Erik Moody
Latest News on Erik Moody:
Portland Stage Studio Series Presents WE CAN EAT LOVE (Mar 4, 2019)
BWW Review: THE HAUNTING 2.0 Proves To Be Sophisticated Sequel (Oct 31, 2018)
HAUNTING TOUR 2.0 Returns to Portland Stage (Sep 5, 2018)
Portland Stage Studio Series Presents WE CAN EAT LOVE (Mar 4, 2019)
BWW Review: THE HAUNTING 2.0 Proves To Be Sophisticated Sequel (Oct 31, 2018)
HAUNTING TOUR 2.0 Returns to Portland Stage (Sep 5, 2018)
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Portland Stage Studio Series Presents WE CAN EAT LOVE
After a sold out run of last season's The Roommate, Director Eileen Phelan brings We Can Eat Love to Portland Stage Studio Series. Written by Maine native, Margie Castleman We Can Eat Love, A New Play with Heart, Soul, and a Little Music will run March 22-31 for eight performances with music by Wilder Zoby and Little Shalimar, and performed by Portland actors Grace Bauer, Whip Hubley, Khalil LeSaldo, Erik Moody, and Casey Turner.
After a sold out run of last season's The Roommate, Director Eileen Phelan brings We Can Eat Love to Portland Stage Studio Series. Written by Maine native, Margie Castleman We Can Eat Love, A New Play with Heart, Soul, and a Little Music will run March 22-31 for eight performances with music by Wilder Zoby and Little Shalimar, and performed by Portland actors Grace Bauer, Whip Hubley, Khalil LeSaldo, Erik Moody, and Casey Turner.
BWW Review: THE HAUNTING 2.0 Proves To Be Sophisticated Sequel
Dustin Tucker's THE HAUNTING 2.0, presented in the Studio Series at Portland Stage, proves to be a sophisticated and fascinating sequel to last season's inaugural Halloween event. Shaping six horror stories by Maine writers into an imaginative, often chilling dramatic sequence, Tucker's piece explores the psychological dimensions of terror with a combination of visceral fear and dark humor.
Dustin Tucker's THE HAUNTING 2.0, presented in the Studio Series at Portland Stage, proves to be a sophisticated and fascinating sequel to last season's inaugural Halloween event. Shaping six horror stories by Maine writers into an imaginative, often chilling dramatic sequence, Tucker's piece explores the psychological dimensions of terror with a combination of visceral fear and dark humor.
HAUNTING TOUR 2.0 Returns to Portland Stage
It's Baaaaack! Portland Stage announces the return of an original Studio Series Production Haunting Hour 2.0 curated by Dustin Tucker and featuring Maine authors: Joe Hill, Monica Wood, Callie Kimball, H.W. Longfellow, Ian Carlsen, and Rick Hautala.
It's Baaaaack! Portland Stage announces the return of an original Studio Series Production Haunting Hour 2.0 curated by Dustin Tucker and featuring Maine authors: Joe Hill, Monica Wood, Callie Kimball, H.W. Longfellow, Ian Carlsen, and Rick Hautala.
BWW Review: YEAR OF THE ROOSTER at Dramatic Repertory Company
Year of the Rooster is edgy and entertaining.
Year of the Rooster is edgy and entertaining.
BWW Review: Good Theater's World Premiere of Urbinati Play Is Gripping Theatre at Its Best
In mounting the world premiere of Rob Urbinati's new play, Mama's Boy, Good Theater's Artistic Director Brian P. Allen has given Maine a great gift - one of the company's finest productions - some two hours of searing psychological drama, tautly directed and brought to life by a stellar cast. Urbinati's (Death by Design, Hazelwood) two-act play explores the complex, emotionally wrought family dynamics of Lee Harvey Oswald, his mother Marguerite, his wife Marina, and his brother Robert in the time just prior to and just after the Kennedy assassination. Though the play is rooted in history and evokes indelible memories in the communal consciousness, it is less about the tragic events of 1963 and more about the personal relationships of four damaged individuals desperately seeking some connection and meaning. At the epicenter of this dysfunctional family is Marguerite Oswald, thrice married single parent to three estranged sons, a fierce and tender woman who is sees herself as victim and survivor, a woman whose own emotional demands continue to cripple her children. Returning from his defection to Russia, Lee Harvey brings with him his bewildered young wife Marina and their first child, and Urbinati examines Lee Harvey's troubled year before November 22, 1963 as he struggles to support himself and his family, find an ideology, and take hold of his manhood by freeing himself from his mother. The playwright effectively probes Lee Harvey Oswald's increasing instability, as well as his conflicts with Marina and Marguerite. Though the play offers no answers to the many riddles of the JFK assassination, it does challenge the audience to view the characters as human beings and to realize that the dreadful events at Dealey Plaza claimed the Oswald family among its victims, as well as the beloved President, his family, and a grieving nation.
