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Edmund Cionek

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BIO

Edmund Cionek is a New York-based composer who writes for the theatre and the concert hall. His catalogue of orchestral, chamber, and vocal music reflects a deft blend of classical design, pop elements, and humor mixed in a post-modern style. A student of William Bolcom, he earned the degree DMA in Composition from the University of Michigan. Cionek also studied in Paris with Schoenberg disciple Max Deutsch at the École Normale de Musique. He has served on the Board of Directors of the League of Composers-ISCM, the New York Art Ensemble, and currently The Bar Harbor Music Festival. Edward B. Marks, Carlin America & EDITIONS Amsterdam publish his works. He is a member of ASCAP and AFM-Local 802. He was recently appointed to the College Music Society Music Composition National Advisory Board. He has received support from The National Endowment for the Arts, The International Institute of Education, ASCAP, Meet The Composer, the MacDowell Colony, the Maine Humanities Council, the Maine Arts Commission, and the North Carolina Council for the Arts. For many years Cionek has been Composer-in-Residence with the Bar Harbor (ME) Music Festival where he curates the Festival’s “New Composers Concert”, a platform for emerging talent.
His theatre works TRI-SCI-FI: a Chillogy (finalist in the 2003 Richard Rodgers Theatre Awards) and Attack of the 50 foot Walt Whitman have been performed at Mabou Mines, the FringefestivalNYC and The Tribeca New Music Festival.

Current musical projects include Emersonia, written for the Ensemble Tremblay, to be premiered at the 2012 Bar Harbor Music Festival. His new work for string orchestra, O Virtuous Light, will also be premiered at the 2012 Bar Harbor Festival by the resident String Orchestra conducted by Francis Fortier.

With his wife, Patti Wyss, Cionek creates arrangements and orchestrations for singers, pop orchestras and theatre productions around the United States. Performances this year include the New Jersey Symphony, Indianapolis Symphony, and the Utah Pops. He teaches at New York University and Purchase College.

Productions

 
[Milburn, NJ (Regional), 1999]
Orchestrator

News


Tribeca New Music Presents A Concert Reading of RETURNING: THE ORDEAL OF OLIVE OATMAN

'Returning: The Ordeal of Olive Oatman - An Opera World Premiere concert reading at Opera America's National Opera Center. Based on the true story of a Mormon girl taken captive by Native Americans in 1851.'
North/South Consonance, Inc. Presents a New Year's Celebration This January

North/South Consonance, Inc. kicks off its 40th consecutive season and celebrates the arrival of the New Year with a free-admission concert on Sunday afternoon January 12, 2020.
The North/South Trio Presents Free Concert NOTHING FORGOTTEN

On Monday evening May 22, violinist Claudia Schaer and cellist Marisol Espada will join forces with pianist Max Lifchitz for a free-admission concert featuring alluring and refreshing chamber works by composers from Mexico, Puerto Rico and the US.
Claudia Schaer and Max Lifchitz Appear at the Bar Harbor Music Festival

Claudia Schaer and Max Lifchitz are set to appear at the Bar Harbor Music Festival performing works by composers from Europe and the US.
Claudia Schaer and Max Lifchitz to Appear at the Bar Harbor Music Festival

Claudia Schaer and Max Lifchitz are set to appear at the Bar Harbor Music Festival performing works by composers from Europe and the US.
North/South Chamber Orchestra Closes 35th Season Tonight

This evening, June 16, the North/South Chamber Orchestra under the direction of Max Lifchitz welcomes the summer season when it concludes its 35th season performing a concert featuring four new works by composers hailing from Puerto Rico and the US.
North/South Chamber Orchestra to Close 35th Season, 6/16

On Tuesday evening June 16, the North/South Chamber Orchestra under the direction of Max Lifchitz welcomes the summer season when it concludes its 35th season performing a concert featuring four new works by composers hailing from Puerto Rico and the US.

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