Review: THE LIGHT IN THE PIAZZA by Central Florida Vocal Arts
The feelings that one gets when sitting in the audience for a musical production can run the gamut from sadness and heartbreak to joy and excitement. But it is a rare experience when a production causes one to experience the full breadth of human emotion – becoming transfixed and transported to an elevated state of bliss. This is what I experienced last night at Central Florida Vocal Arts (CFVA) production of Adam Guettel’s THE LIGHT IN THE PIAZZA – an stunningly brilliant production featuring some of the most magnificent vocals I have heard from the stage in a very long time.
Feature: THE LIGHT IN THE PIAZZA Final Weekend at Palm Canyon Theatre
Based on the 1960 novella by Elizabeth Spencer, 'The Light In The Piazza' is set in the 1950s in Florence, Italy, where Margaret Johnson, a wealthy Southern woman, and her daughter Clara, who is developmentally disabled, are vacationing from the US. When Clara falls in love with a young Italian man, Margaret is forced to reconsider not only Clara's future, but her own deep-seated hopes and regrets as well.
Previews: THE LIGHT IN THE PIAZZA at Palm Canyon Theatre
Based on the 1960 novella by Elizabeth Spencer, the show is set in the 1950s in Florence, Italy. Margaret Johnson, a wealthy Southern woman, and her daughter Clara, who is developmentally disabled are vacationing in Florence, Italy.
Review: SWEENEY TODD is a Bloody Good Time at Palm Canyon Theatre
What is it about a good horror story that draws audiences by the cart load? Is it the adrenaline surge of danger around every corner, even as the viewer remains safely out of danger? Or is it the exploration of the dark side of man’s psyche, feeding a vicarious blood lust in the deep recesses of our primordial hind brains? Or, is it a bit of schadenfreude, particularly if the victim is “deserving”? All of things await the anxious theatregoer in Palm Canyon’s Theatre’s latest venture, Steven’s Sondheim’s macabre masterpiece “Sweeney Todd”.
Review Roundup: THE LIGHT IN THE PIAZZA at Encores!
Up next at New York City Center, the Encores! season continues with The Light in the Piazza, led by Tony winner Ruthie Ann Miles. Encores! The Light in the Piazza runs for seven performances only, through June 25, at New York City Center.
Elena Shaddow Will Lead LIGHT IN THE PIAZZA Concert at Alexandra Palace Theatre
For one night only at London's Ally Pally Theatre, Adam Guettel and Craig Lucas’ Tony Award-winning musical The Light In The Piazza will play a concert performance, starring Starring Elena Shaddow as Margaret Johnson. Shaddow will make history as the first performer to play both Margarget at Clara (first national tour).
BWW Review: A MINISTER'S WIFE: Love, Marriage, and the Poetry in Between
In A MINISTER'S WIFE, the composer's collaboration with Austin Pendleton (book), and Jan Levy Tranen (lyrics) dilutes his influence on CANDIDA's transcription, relegating the audience to a compendiary version that eliminates, among other elements, Candida's businessman father - a staunch capitalist foil to her socialist husband, the Reverend James Morell. Just as well, I suppose, given the daunting task of mixing up politics with a love triangle.
Palm Beach Dramaworks Presents THE LIGHT IN THE PIAZZA
The Light in the Piazza, a romantic, incandescent musical by Craig Lucas (book) and Adam Guettel (music and lyrics) about family secrets and the pursuit of happiness, opens at Palm Beach Dramaworks on Friday, April 3 at 8PM at the Don & Ann Brown Theatre. Winner of six 2005 Tony Awards, including Best Original Score, the show runs through April 26, with specially priced previews on April 1 and 2 (7:30PM). Bruce Linser directs.
BWW Review: Scenario Two's THE LIGHT IN THE PIAZZA at Lyric Opera House
Lyric Opera's special holiday engagement of Adam Guettel's THE LIGHT IN THE PIAZZA, one of the few contemporary musicals written in a style that harkens back to the Golden Age, is beautifully sung with the composer's complicated and melodious score performed by a superb orchestra. The musical focuses on Margaret Johnson and her daughter Clara, who take a vacation to Florence, Italy in the summer of 1953a?'and find their lives forever changed after Clara has a chance encounter with Fabrizio Nacarelli, a young Italian man. It should come as little surprise that Renèe Fleming has a radiant turn as Margaret. Vocally, Fleming's take on the role is pristine, but she also plays out the tension between Margaret's fiercely protective instincts when it comes to her child and her yearning to empower Clara to lead her own life as a young adult. While I wish to avoid spoilers, it's key to share that the musical has a twist that includes a revelation about Clara that shines light on precisely why Margaret feels so compelled to keep watch over her daughter.