In mounting the world premiere of Rob Urbinati's new play, Mama's Boy, Good Theater's Artistic Director Brian P. Allen has given Maine a great gift - one of the company's finest productions - some two hours of searing psychological drama, tautly directed and brought to life by a stellar cast. Urbinati's (Death by Design, Hazelwood) two-act play explores the complex, emotionally wrought family dynamics of Lee Harvey Oswald, his mother Marguerite, his wife Marina, and his brother Robert in the time just prior to and just after the Kennedy assassination. Though the play is rooted in history and evokes indelible memories in the communal consciousness, it is less about the tragic events of 1963 and more about the personal relationships of four damaged individuals desperately seeking some connection and meaning. At the epicenter of this dysfunctional family is Marguerite Oswald, thrice married single parent to three estranged sons, a fierce and tender woman who is sees herself as victim and survivor, a woman whose own emotional demands continue to cripple her children. Returning from his defection to Russia, Lee Harvey brings with him his bewildered young wife Marina and their first child, and Urbinati examines Lee Harvey's troubled year before November 22, 1963 as he struggles to support himself and his family, find an ideology, and take hold of his manhood by freeing himself from his mother. The playwright effectively probes Lee Harvey Oswald's increasing instability, as well as his conflicts with Marina and Marguerite. Though the play offers no answers to the many riddles of the JFK assassination, it does challenge the audience to view the characters as human beings and to realize that the dreadful events at Dealey Plaza claimed the Oswald family among its victims, as well as the beloved President, his family, and a grieving nation.
Good Theater to Host MAMA'S BOY Talkbacks
Good Theater will offer two talk-back sessions with the playwright, Rob Urbinati, of MAMA'S BOY on Friday evening November 6, and Saturday afternoon November 7. These talk-back sessions are open to all patrons. The Friday night session will begin at 9:40 immediately following the conclusion of the 7:30 performance of MAMA'S BOY. The Saturday afternoon session will begin at 5:10 following the 3:00 matinee.
Good Theater will offer two talk-back sessions with the playwright, Rob Urbinati, of MAMA'S BOY on Friday evening November 6, and Saturday afternoon November 7. These talk-back sessions are open to all patrons. The Friday night session will begin at 9:40 immediately following the conclusion of the 7:30 performance of MAMA'S BOY. The Saturday afternoon session will begin at 5:10 following the 3:00 matinee.
Photo Flash: First Look at MAMA'S BOY at Good Theater
Good Theater is proud to present the world premiere of MAMA'S BOY, an exciting new play from Rob Urbinati the author of Death by Design. Broadway veteran, Betsy Aidem, plays Marguerite Oswald with Graham (The Rainmaker) Emmons as Lee Harvey Oswald, Laurel (The Rainmaker) Casillo as Marina Oswald and Erik (4000 Miles) Moody as Robert Oswald in this fascinating look at the mother and the family behind an event that changed the course of history. The show will open October 28 for a run through November 22.
Good Theater is proud to present the world premiere of MAMA'S BOY, an exciting new play from Rob Urbinati the author of Death by Design. Broadway veteran, Betsy Aidem, plays Marguerite Oswald with Graham (The Rainmaker) Emmons as Lee Harvey Oswald, Laurel (The Rainmaker) Casillo as Marina Oswald and Erik (4000 Miles) Moody as Robert Oswald in this fascinating look at the mother and the family behind an event that changed the course of history. The show will open October 28 for a run through November 22.
