Review: FUNNY GIRL at Kansas City Music Hall
FUNNY GIRL is one of the crown gems of the American Musical Theater. Kansas City audiences will be treated to a first-class production of a show that many theater buffs know about but have never seen.
Tuesday night’s performance starred Leah Platt in the lead role of Fanny Brice. Leah has a gangbuster voice fully displayed as she plows through an excellent score with music by Jule Styne and lyrics by Bob Merrill.
Feature: FUNNY GIRL at KANSAS CITY MUSIC HALL
One of the fun parts of reviewing shows in Kansas City is the occasional opportunity to meet and interview some of the talented touring performers who come through with road productions of Broadway shows.
Review: FUNNY GIRL is Gorgeous at the Eccles Theater
The national tour of FUNNY GIRL, currently playing at the Eccles Theater in Salt Lake City, is a gorgeous rendition of a timeless classic that runs the gamut of emotion from self-deprecating comedy to heart-wrenching drama to chill-inducing performance.
Review: FUNNY GIRL at The Paramount Theatre
And now we have the tour, currently playing at The Paramount Theatre. And it looks like the producers have learned their lesson with the “stunt casting” and just brought in people who can handle the part, such as Hannah Shankman as the irrepressible Fanny Brice, who is making her debut with the tour here in Seattle. And she has certainly left her mark on the role and on our town.
Hannah Shankman Will Star as Fanny Brice in FUNNY GIRL National Tour
Hannah Shankman will take over the role of Fanny Brice when the tour opens in Seattle on September 24th, 2024. She joins returning cast members Melissa Manchester as Mrs. Brice, Stephen Mark Lukas as Nick Arnstein, Izaiah Montaque Harris as Eddie Ryan, Walter Coppage as Florenz Ziegfeld, Leah Platt as Emma/Mrs. Nadler, Christine Bunuan as Mrs. Meeker, and David Foley Jr. as Tom Keeney.
Review: MSMT's FUNNY GIRL: Bold, Beautiful & Star-Studded
Maine State Music Theatre’s new production of FUNNY GIRL is a triumph for its star and a coup for the company. Obtaining the first rights to produce the show after the closing of the recent Broadway revival is an unprecedented accomplishment for the theatre’s Artistic Director, Curt Dale Clark. In addition, the production, itself, is arguably the first FUNNY GIRL anywhere to use the state-of-the art video technology, and perhaps the most thrilling feat of all: not only does the entire cast deliver stunning performances, but Jenna Lea Rosen, who makes her MSMT debut and role debut as Fanny Brice, is unquestionably a superstar. The result is an evening in the theatre that is as exhilarating and spellbinding as any you will see on any stage and an experience not to be missed!
Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
FUNNY GIRL Comes to the Ahmanson Next Month
FUNNY GIRL, the sensational musical comedy revival, is coming to the Ahmanson Theatre in Los Angeles for a limited four-week engagement from Tuesday, April 2 to Sunday, April 28, 2024. The press opening is Wednesday, April 3.
Review: FUNNY GIRL at Des Moines Performing Arts
Hey Des Moines, here she is. A new production of 'Funny Girl' opened on Tuesday evening. When you think of the show 'Funny Girl,' one of the first things you probably think of is the person you saw bringing Fannie Brice to life on stage. For the show to work, you need someone who can deliver an iconic performance. That may be why it took nearly 60 years for the show to be revived on Broadway. Now, just short of 60 years, the revival's national tour is making a stop in Des Moines as part of the Willis Broadway Series. Judging from the audience response, there is a new iconic name that people will consider when thinking of 'Funny Girl.'
Review: FUNNY GIRL at Cleveland's Connor Palace
Fania Borch was one of early 20th century vaudeville’s greatest stars. Fania?? Oh, Fanny Brice, as she was known on the Ziegfeld Follies circuit, and is the nominal subject of FUNNY GIRL, now on stage at the Connor Palace as part of the Key Bank Broadway Series.
Review: FUNNY GIRL at Shea's Buffalo Theatre
Funny. In 1964 a newcomer named Barbra Streisand was the third or fourth choice to take on the role of Fanny Brice in the new Jule Styne musical FUNNY GIRL. The result catapulted a gawky Jewish girl from Brooklyn to superstar status. And the musical has never been revived again on Broadway.