances are MTSU alumni Jamie London, Erin Spencer, Elizabeth Walsh and David Arnold.
Circle Players' production comes as the result of a request by creator David De Silva, and is a sequel to De Silva's original 1980 movie and musical Fame. Among the cast in Circle's July performances are MTSU alumni Jamie London, Erin Spencer, Elizabeth Walsh and David Arnold.
BWW Reviews: A CHORUS LINE at The Keeton Theatre
There comes a moment, very early on in Kate Adams-Johnson's A Chorus Line (which opened last night at The Keeton Theatre) in which, one by one, each of the actors is caught in the spotlight, with some portentous musical underscoring that heightens the emotional impact of the moment. But what's really telling about that sequence of illumination is how evocatively it telegraphs the stories of each of the actors in the cast. You can tell, almost imperceptibly, what it is that separates the pretenders from the contenders...
There comes a moment, very early on in Kate Adams-Johnson's A Chorus Line (which opened last night at The Keeton Theatre) in which, one by one, each of the actors is caught in the spotlight, with some portentous musical underscoring that heightens the emotional impact of the moment. But what's really telling about that sequence of illumination is how evocatively it telegraphs the stories of each of the actors in the cast. You can tell, almost imperceptibly, what it is that separates the pretenders from the contenders...
BWW Interviews: On The LINE: Donna Driver of Keeton Theatre's A CHORUS LINE
Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through its paces in preparation for yet another opening night. Only this time, she's serious. Very serious. The show she's helming this time, you see, is every dancer's holy grail: A Chorus Line. In the cast, you'll find a blending of familiar faces and newcomers. During the run-up to the show's June 9 opening night, we'll introduce you to Kate's cast - and, as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Donna 'The Pride of Irvine' Driver...obviously, this ain't her first time at the rodeo...
Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through its paces in preparation for yet another opening night. Only this time, she's serious. Very serious. The show she's helming this time, you see, is every dancer's holy grail: A Chorus Line. In the cast, you'll find a blending of familiar faces and newcomers. During the run-up to the show's June 9 opening night, we'll introduce you to Kate's cast - and, as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Donna 'The Pride of Irvine' Driver...obviously, this ain't her first time at the rodeo...
On the LINE: Erin Spencer from Keeton Theatre's A CHORUS LINE
Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through the paces in preparation for another opening night. But this time, she's serious. Very serious. The show, you see, is every dancer's favorite musical: A Chorus Line. Kate's cast is a blending of familiar faces and newcomers and so over the next few weeks, you'll get to know the members of The Keeton Theatre's cast - as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Erin Spencer...who should know the drill by now...
Director Kate Adams-Johnson, aka Nashville's busiest choreographer, is putting yet another cast through the paces in preparation for another opening night. But this time, she's serious. Very serious. The show, you see, is every dancer's favorite musical: A Chorus Line. Kate's cast is a blending of familiar faces and newcomers and so over the next few weeks, you'll get to know the members of The Keeton Theatre's cast - as you'll see, some of them have much to learn about being interviewed by 'Nashville's favorite theater critic.' Next up is Erin Spencer...who should know the drill by now...
BWW Interviews: Erin Spencer, This Dancer's Life
To see Erin Spencer dance is to fall a little bit in love with her. Talented and determined, ambitious and creative...she's kind of a force of nature. One of the growing number of dancers in the Nashville area who focus on theatrical performances - she has a heady resume of performance with several theater companies here - she's gaining a much-deserved reputation as an exceptional performer with an amazing work ethic.
To see Erin Spencer dance is to fall a little bit in love with her. Talented and determined, ambitious and creative...she's kind of a force of nature. One of the growing number of dancers in the Nashville area who focus on theatrical performances - she has a heady resume of performance with several theater companies here - she's gaining a much-deserved reputation as an exceptional performer with an amazing work ethic.
SWING! Closes at Senior Center for the Arts 2/27
Swing!, the Broadway musical that celebrates the music and dance phenomenon will play its final show at The Senior Center for the Arts' Nashville Dinner Theatre on February 28.
Swing!, the Broadway musical that celebrates the music and dance phenomenon will play its final show at The Senior Center for the Arts' Nashville Dinner Theatre on February 28.
'Swing!' opens at Senior Center for the Arts 2/12
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
'Swing!' opens at Senior Center for the Arts 2/12
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
'Swing!' opens at Senior Center for the Arts 2/12
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
'Swing!' opens at Senior Center for the Arts 2/12
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
Directed by Kate Adams-Johnson, with music direction by Ginger Newman, the show features a cast of 18, a live band, more than 30 dance numbers and vocal performances that feature some of the Swing era's greatest hits, including 'Boogie Woogie Bugle Boy' and 'It Don't Mean a Thing (If it Ain't Got That Swing)'.
REVIEW: LITTLE SHOP OF HORRORS at Senior Center for the Arts
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
REVIEW: LITTLE SHOP OF HORRORS at Senior Center for the Arts
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
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