Good Theater to Stage World Premiere of MAMA'S BOY
Good Theater is proud to present the world premiere of MAMA'S BOY, an exciting new play from Rob Urbinati the author of Death by Design. Broadway veteran, Betsy Aidem, plays Marguerite Oswald with Graham (The Rainmaker) Emmons as Lee Harvey Oswald, Laurel (The Rainmaker) Casillo as Marina Oswald and Erik (4000 Miles) Moody as Robert Oswald in this fascinating look at the mother and the family behind an event that changed the course of history. The show will open October 28 for a run through November 22.
Good Theater is proud to present the world premiere of MAMA'S BOY, an exciting new play from Rob Urbinati the author of Death by Design. Broadway veteran, Betsy Aidem, plays Marguerite Oswald with Graham (The Rainmaker) Emmons as Lee Harvey Oswald, Laurel (The Rainmaker) Casillo as Marina Oswald and Erik (4000 Miles) Moody as Robert Oswald in this fascinating look at the mother and the family behind an event that changed the course of history. The show will open October 28 for a run through November 22.
Good Theater Stages NO BIZ LIKE SHOW BIZ, Beginning Tonight
Good Theater, the professional theater company in residence at the St. Lawrence Arts Center, kicks off its 14th season tonight, September 23, with the original musical revue, NO BIZ LIKE SHOW BIZ. This show is a tribute to Mary Martin and Ethel Merman starring three singers: Marie Dittmer, Lynne McGhee and Jen Means.
Good Theater, the professional theater company in residence at the St. Lawrence Arts Center, kicks off its 14th season tonight, September 23, with the original musical revue, NO BIZ LIKE SHOW BIZ. This show is a tribute to Mary Martin and Ethel Merman starring three singers: Marie Dittmer, Lynne McGhee and Jen Means.
Good Theater to Stage NO BIZ LIKE SHOW BIZ, Beginning 9/23
Good Theater, the professional theater company in residence at the St. Lawrence Arts Center, kicks off its 14th season on September 23 with the original musical revue, NO BIZ LIKE SHOW BIZ. This show is a tribute to Mary Martin and Ethel Merman starring three singers: Marie Dittmer, Lynne McGhee and Jen Means.
Good Theater, the professional theater company in residence at the St. Lawrence Arts Center, kicks off its 14th season on September 23 with the original musical revue, NO BIZ LIKE SHOW BIZ. This show is a tribute to Mary Martin and Ethel Merman starring three singers: Marie Dittmer, Lynne McGhee and Jen Means.
Emerge Film Festival Comes to Life with Announcement of Final Film Schedule, Award Nominations and Sneak Peek Event
Things are heating up for the inaugural Emerge Film Festival, opening on June 13! The Festival board of directors has released the final film schedule, including more than 40 short, documentary and feature films from Maine, the U.S. and the world. Details for the two-day Lewiston/Auburn, Maine event are outlined on the newly developed website: emergefilmfestival.org.
Things are heating up for the inaugural Emerge Film Festival, opening on June 13! The Festival board of directors has released the final film schedule, including more than 40 short, documentary and feature films from Maine, the U.S. and the world. Details for the two-day Lewiston/Auburn, Maine event are outlined on the newly developed website: emergefilmfestival.org.
BROADWAY AT GOOD THEATER Sells Out All Five Performances, 12/5-8
Good Theater has sold out all five performances of its upcoming event Broadway at Good Theater, December 5-8.
Good Theater has sold out all five performances of its upcoming event Broadway at Good Theater, December 5-8.
Good Theater Announces Cast for 10th Edition of BROADWAY AT GOOD THEATER, Including Kenita Miller and Christopher Pecoraro, 12/5-8
Good Theater announces the stars and cast for its 10th edition of Broadway at Good Theater. Performances will be Thursday 12/5 at 7:00 ($25), Friday 12/6 at 7:30 ($25), Saturday 12/7 at 3:00 ($25) & 7:30 ($30) and Sunday 12/8 at 2:00 ($30). This year the company will host Kenita R. Miller and Christopher A. Pecoraro as the Broadway headliners for the five concerts playing December 5-8.
