Eric Paskey

Strawdog Presents IMPROBABLE FREQUENCY, 2/24-3/31

Strawdog Theatre Company continues their 25th anniversary season with the Midwest premiere of Improbable Frequency, book & lyrics by Arthur Riordan and music by Bell Helicopter, directed by Strawdog Ensemble Member Kyle Hamman and musical direction by Strawdog Ensemble Member, Mike Przygoda, February 24 - March 31 at the Strawdog Theatre, 3829 North Broadway Street. The performance schedule is Thursdays, Fridays and Saturdays at 8 p.m. and Todays at 4 p.m.

Photo Flash: First Look at Michael Dailey, Sarah Goeden and More in IMPROBABLE FREQUENCY

Strawdog Theatre Company continues their 25th anniversary season with the Midwest premiere of Improbable Frequency, book & lyrics by Arthur Riordan and music by Bell Helicopter, directed by Strawdog Ensemble Member Kyle Hamman and musical direction by Strawdog Ensemble Member, Mike Przygoda, February 24 - March 31 at the Strawdog Theatre. BroadwayWorld has a first look below.

Strawdog Presents IMPROBABLE FREQUENCY, 2/24-3/31

Strawdog Theatre Company continues their 25th anniversary season with the Midwest premiere of Improbable Frequency, book & lyrics by Arthur Riordan and music by Bell Helicopter, directed by Strawdog Ensemble Member Kyle Hamman and musical direction by Strawdog Ensemble Member, Mike Przygoda, February 24 - March 31 at the Strawdog Theatre, 3829 North Broadway Street. The performance schedule is Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m.

Strawdog Presents IMPROBABLE FREQUENCY, 2/24-3/31

Strawdog Theatre Company continues their 25th anniversary season with the Midwest premiere of Improbable Frequency, book & lyrics by Arthur Riordan and music by Bell Helicopter, directed by Strawdog Ensemble Member Kyle Hamman and musical direction by Strawdog Ensemble Member, Mike Przygoda, February 24 - March 31 at the Strawdog Theatre, 3829 North Broadway Street. The performance schedule is Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m.

Signal Ensemble Theatre Opens Dario Fo’s Accidental Death of an Anarchist, 2/14

Signal Ensemble Theatre announces the third production in their 2010-2011, eighth anniversary season, Dario Fo's "Accidental Death of An Anarchist," directed by ensemble member Anthony Ingram. A bomb blast in a bank kills dozens and injures over a hundred, and the police pick up a professed anarchist for questioning.

Photo Flash: ACCIDENTAL DEATH OF AN ANARCHIST Opens at Signal Ensemble, 2/14

Signal Ensemble Theatre announces the third production in their 2010-2011, eighth anniversary season, Dario Fo's 'Accidental Death of An Anarchist,' directed by ensemble member Anthony Ingram. A bomb blast in a bank kills dozens and injures over a hundred, and the police pick up a professed anarchist for questioning. While being interrogated, he 'accidentally' falls out of a fourth floor window. Based on this true event which marked the beginning of a decade of state-sponsored terror, Nobel Award-winner Fo's play is a hilariously scathing satire that uses brutally funny violence and tragic wit to shine a light on the terrifying lengths governments will go to preserve their grip on power. The show will run about two hours with one intermission, and $5 from every ticket sold on March 12 will benefit SeasonofConcern.org

Photo Flash: Signal Ensemble Theatre Opens ACCIDENTAL DEATH OF AN ANARCHIST, 2/14

Signal Ensemble Theatre announces the third production in their 2010-2011, eighth anniversary season, Dario Fo's 'Accidental Death of An Anarchist,' directed by ensemble member Anthony Ingram. A bomb blast in a bank kills dozens and injures over a hundred, and the police pick up a professed anarchist for questioning. While being interrogated, he 'accidentally' falls out of a fourth floor window.

Signal Ensemble Theatre Opens Dario Fo’s Accidental Death of an Anarchist

Signal Ensemble Theatre announces the third production in their 2010-2011, eighth anniversary season, Dario Fo's "Accidental Death of An Anarchist," directed by ensemble member Anthony Ingram. A bomb blast in a bank kills dozens and injures over a hundred, and the police pick up a professed anarchist for questioning.

Signal Theatre Ensemble Presents THE BALLAD, Opens August 9

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

THE BALLAD OF THE SAD CAFE Opens Signal Ensemble Theatre's 7th Season 8/9

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Photo Flash: Signal Theatre Ensemble Presents THE BALLAD

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

Photo Flash: Signal Ensemble Theatre Presents THE BALLAD OF THE SAD CAFE

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?

THE BALLAD OF THE SAD CAFE Opens Signal Ensemble Theatre's 7th Season 8/9

Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?