Photos: Arena Stage Hosts Free Live Simulcast of TONI STONE at Nationals Park
Arena Stage at the Mead Center for American Theater partnered with Nationals Park to host a free live simulcast of the Roundabout Theatre Company's production of Toni Stone on Sunday, September 26 at 7:30 p.m. The performance inside the Kreeger Theater was broadcast to the center field video board at Nationals Park for thousands to experience.
Photos: Inside First Rehearsal For TONI STONE at Arena Stage
Reprising their roles from the A.C.T. run include JaBen Early (Arena's Junk), Kenn E. Head (Roundabout's Toni Stone), Rodney Earl Jackson Jr. (Broadway's Ain't Too Proud - The Life and Times of The Temptations), Sean-Maurice Lynch (Arena's Jubilee) and Jarrod Mims Smith (A.C.T.'s The Royale).
Arena Stage Announces TONI STONE Cast and Creative Team
Arena Stage at the Mead Center for American Theater announces the company for Toni Stone, written by Arena alumna resident playwright Lydia R. Diamond. Set in the 1950s, Toni Stone was the first woman to play baseball in the Negro Leagues, also making her the first woman to play in a professional men's league.
Full Cast of TONI STONE by Lydia R. Diamond Announced at Arena Stage
Arena Stage at the Mead Center for American Theater has announced the company for Toni Stone, written by Arena alumna resident playwright Lydia R. Diamond. Set in the 1950s, Toni Stone was the first woman to play baseball in the Negro Leagues, also making her the first woman to play professionally in a men's league. Against all odds, Stone blazed a path in the male-dominated sports world, shattering expectations and creating her own set of rules.
Photo Flash: First Look at A THOUSAND SPLENDID SUNS at The Old Globe
A sweeping and deeply moving theatrical production based on the best-selling book by Khaled Hosseini (The Kite Runner). The epic story of three generations of Afghan women and their remarkable resilience, A Thousand Splendid Suns is set in the war-torn neighborhoods of 1990s Kabul. When battle upends her family, beautiful Laila must seek shelter, first in the home and then in the arms of her older neighbor. Soon she forges an extraordinary and unlikely friendship with Mariam, her new husband's first wife. Summoning the strength to defy a tyrannical society, the two women seek hope and the promise of a better future.
Photo Flash: The Old Globe Presents A THOUSAND SPLENDID SUNS
The Old Globe's 2017-2018 Season continues with today's announcement of the complete cast and creative team for the Southern California debut of A Thousand Splendid Suns, Ursula Rani Sarma's sweeping and deeply moving theatrical production based on the best-selling book by Khaled Hosseini (The Kite Runner). Directed by Carey Perloff and presented in association with American Conservatory Theater, A Thousand Splendid Suns will run May 12 - June 17, 2018 on the Donald and Darlene Shiley Stage, Old Globe Theatre, Conrad Prebys Theatre Center. Tickets start at $30.00 and are on sale to the general public now. Previews run May 12-16. Opening night is Thursday, May 17 at 8:00 p.m.
The Old Globe Announces Cast and Creative of A THOUSAND SPLENDID SUNS
The Old Globe's 2017-2018 Season continues with today's announcement of the complete cast and creative team for the Southern California debut of
A Thousand Splendid Suns, Ursula Rani Sarma's sweeping and deeply moving theatrical production based on the best-selling book by Khaled Hosseini (The Kite Runner).
Kaufman and Hart's ONCE IN A LIFETIME Opens At A.C.T.
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).
Kaufman and Hart's ONCE IN A LIFETIME Opens At A.C.T.
The American Conservatory Theater (A.C.T.) 2011-12 season opens with a new revival of the dazzling George S. Kaufman and Moss Hart 1930 comedy Once in a Lifetime, which has been called 'a delicious Hollywood send up' (The New York Times) and 'a tinseltown satire [with] bite' (Newsday).