Review: MACBETH (AN UNDOING), Rose Theatre
A production that promises to be a 'fresh take' on one of Shakepeare's most famous plays is apt to produce a weary sigh or two. After previously playing at Edinburgh's Royal Lyceum last February, Zinnie Harris now brings her promising yet unfocused version of the Scottish play to the Rose Theatre.
GHOSTS OF THE TITANIC Comes to the Park Theatre in March
Blending fact and fiction together, this new drama set in the days after the sinking of the Titanic charts the swirling of rumours, political distraction tactics and fake news that followed. A bereaved woman trying to find out the truth about her fiancé's death gets sucked into a maelstrom of questions.
Review Roundup: HAMLET, Starring Ian McKellen
Having opened the production under extended social distancing restrictions, Theatre Royal Windsor's run of Hamlet has been extended by three weeks. The reimagined age, colour, and gender-blind production, directed by Sean Mathias, stars Ian McKellen. Check out what the critics had to say...
BWW Review: OUT WEST, Lyric Hammersmith Theatre
Last night the Lyric Hammersmith Theatre reopened with the world premiere of Out West. This play is comprised of three new one-person-shows written by UK playwrights: Tanika Gupta, Simon Stephens and Roy Williams. The production is co-directed by Rachel O'Riordan & Diane Page.
BWW Review: FAUSTUS: THAT DAMNED WOMAN, Lyric Hammersmith
If like many you find yourself wishing you could change the world right now, you might want to first pop down to the Lyric Hammersmith to see Chris Bush's Faustus: That Damned Woman. Taking Christopher Marlowe's Renaissance play and bringing parts of it into the twenty-first century, Bush's new work reminds audiences that dealings with the devil always ever benefit one person. Hint: it's not you or me.
ENDGAME Leads January's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Beckett revival to Tom Stoppard and magical mishaps, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
BWW Review: HOARD, Arcola Theatre
Bili (Kemi Durosinmi) is introducing her boyfriend Brian (Tyler Fayose) to her sisters Rafi (Elizabeth Ita) and Ami (played by Estella Daniels on book due to Emmanuella Cole's being ill on press night). When their mother Wura (Ellen Thomas) decides to crash their dinner party unannounced, the reason why she's unaware of Brian's involvement with her daughter comes to the surface and unearths a series of deep-rooted family issues.
Cast Announced For Bim Adewunmi's Debut Play, HOARD At Arcola Theatre
It was announced today, 28th March, that the cast for Guardian and BuzzFeed journalist Bim Adewunmi's debut play, Hoard at Arcola Theatre will include Ellen Thomas (EastEnders),Emmanuella Cole (National Theatre's An Octoroon), Kemi Durosinmi (Arcola Theatre's The Secret Lives of Baba Segi's Wives), Tyler Furose (The Globe's Much Ado About Nothing), andElizabeth Ita (The Favourite).
BWW Review: AN OCTOROON, National Theatre
Ned Bennett's production is a gruelling watch, and has contained within it many moments that shock, enlighten, provoke and surprise. Despite its transfer to the National Theatre, the production is still, as Ken Nwosu states to the audience, 'surrounded by white people.'
Photo Flash: First Look at National Theatre's AN OCTOROON
Described by the New York Times as 'this decade's most eloquent statement on race in America today', Branden Jacobs-Jenkins' extraordinary and provocative play An Octoroon comes to the National Theatre after a sold out run at the Orange Tree Theatre. In 1859, white Irish playwright Dion Boucicault writes a hit play about America. Today, a black American playwright attempts to do the same.
Photo Flash: First Look Rehearsals of National Theatre's AN OCTOROON!
Described by the New York Times as 'this decade's most eloquent statement on race in America today', Branden Jacobs-Jenkins' extraordinary and provocative play comes to the National Theatre after a sold out run at the Orange Tree Theatre. In 1859, white Irish playwright Dion Boucicault writes a hit play about America. Today, a black American playwright attempts to do the same.