Review: Dizzying Night at the Met with Grigorian's Splendiferous BUTTERFLY in House Debut
Those of us who keep an eye on the comings and goings of singers at major opera houses around the world, have known that Friday’s debutant, Lithuanian soprano Asmik Grigorian, was going to be one to watch. And it was. No worries about whether her voice would translate from Europe’s smaller houses to the Met’s enormous hall: Grigorian may have been singing Puccini’s Cio-Cio-San/Madama Butterfly this time around, but she’s a well-schooled Lady Macbeth and Turandot as well, bringing a notably large voice with her. She survived the Met’s notoriously short rehearsal time for revivals (particularly for the second cast of the season). Lastly, she even made it through the final curveball, when tenor Jonathan Tetelman became ill and standby Chad Shelton had to take over as Pinkerton; he did well considering the circumstances, but he was no match for her.
Review: Thar's Gold " DAS RHEINGOLD " at Atlanta Opera in Tomer Zvulun's Entry into 'The Ring'
There are no supernatural women arriving on horseback to escort slain warriors to the afterlife--just a trio of mermaids, a couple of giants and a loveless dwarf, along with a bunch of gods, demi-gods and grotesque humans in Richard Wagner’s DAS RHEINGOLD, the first part of the composer’s Ring cycle (officially DER RING DES NIBELUNGEN). Saturday night’s audience stayed to cheer the opening of General and Artistic Director Tomer Zvulun’s production after nearly three intermission-less hours.
VIDEO: First Look at Atlanta Opera's DAS RHEINGOLD
Get a first look at The Atlanta Opera's - 'one of the most exciting opera companies in America' (Opera Wire) - production of Das Rheingold, the company's first production of any opera from Wagner's monumental Ring cycle (April 29-May 7).
Atlanta Opera Closes 22-23 Season With DAS RHEINGOLD, April 29-May 7
The Atlanta Opera – “one of the most exciting opera companies in America” (Opera Wire) – closes its mainstage 2022-23 season with a milestone event: General and Artistic Director Tomer Zvulun's new production of Das Rheingold, the company's first production of any opera from Wagner's monumental Ring cycle (April 29–May 7).
Dallas Opera Announces 2022-23 Season
Programming for The Dallas Opera’s 2022/2023 Season was announced today by Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, and Emmanuel Villaume, the Mrs. Eugene McDermott Music Director, in celebration of the company’s 65th Anniversary.
Puccini's MADAMA BUTTERFLY to Return to The Met
One of Puccini’s most popular operas, Madama Butterfly, returns to the Met for eleven performances, March 19–May 7. Set in Japan at the turn of the 20th century, the revival of Anthony Minghella’s evocative staging draws inspiration from traditional Japanese theater with brilliant stagecraft, bold colors, and Bunraku puppetry to tell the heartbreaking tale of doomed love.