Review: ANTONY & CLEOPATRA, Shakespeare's Globe
'Age cannot wither her, nor custom stale her infinite variety.' Aside from a couple of Horrible Histories songs, most people probably know Cleopatra for her unique manner of death - almost certainly an apocryphal story (it's far more likely that she simply poisoned herself), but that and her ill-fated relationship with Mark Antony clearly piqued William Shakespeare's interest.
Review: SOME DEMON, Arcola Theatre
Laura Waldren lifts the veil off an eating disorder unit. While the characters try hard to cope with an alienating structure that fails many of its patients, Waldren examines institutional callousness and human failure. Chosen from a staggering 1,468 scripts, Some Demon it’s an excellent pick. Though far away from an easy watch, it’s rife with urgent necessity.
Review: LIFE OF PI, Theatre Royal, Glasgow
After conquering the West End and Broadway, the 5 star ‘theatrical phenomenon’ embarks on its biggest adventure yet. Don’t miss the West End and Broadway spectacle on its first ever UK tour.
Review: THE TRIALS AND PASSIONS OF UNFAMOUS WOMEN, Brixton House Theatre
A courtroom is a place of tradition, of cold reason rather than emotional responses. This is a fact which is highlighted in The Trials and Passions of Unfamous Women, a new play produced by LIFT, Brixton House and Clean Break, a company which works to bring the stories of women who are criminalised to a wider audience. The play takes us on an exploration of the court system through the eyes of women, fluctuating between classical stories of female trials and modern testimonies.
Review: OLIVE JAR, Grand Junction
What is theatre fundamentally about? Why do we create any form of literature or performance? Why do we tell stories? Stories are such a formative part of life, forging our knowledge of the world and helping to bring communities together.
Photos: In Rehearsal for THE HOUSE PARTY At Chichester's Minerva Theatre
Laura Lomas’s The House Party spins Strindberg’s Miss Julie into intense, fizzing life for today’s generation. Directed by Holly Race Roughan, in a co-production with Headlong in association with Frantic Assembly, it runs at Chichester’s Minerva Theatre from 3 May – 1 June, with a press night on Friday 10 May. See photos from inside the rehearsal room below!
Review: JEN�®FA, London Coliseum
Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.
Review: MACBETH (AN UNDOING), Rose Theatre
A production that promises to be a 'fresh take' on one of Shakepeare's most famous plays is apt to produce a weary sigh or two. After previously playing at Edinburgh's Royal Lyceum last February, Zinnie Harris now brings her promising yet unfocused version of the Scottish play to the Rose Theatre.
Review: BEN & IMO, Swan Theatre, Stratford-upon-Avon
Written by Mark Ravenhill and directed by Erica Whyman, Ben & Imo tells the story of the composition of Benjamin Britten’s (Samuel Barnett) Gloriana with musical assistant Imogen Holst (Victoria Yeates) over a period of nine months in the coast town of Aldeburgh. The play is based on Ravenhill’s BBC Radio 3 presentation, Imo and Ben.
Review: NACHTLAND, Young Vic
Nachtland is a nervous, difficult play whose purpose is decisively blurry. It doesn’t revel as much as it should in the unknotting of its cerebral conundrum and doesn’t bask in the incredible satire it holds. The ideas it presents are topical, yet the piece is distracted. It tries to be quirky and different, but the result is tired and unfocused. It will make audiences think and talk about what they just saw, but not necessarily in a good way.
Review: THE FULL MONTY, Theatre Royal Glasgow
Actors bare it all in Simon Beaufoy's award-winning adaptation of The Full Monty in Glasgow this week. A hilarious, delightful and phenomenally-acted story with an important social critique - what's not to love?
Review: THIS MIGHT NOT BE IT, Bush Theatre
The local NHS Child and Adolescent Mental Health Service facility has a new temp, but Jay’s bright eyes and hopeful attitude grate against Angela’s 30 years’ worth of experience. This Might Not Be It confronts the issues that plague our national health services with an excavation of their human fallout.