Good Theater announces the stars and cast for its 10th edition of Broadway at Good Theater. Performances will be Thursday 12/5 at 7:00 ($25), Friday 12/6 at 7:30 ($25), Saturday 12/7 at 3:00 ($25) & 7:30 ($30) and Sunday 12/8 at 2:00 ($30). This year the company will host Kenita R. Miller and Christopher A. Pecoraro as the Broadway headliners for the five concerts playing December 5-8.
BWW Reviews: Mad Horse Theatre's TITUS ANDRONICUS Challenges Sensibilities
The brutality and barbarism of Shakespeare's early 'revenge' play, Titus Andronicus, make it difficult fare for modern audiences. And yet, as director Stacey Koloski says about her staging at South Portland's Mad Horse Theatre Company: 'Titus Andronicus shows the human cost to the cycle of war and violence.' That the tragedy with all its on-stage atrocities may be 'frighteningly relevant today' does not make the experience any less painful for the spectators. Yet despite its assault on our emotions and senses, the audience at the Mad Horse Theatre cannot help but be gripped and moved by what it witnesses.
The brutality and barbarism of Shakespeare's early 'revenge' play, Titus Andronicus, make it difficult fare for modern audiences. And yet, as director Stacey Koloski says about her staging at South Portland's Mad Horse Theatre Company: 'Titus Andronicus shows the human cost to the cycle of war and violence.' That the tragedy with all its on-stage atrocities may be 'frighteningly relevant today' does not make the experience any less painful for the spectators. Yet despite its assault on our emotions and senses, the audience at the Mad Horse Theatre cannot help but be gripped and moved by what it witnesses.
BWW Reviews: TITUS ANDRONICUS at the Mad Horse Theatre - You'd Be MAD Not to See This Production
I am here to tell you that not only can Shakespeare's work be truly life changing, but it IS accessible, and topical in our present world climate. And a production like the Mad Horse Theatre's stellar presentation of Titus Andronicus proves that to a tee.
I am here to tell you that not only can Shakespeare's work be truly life changing, but it IS accessible, and topical in our present world climate. And a production like the Mad Horse Theatre's stellar presentation of Titus Andronicus proves that to a tee.
STAGE TUBE: Promo - Mad Horse Theatre's TITUS ANDRONICUS
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong. Click below to watch a promo for the show!
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong. Click below to watch a promo for the show!
Mad Horse Theatre Company Presents TITUS ANDRONICUS, Now thru 6/23
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong.
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong.
Mad Horse Theatre Company Presents TITUS ANDRONICUS, 6/6-23
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong.
Mad Horse closes its 27th Season on a grand scale with one of Shakespeare's most sweeping and controversial plays. In this depiction of an aging warrior's return home, TITUS ANDRONICUS is a masterful examination of power, corruption, loyalty to family and to country, and the lengths to which one man will go to right a horrifying wrong.
Photo Flash: First Look at Alma Cuervo and More in Good Theater's 4000 MILES, Opening Tonight
Good Theater presents the New England premiere of Amy Herzog's award winning 4000 MILES playing tonight, March 6 - 30. Performances will be at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. BroadwayWorld has a first look at the cast onstage below!
Good Theater presents the New England premiere of Amy Herzog's award winning 4000 MILES playing tonight, March 6 - 30. Performances will be at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. BroadwayWorld has a first look at the cast onstage below!
Good Theater Presents 4000 MILES, Opening 3/6
Good Theater has announced the New England premiere of Amy Herzog's award winning 4000 MILES playing March 6 - 30. Performances will be at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. For tickets go to the Good Theater website www.goodtheater.com or call the box office at 207-885-5883.
Good Theater has announced the New England premiere of Amy Herzog's award winning 4000 MILES playing March 6 - 30. Performances will be at Good Theater's home, the St. Lawrence Arts Center, 76 Congress Street, Portland. For tickets go to the Good Theater website www.goodtheater.com or call the box office at 207-885-5883.
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