MUSIC CITY CONFIDENTIAL #2: Offstage, Onstage, Backstage and Beyond With The Theaterati
What better way to kick off Sunday-and to celebrate Father's Day!-than with the latest installment of Music City Confidential! Here's where you'll find all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating live theater industry. Amid the florid prose and flowery praise, you'll find all the stories that don't quite fit anywhere else, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…
BWW Reviews: EMERGENCE Shows Off Artistic Collaboration At Its Very Best
Let's face it: You have to give Paul Vasterling, the grand poobah (as both artistic director and CEO of Nashville Ballet, what other title suits him best?) of all things musical/dancical/theatrical in Music City, a whole bunch of credit for the imaginative-heretofore unexperienced-heights he has helped his company achieve and his city to claim as its own. The man has redefined the idea of collaboration while giving human form to the term "synergy" with his continuing efforts to push the creative envelope in a city filled with artistic types and their sometimes conflicting sensibilities.
BWW Reviews: Sansone and Stuart Lay Claim to Ownership of Nashville Ballet's RITE OF SPRING
Inspired by the original work choreographed by Vaslav Nijinsky and performed to the glorious music composed by Igor Stravinsky for the original Ballets Russes production, Nashville Ballet's rendition of Rite of Spring further underscores the company's artistic range and the depth of artistic director Paul Vasterling's bench, which is exemplified by Kayla Rowser and Jon Upleger in his thrilling, stirring Firebird that opens the evening's twin-bill of ballets.
BWW Reviews: Nashville Ballet's Lush and Romantic CINDERELLA Opens Its 26th Season
With new and expressive choreography by Paul Vasterling - set to Prokofiev's timelessly beautiful 1944 score - Nashville Ballet opens its 26th season with a sumptuous remounting of Cinderella which captures, once more, the sheer artistry of the company's dancers while giving audiences exactly what they want when they go to the ballet: flights of fancy wrapped up in a gorgeously adorned, artistically crafted package.
BWW Interviews: Nashville Ballet's EDDIE MIKRUT, This Dancer's Life
Eddie Mikrut is one of the leading lights of Nashville Ballet's professional company of dancers, taking on some of the most challenging roles in the dancer's repertory and consistently delivering awe-inspiring performances. Paired with some of the exceptional women in the company, Mikrut shows a superb command of his talent and his abilities, in so doing lifting (both literally and figuratively) the women to greater heights and showing off the various choreographic challenges cast upon him.
BWW Reviews: DIRECTOR'S CHOICE Winter Series from Nashville Ballet
With the North American premiere of Twyla Tharp's The Story Teller generating most of the buzz prior to opening night, Nashville Ballet's Director's Choice winter series provided a much-needed jolt of electricity to the city's midwinter arts calendar. But it was the exquisite pairing of Molly Sansone and Jon Upleger in Salvatore Aiello's completely sensual and mildly erotic Satto that truly turned up the heat in the company's annual salute to contemporary dance.
BWW Reviews: Nashville Ballet's World Premiere of A MIDSUMMER NIGHT'S DREAM
The resulting production that comes from Vasterling's unerringly skillful choreography and his clearly developed vision for the piece - exquisitely expressed through Baird's costume and scenic design, Scott Leathers' stunningly evocative lighting design and the beautiful music of Felix Mendelssohn performed by members of the Nashville Symphony under the baton of Nashville Ballet music director Paul Gambill - is a rousing and fitting conclusion to the company's 24th season, clearly paving the way to a stellar silver anniversary season that will open next fall with a full production of Swan Lake.
BWW Blog: Nashville Theatre's 'Top Ten of 2009'
With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.
REVIEW: 'Nashville's Nutcracker' from Nashville Ballet
Nashville Ballet ushers in the holiday season in glorious style with its revival of artistic director Paul Vasterling's visionary re-interpretation of The Nutcracker, onstage at TPAC's Andrew Jackson Hall through December 20. More accurately referred to as Nashville's Nutcracker, Vasterling's epic work is a joyous, colorful Christmas card to the people of Music City who have embraced it with their customary warmth and rewarded it with their own glowing accolades.
REVIEW: Nashville Ballet's 'Giselle'
Since its preeminence among the city's artistic entities became de facto, Nashville Ballet has consistently launched the real artistic season in Music City each year -- and with the return of Giselle to the company's program after a seven-year hiatus, the 2009-2010 season is off to a rousing start. One of the most beloved works from the classical repertoire, Giselle is a challenging undertaking for any company, but thanks to the vision of artistic director Paul Vasterling, Nashville Ballet's production is a visual feast, featuring stunning costumes, evocative lighting and gorgeous scenery.
