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Elizabeth Yvette Ramirez

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BIO

Boston-based stage manager and Actor's Equity Association council member.

News


Merrimack Repertory Theatre Presents William Shakespeare's MACBETH

Something wicked this way comes. Merrimack Repertory Theatre (MRT) will present a unique take on William Shakespeare's Macbeth: the sinister tale will be told in its entirety through the eyes of the play's three powerful witches, directed by Rosa Joshi, from October 16 through November 6, according to Nancy L. Donahue Artistic Director Courtney Sale and Executive Director Bonnie J. Butkas.
Actors' Equity Association Announces Results Of 2022 Officer And Councilor Election

Actors' Equity Association, the union which represents more than 51,000 professional stage actors and stage managers, announced the results of its 2022 office and councilor election.
BWW Review: MR. PARENT at Lyric Stage Company Of Boston

MR PARENT tells the story of a teacher struggling to find the balance between doing what you love and doing what you feel like you need to be doing.
Two River Theater Announces 10th Annual Crossing Borders Festival

Since 2011, Two River Theater has introduced new voices from across the country to their annual Crossing Borders (Cruzano Fronteras) Festival of new plays by Latinx playwrights. This year’s playwrights explore stories about family history, computer science, teens navigating the “new normal”, and a makeshift family arriving at the cusp of the 22nd century.
BWW Review: CAROLINE, OR CHANGE at Moonbox Productions

CAROLINE, OR CHANGE is Tony Kushner's (book and lyrics) semi-autobiographical, sung-through musical, with music by Jeanine Tesori (FUN HOME), that had its origins Off-Broadway in 2003, before transferring to Broadway in 2004 for 136 performances and receiving six Tony nominations. In the ensuing years, it had numerous productions in regional theaters and London, and it has long been on Moonbox Productions' short list, according to Producer and Artistic Director Sharman Altshuler. Under the direction of Allison Olivia Choat, the Moonbox staging is a solid effort with a cohesive ensemble, excellent musical direction and vocals, and vivid design elements. Yewande Odetoyinbo is a force in the title role.
BWW Review: NOT MEDEA: Motherhood Gone Awry

Playwright Allison Gregory combines myth and magic to craft a non-linear narrative about betrayal, death, motherhood, and the darkest tragedy. It is to her credit that she weaves a great deal of humor and humanity through the play, and Juliet Bowler is adept at playing both sides of the character. Toga-clad Gene Dante is c*cksure in the dual roles of the mythological Jason (of Golden Fleece fame) and modern-day Jason, the woman's ex-husband who left her for a younger wife. Every Greek play must have its Chorus to contribute commentary, ably provided here in both spoken and sung verses by Cassandra Meyer. Elizabeth Yvette Ramirez directs with a clear-eyed vision of both the real world and allegorical components of the play, and elicits strong performances from her tight-knit ensemble.
BWW Review: WHO IS EARTHA MAE? World Premiere at Bridge Repertory Theater

In one of the most mesmerizing performances in recent memory, Jade Wheeler answers the question with a stunning interpretation of Eartha Kitt, both as an artist and as a person. With a foundation of creative direction by Cailin Doran, outstanding piano accompaniment by music director Seulah Noh, and synergistic design elements, Wheeler does the rest with the power of her voice, her magnetic gaze, and her expressive movements.
BWW Review: Linehan and Ellis March in Step in Reagle Music Theatre's THE MUSIC MAN

Mark Linehan and Jennifer Ellis march in step in a glorious rendering of Meredith Willson's THE MUSIC MAN to close out Reagle Music Theatre's 50th Anniversary Summer Season with a bang. Director/choreographer Susan M. Chebookjian's staging is seamless, with one production number after another showing off the ensemble's terpsichorean talent with challenging dance combinations, and Music Director Dan Rodriguez conducts a 12-piece orchestra that brings out the brio of Willson's score. The 1957 Tony Award-winning Best Musical still has lots of get up and go, with stirring marches and patter songs, romantic ballads, and a town full of characters as American as apple pie.
BWW Review: Reagle Music Theatre's ANYTHING GOES: Seaworthy and 'See-worthy'

An energetic cast of nearly 40 performers and a 16-piece orchestra give the incomparable Cole Porter score of ANYTHING GOES its due. Leigh Barrett headlines as Reno Sweeney, and multiple IRNE Award-winners Elaine Grace and Dan Rodriguez direct/choreograph and music direct/conduct, respectively. The fabulous singing and dancing keep this ship afloat for its transatlantic journey.

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