Cast Revealed For BIRTHRIGHT at Finborough Theatre
by Stephi Wild - Aug 17, 2023
A unique rediscovery marking the first professional UK production in more than 90 years of Birthright, the classic 1910 rural Irish tragedy by T. C. Murray, opening at the Finborough Theatre for a four week limited season on Tuesday, 5 September 2023.
Photos: First Look at THE WIND IN THE WILLOWS Adaptation at Wilton's Music Hall
by Chloe Rabinowitz - Nov 25, 2022
Get a first look at Kenneth Grahame's compelling The Wind in the Willows, now playing at Wilton's Music Hall, in a brand-new version. The Wind in the Willows Wilton's by acclaimed children's author Piers Torday will immerse adults and children into the charming and playful world of Ratty, Mole, Badger and Toad.
WIND IN THE WILLOWS Adaptation Comes To Wilton's Music Hall This Christmas
by Stephi Wild - Sep 14, 2022
This Christmas, Kenneth Grahame's compelling The Wind in the Willows is coming to Wilton's Music Hall, in a brand-new version The Wind in the Willows Wilton's by acclaimed children's author Piers Torday that will immerse adults and children (+5 years) into the charming and playful world of Ratty, Mole, Badger and Toad.
Wilton's Music Hall Announces 2022 Autumn Season
by Stephi Wild - Jul 5, 2022
Wilton's Music Hall announced an Autumn season for August-December 2022, with an impressive array of world-class theatre, music, comedy and opera in collaboration with a variety of distinguished production companies and talent.
Book Review: 100 PLAYS TO SAVE THE WORLD
by Cindy Marcolina - Dec 15, 2021
In the best-case scenario, by the end of the 21st century, the Earth will “only” become warmer by 1.5 degrees Celsius. Realistically, it will be much hotter. Severe heat waves and rising water levels are only two of the main symptoms of this; coral reefs will disappear almost entirely and animal species will go completely extinct. Seas will swallow cities whole. Polar bears will become a fever dream.
BWW Review: NORA: A DOLL'S HOUSE, Young Vic
by Charlie Wilks - Feb 11, 2020
Three distinct doorways separate three different time periods. Between them stands three Nora's, played superbly by Natalie Klamar, Amaka Okafor, and Anna Russell-Martin. The eras they occupy are a post-war 1948, a vibing 1968 and a more contemporary 2018. The women are subject to political, personal and societal suffocation.
Photo Flash: First Look at NORA: A DOLL'S HOUSE at the Young Vic
by Stephi Wild - Feb 7, 2020
Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.
THE VISIT Leads February's Top 10 New London Shows
by Marianka Swain - Jan 27, 2020
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a new Tony Kushner adaptation to an epic musical and Shakespeare sitcom, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
Cast Announced For NORA: A DOLL'S HOUSE at the Young Vic
by Stephi Wild - Nov 22, 2019
Artistic Director of the Young Vic Kwame Kwei-Armah today announces complete casting for Nora: A Doll's House. Anna Russell-Martin (Cyrano De Bergerac, A Christmas Carol Citizens Theatre) reprises her role from the critically-acclaimed Citizens Theatre production, and is joined by Mark Arends (MotherFatherSon; Fatherland Lyric Hammersmith), Natalie Klamar (Wilderness Hampstead Theatre; Richard II Almeida), Luke Norris (Poldark; Blue/Orange, A View from the Bridge Young Vic), Amaka Okafor (The Son Kiln/West End; I'm Not Running, Macbeth National Theatre) and Zephryn Taitte (Call The Midwife; Bitter Wheat Garrick Theatre).
BWW Review: MUCH ADO ABOUT NOTHING, Wilton's Music Hall
by Gary Naylor - Nov 14, 2019
Shakespeare at the Tobacco Factory have a lot of fun with their London transfer of Shakespeare's battle of the sexes, but not every decision pays off and they need to be more sympathetic to the unique pros and cons of this remarkable venue.